Natalie Jenner, the internationally bestselling author of The Jane Austen Society, returns with a compelling and heartwarming story of post-war London, a century-old bookstore, and three women determined to find their way in a fast-changing world in Bloomsbury Girls.
Bloomsbury Books is an old-fashioned new and rare bookstore that has persisted and resisted change for a hundred years, run by men and guided by the general manager’s unbreakable fifty-one rules. But in 1950, the world is changing, especially the world of books and publishing, and at Bloomsbury Books, the girls in the shop have plans:
Vivien Lowry: Single since her aristocratic fiancé was killed in action during World War II, the brilliant and stylish Vivien has a long list of grievances—most of them well justified and the biggest of which is Alec McDonough, the Head of Fiction.
Grace Perkins: Married with two sons, she’s been working to support the family following her husband’s breakdown in the aftermath of the war. Torn between duty to her family and dreams of her own.
Evie Stone: In the first class of female students from Cambridge permitted to earn a degree, Evie was denied an academic position in favor of her less accomplished male rival. Now she’s working at Bloomsbury Books while she plans to remake her own future.
As they interact with various literary figures of the time—Daphne Du Maurier, Ellen Doubleday, Sonia Blair (widow of George Orwell), Samuel Beckett, Peggy Guggenheim, and others—these three women with their complex web of relationships, goals and dreams are all working to plot out a future that is richer and more rewarding than anything society will allow.
I am immensely grateful for the outpouring of affection that so many of you have expressed for my debut novel The Jane Austen Society and its eight main characters. When I wrote its epilogue (in one go and without ever changing a word), I wanted to give each of Adam, Mimi, Dr. Gray, Adeline, Yardley, Frances, Evie and Andrew the happy Austenesque ending they each deserved. But I could not let go of servant girl Evie Stone, the youngest and only character inspired by real life (my mother, who had to leave school at age fourteen, and my daughter, who does eighteenth-century research for a university professor and his team). Bloomsbury Girls continues Evie’s adventures into a 1950s London bookshop where there is a battle of the sexes raging between the male managers and the female staff, who decide to pull together their smarts, connections, and limited resources to take over the shop and make it their own. There are dozens of new characters in Bloomsbury Girls from several different countries, and audiobook narration was going to require a female voice of the highest training and caliber. When I learned that British stage and screen actress Juliet Stevenson, CBE, had agreed to narrate, I knew that my story could not be in better hands, and I so hope you enjoy reading or listening to it.
Warmest regards, Natalie
Read an excerpt:
The Tyrant was Alec McDonough, a bachelor in his early thirties who ran the New Books, Fiction & Art Department on the ground floor of Bloomsbury Books. He had read literature and fine art at the University of Bristol and been planning on a career in something big—Vivien accused him of wanting to run a small colony—when the war had intervened. Following his honourable discharge in 1945, Alec had joined the shop on the exact same day as Vivien. “By an hour ahead. Like a dominant twin,” she would quip whenever Alec was rewarded with anything first.
From the start Alec and Vivien were rivals, and not just for increasing control of the fiction floor. Every editor that wandered in, every literary guest speaker, was a chance for them to have access to the powers that be in the publishing industry. As two secretly aspiring writers, they had each come to London and taken the position at Bloomsbury Books for this reason. But they were also both savvy enough to know that the men in charge—from the rigid Mr. Dutton and then-head-of-fiction Graham Kingsley, to the restless Frank Allen and crusty Master Mariner Scott—were whom they first needed to please. Alec had a clear and distinct advantage when it came to that. Between the tales of wartime service, shared grammar schools, and past cricket-match victories, Vivien grew quickly dismayed at her own possibility for promotion.
Sure enough, within weeks Alec had quickly entrenched himself with both the long-standing general manager, Herbert Dutton, and his right-hand man, Frank Allen. By 1948, upon the retirement of Graham Kingsley, Alec had ascended to the post of head of fiction, and within the year had added new books and art to his oversight—an achievement which Vivien still referred to as the Annexation.
She had been first to call him the Tyrant; he called her nothing at all. Vivien’s issues with Alec ranged from the titles they stocked on the shelves, to his preference for booking events exclusively with male authors who had served in war. With her own degree in literature from Durham (Cambridge, her dream university, still refusing in 1941 to graduate women), Vivien had rigorously informed views on the types of books the fiction department should carry. Not surprisingly, Alec disputed these views.
“But he doesn’t even read women,” Vivien would bemoan to Grace, who would nod back in sympathy while trying to remember her grocery list before the bus journey home. “I mean, what—one Jane Austen on the shelves? No Katherine Mansfield. No Porter. I mean, I read that Salinger story in The New Yorker he keeps going on about: shell-shocked soldiers and children all over the place, and I don’t see what’s so masculine about that.”
Unlike Vivien, Grace did not have much time for personal reading, an irony her husband often pointed out. But Grace did not work at the shop for the books. She worked there because the bus journey into Bloomsbury took only twenty minutes, she could drop the children off at school on the way, and she could take the shop newspapers home at the end of the day. Grace had been the one to suggest that they also carry import magazines, in particular The New Yorker. Being so close to the British Museum and the theatre district, Bloomsbury Books received its share of wealthy American tourists. Grace was convinced that such touches from home would increase their time spent browsing, along with jazz music on the wireless by the front cash, one of many ideas that Mr. Dutton was still managing to resist.
Vivien and Alec had manned the ground floor of the shop together for over four years, circling each other within the front cash counter like wary lions inside a very small coliseum. The square, enclosed counter had been placed in the centre of the fiction department in an effort to contain an old electrical outlet box protruding from the floor. Mr. Dutton could not look at this eyesore without seeing a customer lawsuit for damages caused by accidental tripping. Upon his promotion to general manager in the 1930s, Dutton had immediately ordained that the front cash area be relocated and built around the box.
This configuration had turned out to be of great benefit to the staff. One could always spot a customer coming from any direction, prepare the appropriate response to expressions ranging from confused to hostile, and even catch the surreptitious slip of an unpurchased book into a handbag. Other bookshops had taken note of Bloomsbury Books’ ground-floor design and started refurbishing their own. The entire neighbourhood was, in this way, full of spies. Grace and Vivien were not the only two bookstore employees out and about, checking on other stores’ window displays. London was starting to boom again, after five long years of postwar rationing and recovery, and new bookshops were popping up all over. Bloomsbury was home to the British Museum, the University of London, and many famous authors past and present, including the prewar circle of Virginia Woolf, E. M. Forster, and Lytton Strachey. This made the district a particularly ideal location for readers, authors, and customers alike.
And so, it was here, on a lightly snowing day on the second of January, 1950, that a young Evie Stone arrived, Mr. Allen’s trading card in one pocket, and a one-way train ticket to London in the other.
Natalie Jenner is the author of the instant international bestseller The Jane Austen Society and Bloomsbury Girls. A Goodreads Choice Award runner-up for historical fiction and finalist for best debut novel, The Jane Austen Society was a USA Today and #1 national bestseller and has been sold for translation in twenty countries. Born in England and raised in Canada, Natalie has been a corporate lawyer, career coach and, most recently, an independent bookstore owner in Oakville, Ontario, where she lives with her family and two rescue dogs. Visit her website to learn more.
The Murder of Mr. Wickham by Claudia Gray ISBN: 9780593313817 (trade paperback) ISBN: 9780593313824 (ebook) ISBN: 9780593592342 (digital audiobook) ASIN: B09JMN3MQQ (Kindle edition) ASIN: B09L5DFNFZ (Audible audiobook) Release Date: May 3, 2022 Publisher:Vintage Books Genre: Historical Fiction | Historical Mystery | Cozy Mystery | Austenesque
A summer house party turns into a thrilling whodunit when Jane Austen’s Mr. Wickham—one of literature’s most notorious villains—meets a sudden and suspicious end in this brilliantly imagined mystery featuring Austen’s leading literary characters.
The happily married Mr. Knightley and Emma are throwing a party at their country estate, bringing together distant relatives and new acquaintances—characters beloved by Jane Austen fans. Definitely not invited is Mr. Wickham, whose latest financial scheme has netted him an even broader array of enemies. As tempers flare and secrets are revealed, it’s clear that everyone would be happier if Mr. Wickham got his comeuppance. Yet they’re all shocked when Wickham turns up murdered—except, of course, for the killer hidden in their midst.
Nearly everyone at the house party is a suspect, so it falls to the party’s two youngest guests to solve the mystery: Juliet Tilney, the smart and resourceful daughter of Catherine and Henry, eager for adventure beyond Northanger Abbey; and Jonathan Darcy, the Darcys’ eldest son, whose adherence to propriety makes his father seem almost relaxed. In this tantalizing fusion of Austen and Christie, from New York Times bestselling author Claudia Gray, the unlikely pair must put aside their own poor first impressions and uncover the guilty party—before an innocent person is sentenced to hang.
“Had Jane Austen sat down to write a country house murder mystery, this is exactly the book she would have written. Devotees of Austen’s timeless novels will get the greatest possible pleasure from this wonderful book. Immense fun and beautifully observed. Delicious!” —Alexander McCall Smith
“What a splendid conceit! . . . Gray provides plenty of backstory and enough depth to her characters that even those who mix up their Pride and Prejudice with their Sense and Sensibility will delight in the Agatha Christie–style mystery. . . . There’s so much fun to be had in this reimagined Austen world—and the mystery is so strong—that one can only hope, dear reader, that more books will follow.” —Ilene Cooper, Booklist (starred review)
“[An] enchanting mystery. . . . Gray perfectly captures the personalities of Austen’s beloved characters. This is a real treat for Austenites.” —Publishers Weekly
“Who would NOT want to read a book in which one of literature’s most notorious rakes meets his final demise? . . . A delightful Agatha Christie meets Jane Austen romp.” —Laurel Ann Nattress, Austenprose
Read an excerpt:
Three times now, Fitzwilliam Darcy had believed himself permanently rid of the odious presence of George Wickham. Three times, he’d been wrong. The division eight months ago had seemed as though it had to be final, but no. Fate could be pernicious.
“Ah,” Wickham said, strolling forward. “I see my timing is inopportune. In the city, you see, the fashion is for later dinners.”
Knightley stood, pale and drawn. He looked as though he loathed Wickham as much as Darcy did. “You would not have been invited at any hour.”
Wickham’s smile widened. Somehow, in the heart of a confrontation, the man managed to seem even more at ease. “If I waited for an invitation to receive that which is mine in right of law—yes, Mr. Knightley, I imagine my wait would be very long.”
Knightley’s lips pressed together. Emma’s face had flushed with ill-repressed anger. Nor were they the only persons agitated at the table: Wentworth’s expression was dark, and his wife had tensed, as though she expected to have to fly from her chair to hold him back. Worst of all was dear Elizabeth, frozen like ice in her seat; her fingers were wrapped tightly around the hilt of her dinner knife. Jonathan’s distrust of his uncle clearly warred with his concern for his mother.
As for the Brandons, the Bertrams, and the young Miss Tilney: they each appeared deeply confused by the sudden, severe deviation from common civility. Therefore, none of them had ever met George Wickham before. Darcy envied them the privilege.
A loud clap of thunder rumbled through the air, the house, the ground itself. In the next instant, raindrops began to pelt the windows and ground, striking the windowpanes until they rattled.
Darcy could’ve cursed aloud. To judge by the hoofbeats he’d heard outside earlier, Wickham had arrived on horseback rather than by carriage, and not even the most odious company would be thrown out in such weather. Particularly in such hilly country as this corner of Surrey—to attempt to ride in a severe thunderstorm risked the health and nerves of one’s horse, and even one’s life.
Wickham raised an eyebrow, as aware as anyone of the etiquette that imprisoned his hosts. “It seems I shall be staying for a while.”
“I fear we cannot accommodate you at the table, Mr. Wickham.” Mrs. Knightley pushed her chair back as abruptly as an ill-mannered child. Jonathan would’ve been scolded for less, as a boy. She said, “Allow me to get you settled, and the servants will bring something up to you for dinner.” With that she strode out of the room. After a moment, Wickham inclined his head to the table—an ironical half bow—then followed her.
Had she done the right thing? The normal rules could not apply to such a situation as this. Jonathan would’ve resolved to ask his parents later had they not appeared so stricken. No, he would be left to interpret this for himself.
A silence followed, empty of words and yet suffocatingly heavy. Finally, Knightley cleared his throat. “My dear guests, I must beg your pardon. The gentleman who has arrived is . . . no friend to this household. Yet there are matters between us that must be resolved.”
“He seemed insolent in the extreme,” said Mrs. Brandon, astonishingly forthright. “What a disagreeable person.”
In any other circumstances, Jonathan might’ve found such a pronouncement rude; tonight, people seemed freed to speak their thoughts—and to the whole table, at that. Understandable, perhaps, but in his opinion it set a dangerous precedent.
“George Wickham is indeed disagreeable,” Knightley agreed, “however skilled he is at pretending otherwise.”
Brandon spoke for the first time at dinner. “Did you say—Mr. George Wickham?”
Knightley nodded. “A former army officer, who now fancies himself an arranger of investments. Bah! Investments that work to his own gain and everyone else’s loss.”
“Certainly to ours,” Wentworth said, his voice hollow.
Jonathan saw Mrs. Wentworth wince.
But she rallied swiftly, turning to Darcy and asking very civilly, “How are you acquainted with Mr. Wickham, sir?”
“We grew up together in Derbyshire,” Darcy said. Brandon’s fork clattered against the dinner plate. Jonathan wondered—How could anyone continue eating at such a time? “He was the son of my late father’s steward. As adults, our ways parted for many years.”
To his surprise, it was Mother who spoke next. “Then Mr. Wickham married my sister Lydia.”
And Lydia and George Wickham had had a daughter.
For a moment, Jonathan remembered Susannah so vividly that she might’ve been sitting at his side, giggling as she so often did, dark curls framing her round, smiling face. To him, she had been more sister than cousin. To his parents, Susannah had been more daughter than niece. He knew himself and his brothers to be dearly loved, but he knew also that for many years his mother and father had longed for a little girl that never came.
Then, eight years ago, Susannah had been born—the belated first and only child of his aunt and uncle. Neither Aunt Lydia nor Uncle George had possessed much interest in the daily tedium of child-rearing; as soon as Susannah had left her wet nurse, she had been packed off to Pemberley for lengthy visits. Indeed, Susannah had spent far more of her short life in his home than she ever had with her parents. This suited everyone: Mother and Father, who doted on the child; Jonathan and his brothers, who were old enough to find her odd little ways amusing rather than irritating; Aunt Lydia and Uncle George, who showed no evidence of ever missing their daughter; and Susannah herself, who wept piteously before each of her journeys home and always ran back into Pemberley as fast as her small legs would bear her.
Claudia Gray is the pseudonym of Amy Vincent. She is the writer of multiple young adult novels, including the Evernight series, the Firebird trilogy, and the Constellation trilogy. In addition, she’s written several Star Wars novels, such as Lost Stars and Bloodline. She makes her home in New Orleans with her husband Paul and assorted small dogs.