Book Showcase: IT’S ONE OF US by J.T. Ellison

IT'S ONE OF US by J.T. Ellison book cover featuring light blue washed bricks (possible walkway/street) with green moss growing between the bricks and blades of grass at the bottom right and left edge of cover; title is in all caps down the cover in yellow lettering, the author's name is at the bottom center in white letteringIt’s One of Us by J.T. Ellison
ISBN: 9780778311768 (Hardcover)
ISBN: 9780369706560 (eBook)
ISBN: 9781488218095 (Digital audiobook)
ASIN: B0B3JSH47Y (Audible audiobook)
ASIN: B09ZLGLKH9 (Kindle edition)
Page Count: 400
Release Date: February 21, 2023
Publisher: MIRA Books
Genre: Fiction | Suspense | Psychological Thriller

Everybody lies. Even the ones you think you know best of all . . .

Olivia Bender designs exquisite home interiors that satisfy the most demanding clients. But her own deepest desire can’t be fulfilled by marble counters or the perfect rug. She desperately wants to be a mother. Fertility treatments and IVF keep failing. And just when she feels she’s at her lowest point, the police deliver shocking news to Olivia and her husband, Park.

DNA results show that the prime suspect in a murder investigation is Park’s son. Olivia is relieved, knowing this is a mistake. Despite their desire, the Benders don’t have any children. Then comes the confession. Many years ago, Park donated sperm to a clinic. He has no idea how many times it was sold—or how many children he has sired.

As the murder investigation goes deeper, more terrible truths come to light. With every revelation, Olivia must face the unthinkable. The man she married has fathered a killer. But can she hold that against him when she keeps such dark secrets of her own?

This twisting, emotionally layered thriller explores the lies we tell to keep a marriage together—or break each other apart . . .

Purchase Links #CommissionEarned: Bookshop.org | Amazon | Amazon Kindle | Audible Audiobook | Audiobooks.com | Barnes and Noble | B&N eBook | B&N Audiobook | BookDepository.com | Books-A-Million | Downpour Audiobook | Kobo Audiobook | Kobo eBook

Book Excerpt:

1
THE WIFE

There is blood again.

Olivia forces away the threatening tears. She will not collapse. She will not cry. She will stand up, square her shoulders and flush the toilet, whispering small words of benediction toward the life that was, that wasn’t, that could have been.

She will not linger; she will not acknowledge the sudden sense of emptiness consuming her body. She will not give this moment more than it deserves. It’s happened before, too many times now. It will happen again, her mind unhelpfully provides.

There is relief in this pain, some sort of primitive biological response to help ease her heavy heart. Olivia has never lied to herself about her feelings about having a child. She wants this, she’s sure of it. Wants the experience, wants to be able to speak the same language as her sisters in the fertility arts, her friends who’ve already birthed their own. And she loves the idea of being pregnant. Loves the feelings of that early flush of success—the soreness and tingling in her breasts, the spotty nausea, the excitement, the fatigue. Loves remembering that moment when she realized she was pregnant the first time.

She’d known even before she took the test. She could feel the life growing inside her. Feel the quickening pulse. A secret she held in her heart, managing several hours with just the two of them, alone in their nascent lives. Every room of the house looked new, fresh, dangerous. Sharp corners and glass coffee tables, no, no, those would have to be tempered, replaced. The sun glancing off the breakfast table—too bright here, the spot on the opposite side would be best for a high chair. The cat, snoozing in the window seat—how was she going to take an interloper? The plans. The plans.

After a carefully arranged lunch, fresh fruit and no soft cheeses, she’d driven to the bookstore for a copy of What to Expect When You’re Expecting, accepted the sweet congratulations of the bookseller—think, a complete stranger knew more than her family, her husband. She tied the plastic stick with its beautiful double pink lines inside two elaborate bows—one pink, one blue—and gave it to Park after an elegant dinner.

The look on his face—pride and fear and terror and joy, all mingled with desire—when he realized what she was saying. He’d been struck dumb, could only grin ear to ear and pat her leg for the first twenty minutes.

So much joy between them. So much possibility.

Olivia replayed that moment, over and over, every time she got pregnant. It helped chase away the furrowing, the angles and planes of Park’s forehead, cheek, chin, as they collapsed into sorrow when she’d miscarried the first time. And the next. And the next. Every time she lost their children, it was the same, all played out on Park’s handsome face: exaltation, fear, sorrow. Pity.

No, the being pregnant part was idyllic for her, albeit terribly brief. It’s only that she doesn’t know how she feels about what happens ten months hence, and the lifetime that follows. The stranger that comes into being. But that’s normal—at least, that’s what everyone tells her. All women feel nervous about what comes next. Her ambivalence isn’t what’s killing her babies. She can’t help but feel it’s her fault for not being certain to her marrow what she wants. That God is punishing her for being cavalier.

Of course, this internal conversation is moot. There is blood. Again.

She hastily makes her repairs—the materials are never far away. If she stashed the pads and tampons away in the hall cabinet, it would be bad luck. Too optimistic.

Not like they’re having any luck anyway. Six pregnancies. Six miscarriages. IUIs and IVF. Needles and hormones and pain, so much pain. More than anyone should have to bear.

With a momentary glance at the crime scene in the toilet, she depresses the handle.

“Goodbye,” she whispers. “I’m so sorry.”

Olivia brushes her teeth, then pulls a comb through her glossy, prenatal-enriched locks, rehearsing the breakfast conversation she must now have.

How does she tell Park she’s failed, yet again, to hold the tiny life inside her?

Downstairs, it is now just another morning, no different from any over the past several years. Just the two of them, getting ready for the day.

The television is on in the kitchen, tuned to the local morning show. Park whistles as he whisks eggs in a bright red bowl. Park’s breakfasts are legendary. Savory omelets, buckwheat blueberry pancakes, veggie frittatas, yogurts and homemade granola—you name it, he makes it. Olivia handles dinner. If she cooks three nights out of seven, she considers that a success. They eat like kings in the morning and paupers at night, and they love it.

She pauses at the door, watching him bustle around. He is already dressed for work, jeans and a button-down, black lace-up brogues. His “office” is in the backyard, in a shed Olivia converted for his use. A former—reformed—English professor on a semipermanent sabbatical, Park has launched a second career ghostwriting psychological thrillers. He claims to love the anonymity of it, that he can work so close to home, and the money is good. Enough. Not obscene, but enough. They’ve been able to afford four rounds of IUI and two in vitros so far. And as he says, writing is the perfect career for a man who wants to be a stay-at-home dad. There’s no reason for him to go back to teaching. Not now.

A pang in her heart, echoed by a sharp cramp in her stomach. They are throwing everything away. She is throwing everything away. This round of IVF, she only produced a few retrievable eggs, and this was their last embryo.

My God, she’s gotten clinical. She’s gotten cold. Babies. Not embryos. There are no more frozen babies. Which means she’ll have to do it all again, the weeks-long scientific process of creating a child: the suppression drugs, the early morning blood tests, the shots, the trigger, the surgery, the implantation. The rage and fear and pain. Again.

The money. It costs so, so much.

She has frozen at the edge of the kitchen, thoughts roiling, and Park senses her there, turns with a wide smile. The whisk clicks against the bowl in time with her heartbeat.

“How are my darlings feeling this morning? Mama and bebe hungry?”

She is saved from blurting out the truth—mama no more, bebe is dead—by the ringing of the doorbell.

Park frowns. “Who is here so early? Watch the eggs, will you?”

Even chickens can do what she cannot.

It’s infuriating. House cats escape into the woods and sixty days later purge themselves of tiny blind beings. Insects, birds, rats, rabbits, deer, reproduce without thought or hindrance.

Nearly four million women a year—a year!—manage to give birth.

But not her.

She’s not depressed, really, she’s not. She’s come to terms with this. It happens. Today will be a bad day, tomorrow will be better. They will try again. It will all be okay.

Mechanically, Olivia moves to the stove, accepts the wooden spatula. Park disappears toward the foyer, shoulders broad and waist nearly as trim as the day she met him. She will never get over his handsomeness, his winning personality. Everyone loves Park. How could you not? He is perfect. He is everything Olivia is not.

The television is blaring a breaking news alert, and she turns her attention to it, grateful for something, anything, to focus on beside the intransigent nature of her womb and the fear her husband will abandon her. The anchor is new, from Mississippi, with a voice soft as honey. Tupelo? No, Oxford, Olivia remembers; Park took her to a quaint bookstore there on the square one summer, long ago.

“Sad news this morning, as it has been confirmed the body found in Davidson County earlier this week belongs to young mother Beverly Cooke. Cooke has been missing for three months, after she was last seen going for a hike at Radnor Lake. Her car was found in the parking lot, with her purse and phone inside. Metro Nashville Police spokesperson Vanda Priory tells Channel Four Metro is working with the Tennessee Bureau of Investigation and Forensic Medical to determine her cause of death. The Cooke family released a statement a few minutes ago. ‘Thank you to everyone who has helped bring Beverly home. We will have more information on her burial soon. We ask for privacy during this difficult time.’ Metro now turns their attention to identifying a suspect. In this morning’s briefing, Homicide Detective William Osley stated that Metro has a lead and will be pursuing it vigorously. Next up, time to break into the cedar closet, it’s finally sweater weather!”

Olivia sighs in regret. That poor woman. Like everyone in Nashville, Olivia has followed the case religiously. To have a young mother—the kind of woman she’s so desperate to mold herself into— disappear into thin air from a safe, regularly traveled, popular spot, one Olivia herself hikes on occasion, has been terrifying. She knows Beverly Cooke, too, albeit peripherally. They were in a book club together a few years ago. Beverly was fun. Loud. Drank white wine in the kitchen of the house and gossiped about the neighbors. Never read the book.

Olivia stopped going after a few meetings. It was right before she’d started her first official fertility treatments, had two miscarriages behind her, was hopped up on Clomid and aspirin, and all anyone could do was talk babies. Beverly had just weaned her first and was drunk for the first time in two years. She alternated between complaining and cooing about the trials and joys of motherhood. Olivia couldn’t take it, this flagrant flaunting of the woman’s success. She stood stock still in the clubhouse kitchen, fingers clenching a glass of Chardonnay, envisioning the myriad ways she could murder Beverly. Cracking the glass on the counter’s edge and swiping it across Beverly’s pale stalk of a neck seemed the most expedient.

Honestly, she wanted to murder them all, the sycophantic breeders who took their ability to procreate for granted. They had no idea what she was going through. How she was tearing apart inside, month after month. How she felt the embryos detach and knew it was over. How Park’s face went from joy to disdain every time.

Some people wear their scars on the outside.

Some hide them deep, and never let anyone in to see them.

Olivia is still staring at the screen, which is blaring a commercial for car insurance, processing, remembering, fists balled so tightly she can feel her nails cutting the skin, when she hears her husband calling her name.

“Olivia?” His voice is pitched higher than normal, as if he’s excited, or scared.

Park enters the kitchen from the hall between the dining room and the butler’s pantry.

“Honey, they found Beverly—” she starts. But her words die in her throat when she sees two strangers, a man and a woman, standing behind him, people she knows immediately are police officers just by their wary bearing and shifting eyes that take in the whole room in a moment, then settle on her appraisingly.

“I know,” Park says, coming to her side, shutting off the gas. She’s burned the eggs; a sulfurous stench emanates from the gold-encrusted pan. He takes the spatula from her carefully. “It’s been on the news all morning. Liv, these detectives need to talk to us.”

“About?”

The man—stocky, slick smoky-lensed gold glasses, perfectly worn-in cowboy boots and a leather jacket over a button-down—takes a small step forward and removes his sunglasses. His eyes are the deepest espresso and hold something indefinable, between pity and accusation. It’s as if he knows what she is thinking, knows her uncharitable thoughts toward poor dead Beverly.

“Detective Osley, ma’am. My partner, Detective Moore. We’ve been working Beverly Cooke’s case. I understand you knew her? Our condolences for your loss.”

Olivia cuts her eyes at Park. What the hell has he been saying to them?

“I don’t know her. Didn’t. Not well. We were in a book club together, years ago. I don’t know what happened to her. I’m sorry I can’t be of more help.”

“Oh, we understand. That’s not why we’re here.” Osley glances at his partner. The woman is taller than he is, graceful in the way of ex–ballet dancers even in her street clothes, with a long, supple neck, hooded green eyes devoid of makeup and blond hair twisted into a thick no-nonsense bun worn low, brushing the collar of her shirt.

“Why are you here, exactly?” Olivia asks.

Park frowns at her tone. She’s come across too sharp, but my God, what she’s already handled this morning would break a lesser woman.

“It’s about our suspect in the Cooke case. Can we sit down?”

Olivia reigns in her self-loathing fury and turns on the charm. The consummate hostess act always works. Park has taught her that. “Oh, of course. Can I get you some coffee? Tea? We were making breakfast. Can we offer you some eggs, or a muffin? I have a fresh pan here—”

“No, ma’am, we’re fine,” Moore demurs. “Let’s sit down and have a chat.”

Olivia has a moment of sheer freak-out. Was it Park? Had he killed Beverly Cooke? Was that why they wanted to talk, because he was a suspect? If he was a suspect, would the police sit down with them casually in the kitchen? Wouldn’t they want something more official? Take him to the station? Did they need to call a lawyer? Her mind was going fifty thousand miles an hour, and Park was already convicted and in prison, and she was so alone in the big house, so lonely, before she reached a hand to pull out the chair.

She needs to knock off the true crime podcasts. Her husband is not a murderer. He is incapable of that kind of deceit.

Isn’t he?

Sometimes she wonders.

“Nice kitchen,” Osley says.

“Thank you.”

Olivia loves her kitchen. It is the model for all her signature looks. Airy, open, white cabinets with iron pulls, leathered white marble counters. A black granite–topped island just the right size for chopping and serving, light spilling in from the big bay window. A white oak French country table with elegant cane-backed chairs. It was the heart of her home, the heart of her life with Park.

Now, though, it is simply the site of his greatest betrayal. Forevermore, from this morning—with the burned eggs and the somber police and Park’s face whiter than bone—until the end of her tenure here, and even then, in remembrance, she would look at this precious place with fury and sadness for what could have been. The ghosts of the life they were supposed to have clung to her, suckled her spirit like a babe at her breast never would. Everywhere she looked were echoes of the shadow existence she was supposed to be living. Here, a frazzled mother, smiling despite her fatigue at the children she’d created. There, a loving father, always ready to lend a hand tossing a ball or helping with homework. And look, a trio of towheaded boys and a soft blonde princess girl, the teasing and laughter of their mealtimes. How the table would seem to grow smaller as the boys got older and took up more space. The girlfriends came, the boyfriends. The emptiness when it was just the two of them again, the children grown with their own lives, the table bursting at holidays only. The grandchildren, happiness and racket, the noise and the joy creeping out from the woodwork again.

She is alone. She will always be alone. She will not have this life. She will not have this dream.

Park made it so.

As the detectives continue to speak, softly, without rancor, and her world splinters, Olivia hardens, compresses, shrinks. She watches her husband and holds on to one small thought.

I have the power to destroy you, too. Dear God, give me the chance.

Excerpt from It’s One of Us by J.T. Ellison.
Copyright © 2023 by J.T. Ellison.
Published with permission from MIRA Books.
All rights reserved.

Meet the Author

Author JT Ellison: photo of a smiling white woman with long blonde hair, wearing brown eyeglasses, a beige, rolled-neck sweater and a pearl necklace, seated on a beige sofa.
Author J.T. Ellison – photo credit: Kidtee Hello Photography

J.T. Ellison is the NYT and USA Today bestselling author of more than 20 novels, and the EMMY-award-winning co-host of A WORD ON WORDS, Nashville’s premier literary show. With millions of books in print, her work has won critical acclaim, prestigious awards, and has been published in 26 countries. Ellison lives in Nashville with her husband and twin kittens.

 
Connect with the author: Facebook | Instagram | Twitter | Website

 

This book showcase and excerpt brought to you by MIRA Books

 

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Book Showcase: THE SORORITY MURDER by Allison Brennan

THE SORORITY MURDER by Allison BrennanThe Sorority Murder by Allison Brennan
ISBN: 9780778311683 (paperback)
ISBN: 9780778312185 (hardcover)
ISBN: 9780369706515 (ebook)
ISBN: 9781488212574 (digital audiobook)
ASIN: B094PJMBQ3 (Audible audiobook)
ASIN: B08R8ZSV4D (Kindle edition)
Publisher: MIRA Books
Release Date: December 28, 2021
Genre: Fiction | Suspense | Thriller | Crime Thriller

New York Times bestselling author Allison Brennan’s suspenseful new mass market original about a college senior’s podcast that delves into an unsolved campus murder of a sorority girl three years earlier, as individual callers explode every fact previously thought to be true.

Lucas Vega is obsessed with the death of Candace Swain, who left a sorority party one night and never came back. Her body was found two weeks later, and the case has grown cold. Three years later while interning at the Medical Examiner’s, Lucas discovers new information, but the police are not interested.

Lucas knows he has several credible pieces of the puzzle, he just isn’t sure how they fit together. So he creates a podcast to revisit Candace’s last hours. He asks listeners to crowdsource what they remember and invites guest lecturer, former US Marshal Regan Merritt, to come on and share her expertise.

New tips come in that convince Lucas and Regan they are onto something. Then shockingly one of the podcast callers turns up dead. Another hints at Candace’s secret life…a much darker picture than Lucas imagined—and one that implicates other sorority sisters. Regan uses her own resources to bolster their theory and learns that Lucas is hiding his own dark secret. The pressure is to solve the murder, but first Lucas must come clean about his real motives in pursuing this podcast – before the killer silences him forever.

 

Read an Excerpt:

One
Three Years Ago
Friday, April 10

Candace Swain forced a smile as she walked out of her dorm room.

Smiling was the last thing she wanted to do, but Candace had an image to uphold.

She was going to be late for the Sigma Rho Spring Fling—the last big party before the end-of-year crunch. Studying for finals, capstones and senior projects, stress and more stress, and—for some of them—graduation.

The mild April weather was perfect for an outdoor gathering. Candace had led the sorority’s social-events committee with setup, and they’d included heat lamps along the perimeter. The Mountain View dorm—which housed all campus sororities, each with their own wing—was on the northeast corner of campus, adjacent to the football field. The Spring Fling was held on the large lawn that framed the north entrance, where they had the most room. It was open to all students for a five-dollar admission, and was one of the biggest moneymakers for the sorority, more than charities. Candace had fought for—and won—giving the profits to a rescue mission that helped people get back on their feet. She volunteered weekly for Sunrise Center, and it had changed how she viewed herself and her future. She now planned to be a nurse in the inner city, working for a clinic or public hospital, where people deserved quality health care, even if they were struggling. She even considered specializing in drug and alcohol issues, which were unfortunately prevalent among the homeless community.

She used to think of her volunteerism as penance for her failings. She wasn’t religious but had had enough preaching from her devout grandmother to have absorbed things like guilt, penance, sacrifice. Now, she looked forward to Tuesdays when she gave six hours of her time to those who were far worse off than she. It reminded her to be grateful for what she had, that things could be worse.

Candace exited through the north doors and stood at the top of the short flight of stairs that led to the main lawn. Though still early in the evening, the party was already hopping. Music played from all corners of the yard, the din of voices and laughter mingling with a popular song. In the dusk, the towering mountains to the north were etched in fading light. She breathed deeply. She loved everything about Flagstaff. The green mountains filled with pine and juniper. The crisp, fresh air. The sense of community and belonging felt so natural here, something she’d never had growing up in Colorado Springs. With graduation on the horizon, she had been feeling a sense of loss, knowing she was going to miss this special place.

She wasn’t close to her parents, who divorced right before she started high school and still fought as much as they did when they were married. She desperately missed her younger sister, Chrissy, a freshman at the University of South Carolina. She’d wanted Chrissy to come here for college, but Chrissy was a champion swimmer and had received a full scholarship to study practically a world away. Candace had no plans to return to Colorado Springs, but she didn’t know if she wanted to follow her sister to the East Coast or head down to Phoenix where they had some of the best job opportunities for what she wanted to do.

Vicky Ryan, a first year student who had aspirations of leadership, ran up to her.

“That weirdo is back,” Vicky said quietly. “Near the west steps. Just loitering there, freaking people out. Should I call campus police?”

Candace frowned. The man Vicky was referring to was Joseph, and he wasn’t really a weirdo. He was an alcoholic, and mostly homeless, who sometimes wandered onto campus and wouldn’t accept the help he had been repeatedly offered. He wasn’t violent, just confused, and sometimes got lost in his own head, largely from how alcohol had messed with his mind and body. But his problems understandably made her sorority sisters uncomfortable. He’d twice been caught urinating against the wall outside their dorm; both times, he’d been cited by campus police. He wasn’t supposed to be on campus at all anymore, and Candace knew they’d arrest him if he was caught.

“I’ll take care of it,” Candace said and made her way around the edge of the party.

She found Joseph on the narrow grassy knoll that separated the football field from the dorms. A small group of students approached her, but one in their group turned toward the grass, likely to confront Joseph.

Candace walked faster, caught up with the student, and smiled brightly. “I got this.”

“It’s okay,” he said. “I’ll handle him.”

“I said I will take care of this. I know him. But thank you anyway.”

Mr. Macho didn’t want to walk away, yet Candace stood firm. She didn’t want anyone to harass Joseph, and she knew he would listen to her. While he wasn’t violent, he could be belligerent, and being confronted by a jerk wanting to impress his girlfriend was a surefire way to trigger Joseph and have him dig in his heels. It would only lead to an arrest, and that wasn’t going to help him in the long run.

The group walked off, grumbling; Candace ignored them. She approached Joseph cautiously, so as not to startle him. “Joseph, it’s Candace,” she said. “Remember me? From Sunrise Center?”

He turned slowly at the sound of her voice. A tall man, nearly six foot four, he could intimidate people. But he was also skinny and hunched over from years of walking the streets and looking down, rummaging through garbage, with his hangdog face, ragged salt-and-pepper beard, and watery blue eyes. He was the kind of guy her grandmother would have called a bum—dressed in multiple layers of dirty, mismatched clothes, and smelling of dirt and stale beer. He looked about sixty, but she knew that he was only in his early forties. She’d heard he’d been living along Route 66 for the better part of ten years. The people who ran Sunrise Center didn’t know much about his personal life, only that when he was sober (which was rare), he would talk about home being east, at the “end of the line.” But no one knew if that meant Chicago or any of the stops in between.

Candace wanted to know more about his story, how he came to be in these circumstances, why he wouldn’t—or couldn’t—accept help. Many of the homeless who came to Sunrise for shelter or food would talk to her freely. But not Joseph. When she’d pried once, he disappeared for a while, so she stopped asking. She would rather him be safe than riding the rails, which was dangerous.

“Candace,” he said slowly after several moments.

“You can’t be here, Joseph. The campus police told you that. Don’t you remember?”

He didn’t say anything or acknowledge that he understood what she said.

“Would you like me to take you over to Sunrise Center? You can get a hot meal there, maybe a cot for the night.”

Again, silence. He turned away from her but didn’t leave.

She really didn’t want to call campus police, but if she didn’t do something, someone else would.

“Is there a reason you are here?” she asked.

“Leave me alone,” he said.

“I will, but you have to leave. Otherwise someone is going to call the police.” If they haven’t already.

He abruptly turned toward her, staggered on the slope of the lawn. His sudden movement startled her; she stepped back.

“No cops!” he shouted.

“You have to leave, Joseph,” she said, emphatic. Her heart pounded in her chest, not so much from fear but uncertainty. “Please go.”

Again, he turned abruptly, this time staggering down the short slope toward the stadium fence. She held her breath, watching him. He almost ran into the fence, put his arms out to stop himself, then just stood there. A minute later, he shuffled along the field perimeter, shoulders hunched, without looking back.

She breathed easier, relieved that he was heading off campus. She would talk to the director of Sunrise on Tuesday, when she went in to volunteer. Joseph couldn’t keep coming here, but she didn’t really want to call the authorities on him. He needed help, not more trouble, and definitely not incarceration.

Candace was about to return to the party when she heard someone call her name. She turned and saw one of her former tutoring students, Lucas Vega, running toward her. She didn’t want to talk to Lucas tonight. How many times did she have to tell him to leave her alone?

She stopped anyway and waited.

“Candace,” he said, catching his breath. “Thanks.”

“What do you want?” she snapped, crossing her arms over her chest.

“I’m sorry.”

“Sorry,” she said bluntly.

“I didn’t mean to upset you the other day. I am sorry about that.”

She blinked. He sounded so sincere. And truth be told, something he’d said to her a few days earlier made her think long and hard about herself, her life, and the time she’d spent as a student at Northern Arizona University.

A lie for a good reason is still a lie.

Lucas and his wide-eyed, good-natured innocence, his innocuous questions had her feeling guilty for no reason. He had picked up on that. And pushed.

No reason? Ha. Plenty of reasons. All these doubts and worries she’d been having this semester, the sleepless nights, all came from something she’d done as a freshman that she now had good reason to regret. But what could she do about it? What would come of the truth now?

Maybe there was no good reason to lie.

“All right,” she said. “Thank you.” It was easier to forgive Lucas than to hold on to this anger. None of what happened was Lucas’s fault.

“So will you tutor me again, for finals?”

“No. Afraid not.” She could forgive him for prying, but she really needed first to forgive herself. And she didn’t know if she could do that with Lucas around, reminding her of her failures and mistakes. He didn’t even know what she’d done, but seeing him now was like reliving the past, and her chest tightened. “I’m sorry, but I have too much studying of my own, too many tests. And I’m not working at the writing lab anymore.”

Because of you.

Was that even fair? Was it because of Lucas…or because of her own guilt?

He was disappointed, but that wasn’t her problem.

“Okay, I understand,” he said.

“Besides, you’re smart. You’ll be fine.”

He shrugged. “Thanks.”

“Uh, you want to come to the party?” She gestured over her shoulder. They could hear the music from where they stood. “I’ll get you a pass. Won’t even cost you the five bucks.”

He shook his head. “I’m fine. I’m not really one for parties. But thanks anyway.”

He turned to leave.

“Lucas,” she said. He looked at her over his shoulder. “I’m really sorry.”

Then she left him there, waiting for something she couldn’t give him.

It took Candace several minutes before she could work up the courage to return to the party. An idea she’d been thinking about for the last few months was now fully developed, as if something inside clicked after her brief conversation with Lucas. Everything shifted into place, and she knew what she needed to do; it was the only thing she could do.

No one was going to like her decision.

When she realized she no longer cared what anyone thought, a burden lifted from her heart. She was certain then that she was doing the right thing.

Everyone at the party was asking for Candace, and Vicky had become worried when her friend and mentor hadn’t returned after thirty minutes. She sought out Taylor James, the Sigma Rho president, and told her about the homeless guy. “I don’t know where Candace is,” she said. “I should have just called campus police.”

“Candace says he’s harmless,” Taylor said, frowning. “Sometimes she’s so naive. I’ll go look for her.”

“Thanks. The party is great by the way. Everyone seems to be having fun. How does it compare to previous years?” This was the first party Vicky had helped put together for the sorority, so she was eager to know how well she’d done.

“As good or better,” Taylor said with a wide smile.

Vicky tried not to gloat as she practically floated over to her friends chatting near one of the heat lamps. It wasn’t cold, but the warmth of the heat lamp and the glow from the string lights added terrific ambience to the place.

“Oh my God, Vicky, this is a blast,” her roommate, Nicole Bergamo, said. Nicole was a half-Black, half-Italian math major who could have easily been a model she was so tall and stunning. “Everyone is talking about how great it is.”

Vicky smiled, talked for a bit, then moved around, being social, doing all the things that she’d seen Sigma Rho board members do. Hundreds of people were dancing, talking, mingling, eating, drinking, playing games. Mostly, they were having fun, which was the whole purpose. When the new Sigma Rho advisor, Rachel Wagner, told her it was the best Sigma Rho party she’d been to ever, Vicky thought she’d never come down from cloud nine.

“I agree,” said the gorgeous woman who was with Rachel. “I’m Kimberly Foster, by the way,” she introduced herself. “I’m a sorority alum, and I’m so happy I came up this weekend. You’ve done a fantastic job. Rachel said you’re part of the social-events committee. Isn’t Candace leading the committee? I haven’t seen her yet.”

“Yes, she’s around,” Vicky said. “This is all her vision. We just implemented it.”

“I love Candace. Oh! I see her over there.”

Vicky looked to where Kimberly was gesturing. Candace was talking in a small group.

“I’m going to catch up with her,” Kimberly said. “Nice to meet you, Vicky.”

The two women walked away, and Vicky continued her rounds. She was having a blast as her worries that the party might flop were replaced with pride and satisfaction over its success.

Hours later it was midnight, and per city ordinance—because their dorm bordered a public street—they had to cut off the music. That put a damper on things, but it was fine with Vicky—she was exhausted after working all day prepping and all night making sure everything was running smoothly. She was a little miffed that Candace was hardly there: Vicky had only caught a glimpse of her twice. But whatever, she’d seemed preoccupied, and that would have been a party downer.

Vicky ran into the dorm to get extra trash bags—they had to clean up tonight so wild animals wouldn’t get into the garbage and create a bigger mess in the morning. She came back out and heard voices arguing near where the DJ had been set up. He’d already packed up and left. She couldn’t hear exactly what was being said. It seemed like a quiet, intense exchange between Taylor and Candace though Rachel and her guest Kimberly were there, too. Everyone, especially Taylor, seemed angry.

About sixty people were still milling around, mostly Sigma Rho sisters helping with the cleanup. Nicole came up to Vicky and said, “What are Candace and Taylor fighting about?”

“I don’t know. It’s probably nothing.”

“It’s not nothing,” Nicole said. “I heard Taylor call Candace a selfish bitch.”

“Ouch. Well, Rachel is there. She’ll mediate.”

But Rachel looked angry as well; it seemed that Candace was on one side, and the other three women were yelling at her.

“You’re wrong!” Candace screamed, and Vicky jumped. She glanced at Nicole, who looked perplexed as well. Vicky handed her a garbage bag, and they both started picking up trash. She didn’t want anyone to think she was eavesdropping.

But she was. As she inched closer to the group, she heard Kimberly say, “Let’s talk about this tomorrow, okay? When everyone has had a good night’s sleep and we can all think more clearly.”

“I am thinking clearly,” Candace said. “I’m done. Just…done.”

She left, walked right past Vicky without even seeing her. There were tears in Candace’s eyes, and Vicky didn’t know if she was angry or upset, but probably both. Vicky thought about going after her to make sure she was okay, then felt a hand on her shoulder.

She jumped, then laughed nervously when she saw Rachel. Taylor and Kim had walked away in the other direction.

“Sorry. You startled me.”

“I’m sorry you had to witness that,” Rachel said.

“I didn’t, really. Just saw that Taylor and Candace were arguing about something. I didn’t want to intrude.”

“It’s going to be fine. Just a little disagreement that Candace took personally.”

“About the party?” Vicky asked, her insecurities rising that she’d messed up something.

“Oh, no, the party was perfect. Don’t worry about that.”

Relieved, she said, “Maybe I should go talk to Candace.”

“No, let her be. I’ve known her since she was a freshman and took my Intro to Bio class. She has a big heart, and sometimes you can’t help everyone.”

Now Vicky understood, or thought she did. Taylor had been the most vocal about the creepy homeless guy hanging around the dorms, and she’d been the one who’d called campus police last time, after Candace said not to.

“Let me help,” Rachel said and took a garbage bag from Vicky’s stash.

Rachel chatted with Vicky, who felt lucky to be able to spend so much one-on-one time with her sorority advisor. Rachel was so smart, an associate professor at just thirty-two, an alum of the University of Arizona Sigma Rho chapter. Plus she had such interesting stories to share. By the time they were done with the cleanup—it didn’t take long with so many people working together—Vicky had forgotten all about the argument between Candace and Taylor.

It was the last time anyone saw Candace alive.

Excerpt from The Sorority Murder by Allison Brennan.
Copyright © 2021 by Allison Brennan.
Published by MIRA Books
Reproduced with permission. All rights reserved.

 

Meet The Author

Allison Brennan photo by Brittan Dodd

Allison Brennan is the New York Times and USA Today bestselling author of over thirty novels. She has been nominated for Best Paperback Original Thriller by International Thriller Writers and the Daphne du Maurier Award. A former consultant in the California State Legislature, Allison lives in Arizona with her husband, five kids and assorted pets. The Sorority Murder is the first of a new mass market series.

Connect with the Author: Facebook | Goodreads | Instagram | Twitter | Website
This excerpt brought to you by MIRA Books

 

Book Showcase: THE GOOD SON by Jacquelyn Mitchard

THE GOOD SON by Jacquelyn MitchardThe Good Son by Jacquelyn Mitchard
ISBN: 9780778311799 (hardcover)
ISBN: 9780369717559 (ebook)
ISBN: 9781488212536 (digital audiobook)
ISBN: 9781665104524(audiobook on CD)
ASIN: B094PSTKB7 (Audible audiobook)
ASIN: B08QZMDJSD (Kindle edition)
Publisher: MIRA Books
Release Date: January 18, 2021
Genre: Fiction | Women’s Fiction | Coming-of-Age | Family Life

“Rich and complex, The Good Son is a compelling novel about the aftermath of a crime in a small, close-knit community.”—Kristin Hannah, New York Times bestselling author

From #1 New York Times bestselling author Jacquelyn Mitchard comes the gripping, emotionally charged novel of a mother who must help her son after he is convicted of a devastating crime.

What do you do when the person you love best becomes unrecognizable to you? For Thea Demetriou, the answer is both simple and agonizing: you keep loving him somehow.

Stefan was just seventeen when he went to prison for the drug-fueled murder of his girlfriend, Belinda. Three years later, he’s released to a world that refuses to let him move on. Belinda’s mother, once Thea’s good friend, galvanizes the community to rally against him to protest in her daughter’s memory. The media paints Stefan as a symbol of white privilege and indifferent justice. Neighbors, employers, even some members of Thea’s own family turn away.

Meanwhile Thea struggles to understand her son. At times, he is still the sweet boy he has always been; at others, he is a young man tormented by guilt and almost broken by his time in prison. But as his efforts to make amends meet escalating resistance and threats, Thea suspects more forces are at play than just community outrage. And if there is so much she never knew about her own son, what other secrets has she yet to uncover—especially about the night Belinda died?

 

Read an Excerpt:

1

 

I was picking my son up at the prison gates when I spotted the mother of the girl he had murdered.

Two independent clauses, ten words each, joined by an adverb, made up entirely of words that would once have been unimaginable to think, much less say.

She pulled in—not next to me, but four spaces over—in the half circle of fifteen-minute spots directly in front of the main building. It was not where Stefan would walk out. That would be over at the gatehouse. She got out of her car, and for a moment I thought she would come toward me. I wanted to talk to her, to offer something, to reach out and hold her, for we had not even been able to attend Belinda’s funeral. But what would I say? What would she? This was an unwonted crease in an already unaccustomed day. I slid deep into my down coat, and wished I could lock the car doors, although I feared that the sound would crack the predawn darkness like a rifle shot. All that Jill McCormack did, however, was shove her hands into the pockets of her jacket and lean against the back bumper of her car. She wore the heavy maroon leather varsity jacket that her daughter Belinda, captain of the high school cheer team in senior year, had given to her, to Stefan, and to me, with our names embroidered in gold on the back, just like hers.

I hadn’t seen Jill McCormack up close for years, though she lived literally around the corner. Once, I used to stop there to sit on her porch, but now I avoided even driving past the place.

Jill seemed smaller, diminished, the tumult of ash-blond hair I remembered cropped short and seemingly mostly white, though I knew she was young when Belinda was born, and now couldn’t be much past forty. Yet, even just to stand in the watery, slow-rising light in front of a prison, she was tossed together fashionably, in gold-colored jeans and boots, with a black turtleneck, a look I would have had to plan for days. She looked right at my car, but gave no sign that she recognized it, though she’d been in it dozens of times years ago. Once she had even changed her clothes in my car. I remember how I stood outside it holding a blanket up over the windows as she peeled off a soaking-wet, floor-length, jonquil-yellow crystal-beaded evening gown that must, at that point, have weighed about thirty pounds, then slipped into a clean football warm-up kit. After she changed, we linked arms with my husband and we all went to a ball.

But I would not think of that now.

I had spent years assiduously not thinking of any of that.

A friendship, like a crime, is not one thing, or even two people. It’s two people and their shared environs and their histories, their common memories, their words, their weaknesses and fears, their virtues and vanities, and sometimes their shame.

Jill was not my closest friend. Some craven times, I blessed myself with that—at least I was spared that. There had always been Julie, since fifth grade my heart, my sharer. But Jill was my good friend. We had been soccer moms together, and walking buddies, although Jill’s swift, balanced walk was my jog. I once kept Belinda at my house while Jill went to the bedside of her beloved father who’d suffered a stroke, just as she kept Stefan at her house with Belinda when they were seven and both had chicken pox, which somehow neither I nor my husband, Jep, ever caught. And on the hot night of that fundraising ball for the zoo, so long ago, she had saved Stefan’s life.

Since Jill was a widow when we first met, recently arrived in the Midwest from her native North Carolina, I was always talking her into coming to events with Jep and me, introducing her to single guys who immediately turned out to be hopeless. That hot evening, along with the babysitter, the two kids raced toward the new pool, wildly decorated with flashing green lights, vines and temporary waterfalls for a “night jungle swim.” Suddenly, the sitter screamed. When Jill was growing up, she had been state champion in the 200-meter backstroke before her devout parents implored her to switch to the more modest sport of golf, and Belinda, at five, was already a proficient swimmer. My Stefan, on the other hand, sank to the bottom like a rock and never came up. Jill didn’t stop to ask questions. Kicking off her gold sandals, in she went, an elegant flat race dive that barely creased the surface; seconds later she hauled up a gasping Stefan. Stefan owed his life to her as surely as Belinda owed her death to Stefan.

In seconds, life reverses.

Jill and I once talked every week. It even seemed we once might have been machatunim, as they say in Yiddish, parents joined by the marriage of their son and daughter. Now, the circumstances under which we might ever exchange a single word seemed as distant as the bony hood of moon above us in the melting darkness.

What did she want here now? Would she leave once Stefan came through the gates? In fact, she left before that. She got back into her car, and, looking straight ahead, drove off.

I watched until her car was out of sight.

Just after dawn, a guard walked Stefan to the edge of the enclosure. I looked up at the razor wire. Then, opening the window slightly, I heard the guard say, “Do good, kid. I hope I never see you again.” Stefan stepped out, and then put his palm up to a sky that had just begun to spit snow. He was twenty, and he had served two years, nine months and three days of a five-year sentence, one year of which the judge had suspended, noting Stefan’s unblemished record. Still, it seemed like a week; it seemed like my entire life; it seemed like a length of time too paltry for the monstrous thing he had done. I could not help but reckon it this way: For each of the sixty or seventy years Belinda would have had left to live, Stefan spent only a week behind bars, not even a season. No matter how much he despaired, he could always see the end. Was I grateful? Was I ashamed? I was both. Yet relief rippled through me like the sweet breeze that stirs the curtains on a summer night.

I got out and walked over to my son. I reached up and put my hand on his head. I said, “My kid.”

Stefan placed his huge warm palm on the top of my head. “My mom,” he said. It was an old ritual, a thing I would not have dared to do in the prison visiting room. My eyes stung with curated tears. Then I glanced around me, furtively. Was I still permitted such tender old deeds? This new universe was not showing its hand. “I can stand here as long as I want,” he said, shivering in wonderment. Then he said, “Where’s Dad?”

“He told you about it. He had to see that kid in Louisville one more time,” I told him reluctantly. “The running back with the very protective grandmother. He couldn’t get out of it. But he cut it short and he’ll be home when we get back, if he beats the weather out of Kentucky this morning, that is.” Jep was in only his second season as football coach at the University of Wisconsin–Whitewater, a Division II team with significant chops and national esteem. We didn’t really think he would get the job, given our troubles, but the athletic director had watched Jep’s career and believed deeply in his integrity. Now he was never at rest: His postseason recruiting trips webbed the country. Yet it was also true that while Stefan’s father longed equally for his son to be free, if Jep had been able to summon the words to tell the people who mattered that he wanted to skip this trip altogether, he would have. But he couldn’t quite bring himself to say it’s a big day, our son’s getting out of prison.

Now, it seemed important to hurry Stefan to the car, to get out of there before this new universe recanted. We had a long drive back from Black Creek, where the ironically named Belle Colline Correctional Facility squatted not far from the campus of the University of Wisconsin–Black Creek. Stefan’s terrible journey had taken him from college to prison, a distance of just two miles as the crow flies. I felt like the guard: I never wanted to see the place again. I had no time to think about Jill or anything else except the weather. We’d hoped that the early-daylight release would keep protestors away from the prison gates, and that seemed to have worked: Prisoners usually didn’t walk out until just before midday. There was not a single reporter here, which surprised me as Jill was tireless in keeping her daughter Belinda’s death a national story, a symbol for young women in abusive relationships. Many of the half dozen or so stalwarts who still picketed in front of our house nearly every day were local college and high-school girls, passionate about Jill’s work. As Stefan’s release grew near, their numbers rose, even as the outdoor temperatures fell. A few news organizations put in appearances again lately as well. I knew they would be on alert today and was hoping we could beat some of the attention by getting back home early. In the meantime, a snowstorm was in the forecast: I never minded driving in snow, but the air smelled of water running over iron ore—a smell that always portended worse weather.

Excerpt from The Good Son by Jacquelyn Mitchard.
Copyright © 2022 by Jacquelyn Mitchard.
Published by arrangements with Harlequin Books S.A.
Reproduced with permission. All rights reserved.

 

Meet The Author

Jacquelyn Mitchard Author Photo#1 New York Times bestselling author Jacquelyn Mitchard has written nine previous novels for adults; six young adult novels; four children’s books; a memoir, Mother Less Child; and a collection of essays, The Rest of Us: Dispatches from the Mother Ship. Her first novel, The Deep End of the Ocean, was the inaugural selection of the Oprah Winfrey Book Club, and later adapted for a feature film. Mitchard is a frequent lecturer and a professor of fiction and creative nonfiction at Vermont College of Fine Arts in Montpelier. She lives on Cape Cod with her husband and their nine children.

Connect with the Author:

Facebook | Goodreads | Instagram | Twitter | Author Website

This excerpt and tour brought to you by MIRA Books

 

Book Showcase: FAN CLUB by Erin Mayer

FAN CLUB by Erin MayerFan Club by Erin Mayer
ISBN: 9780778311591 (paperback)
ISBN: 9780369706102 (ebook)
ISBN: 9781488212543 (digital audiobook)
ISBN: 9781665104791 (audiobook on CD)
ASIN: B094Q6D9C8 (Audible audiobook)
ASIN: B08QSDDSJQ (Kindle edition)
Publisher: MIRA Books
Release Date: October 26, 2021
Genre: Fiction | Thriller | Psychological Suspense

In this raucous psychological thriller, a millennial office worker finds relief from her crippling ennui in the embrace of a cliquey fan club, until she discovers the group of women is bound together by something darker than devotion.

Day after day our narrator, a gloomy millennial, searches for meaning beyond her vacuous job at a women’s lifestyle website—entering text into a computer system while she watches their beauty editor unwrap box after box of perfectly packaged bits of happiness. Then, one night at a dive bar, she hears a message in the newest single by child-actor-turned-international-pop-star Adriana Argento, and she is struck. Soon she loses herself to the online fandom, a community whose members feverishly track Adriana’s every move.

When a colleague notices the extent of her obsession, she’s invited to join an enigmatic group of adult Adriana superfans who call themselves the Ivies and worship her music in witchy, candlelit listening parties. As the narrator becomes more entrenched in the group, she gets closer to uncovering the sinister secrets that bind them together—while simultaneously losing her grip on reality.

With caustic wit and hypnotic writing, this unsparingly critical thrill ride through millennial life examines all that is wrong in our celebrity-obsessed internet age, and how easy it is to lose yourself in it.

Read an excerpt:

Chapter One

I’m outside for a cumulative ten minutes each day before work. Five to walk from my apartment building to the subway, another five to go from the subway to the anemic obelisk that houses my office. I try to breathe as deeply as I can in those minutes, because I never know how long it will be until I take fresh air into my lungs again. Not that the city air is all that fresh, tinged with the sharp stench of old garbage, pollution’s metallic swirl. But it beats the stale oxygen of the office, already filtered through distant respiratory systems. Sometimes, during slow moments at my desk, I inhale and try to imagine those other nostrils and lungs that have already processed this same air. I’m not sure how it works in reality, any knowledge I once had of the intricacies of breathing having been long ago discarded by more useful information, but the image comforts me. Usually, I picture a middle-aged man with greying temples, a fringe of visible nose hair, and a coffee stain on the collar of his baby blue button-down. He looks nothing and everything like my father. An every-father, if you will.

My office is populated by dyed-blonde or pierced brunette women in their mid-to-late twenties and early thirties. The occasional man, just a touch older than most of the women, but still young enough to give off the faint impression that he DJs at Meatpacking nightclubs for extra cash on the weekends.

We are the new corporate Americans, the offspring of the grey-templed men. We wear tastefully ripped jeans and cozy sweaters to the office instead of blazers and trousers. Display a tattoo here and there—our supervisors don’t mind; in fact, they have the most ink. We eat yogurt for breakfast, work through lunch, leave the office at six if we’re lucky, arriving home with just enough time to order dinner from an app and watch two or three hours of Netflix before collapsing into bed from exhaustion we haven’t earned. Exhaustion that lives in the brain, not the body, and cannot be relieved by a mere eight hours of sleep.

Nobody understands exactly what it is we do here, and neither do we. I push through revolving glass door, run my wallet over the card reader, which beeps as my ID scans through the stiff leather, and half-wave in the direction of the uniformed security guard behind the desk, whose face my eyes never quite reach so I can’t tell you what he looks like. He’s just one of the many set-pieces staging the scene of my days.

The elevator ride to the eleventh floor is long enough to skim one-third of a longform article on my phone. I barely register what it’s about, something loosely political, or who is standing next to me in the cramped elevator.

When the doors slide open on eleven, we both get off.

In the dim eleventh-floor lobby, a humming neon light shaping the company logo assaults my sleep-swollen eyes like the prick of a dozen tiny needles. Today, a small section has burned out, creating a skip in the letter w. Below the logo is a tufted cerulean velvet couch where guests wait to be welcomed. To the left there’s a mirrored wall reflecting the vestibule; people sometimes pause there to take photos on the way to and from the office, usually on the Friday afternoon before a long weekend. I see the photos later while scrolling through my various feeds at home in bed. They hit me one after another like shots of tequila: See ya Tuesday! *margarita emoji* Peace out for the long weekend! *palm tree emoji* Byeeeeee! *peace sign emoji.*

She steps in front of me, my elevator companion. Black Rag & Bone ankle boots gleaming, blade-tipped pixie cut grazing her ears. Her neck piercing taunts me, those winking silver balls on either side of her spine. She’s Lexi O’ Connell, the website’s senior editor. She walks ahead with her head angled down, thumb working her phone’s keyboard, and doesn’t look up as she shoves the interior door open, palm to the glass.

I trip over the back of one clunky winter boot with the other as I speed up, considering whether to call out for her attention. It’s what a good web producer, one who is eager to move on from the endless drudgery of copy-pasting and resizing and into the slightly more thrilling drudgery of writing and rewriting, would do.

By the time I regain my footing, I come face-to-face with the smear of her handprint as the door glides shut in front of me.

Monday.

I work at a website.

It’s like most other websites; we publish content, mostly articles: news stories, essays, interviews, glossed over with the polished opalescent sheen of commercialized feminism. The occasional quiz, video, or photoshoot rounds out our offerings. This is how websites work in the age of ad revenue: Each provides a slightly varied selection of mindless entertainment, news updates, and watered-down hot takes about everything from climate change to plus size fashion, hawking their wares on the digital marketplace, leaving The Reader to wander drunkenly through the bazaar, wielding her cursor like an Amex. You can find everything you’d want to read in one place online, dozens of times over. The algorithms have erased choice. Search engines and social media platforms, they know what you want before you do.

As a web producer, my job is to input article text into the website’s proprietary content management system, or CMS. I’m a digitized high school janitor; I clean up the small messes, the litter that misses the rim of the garbage can. I make sure the links are working and the images are high resolution. When anything bigger comes up, it goes to an editor or IT. I’m an expert in nothing, a master of the minuscule fixes.

There are five of us who produce for the entire website, each handling about 20 articles a day. We sit at a long grey table on display at the very center of the open office, surrounded on all sides by editors and writers.

The web producers’ bullpen, Lexi calls it.

The light fixture above the table buzzes loudly like a nest of bees is trapped inside the fluorescent tubing. I drop my bag on the floor and take a seat, shedding my coat like a layer of skin. My chair faces the beauty editor’s desk, the cruelest seat in the house. All day long, I watch Charlotte Miller receive package after package stuffed with pastel tissue paper. Inside those packages: lipstick, foundation, perfume, happiness. A thousand simulacrums of Christmas morning spread across the two-hundred and sixty-one workdays of the year. She has piled the trappings of Brooklyn hipsterdom on top of her blonde, big-toothed, prettiness. Wire-frame glasses, a tattoo of a constellation on her inner left forearm, a rose gold nose ring. She seems Texan, but she’s actually from some wholesome upper Midwestern state, I can never remember which one. Right now, she applies red lipstick from a warm golden tube in the flat gleam of the golden mirror next to her monitor. Everything about her is color-coordinated.

I open my laptop. The screen blinks twice and prompts me for my password. I type it in, and the CMS appears, open to where I left it when I signed off the previous evening. Our CMS is called LIZZIE. There’s a rumor that it was named after Lizzie Borden, christened during the pre-launch party when the tech team pounded too many shots after they finished coding. As in, “Lizzie Borden took an ax and gave her mother forty whacks.” Lizzie Borden rebranded in the 21st century as a symbol of righteous feminine anger. LIZZIE, my best friend, my closest confidant. She’s an equally comforting and infuriating presence, constant in her bland attention. She gazes at me, always emotionless, saying nothing as she watches me teeter on the edge, fighting tears or trying not to doze at my desk or simply staring, in search of answers she cannot provide.

My eyes droop in their sockets as I scan the articles that were submitted before I arrived this morning. The whites threaten to turn liquid and splash onto my keyboard, pool between the keys and jiggle like eggs minus the yolks. Thinking of this causes a tiny laugh to slip out from between my clenched lips. Charlotte slides the cap onto her lipstick, glares at me over the lip of the mirror.

“Morning.”

That’s Tom, the only male web producer, who sits across and slightly left of me, keeping my view of Charlotte’s towering wonderland of boxes and bags clear. He’s four years older than me, twenty-eight, but the plush chipmunk curve of his cheeks makes him appear much younger, like he’s about to graduate high school. He’s cute, though, in the way of a movie star who always gets cast as the geek in teen comedies. Definitely hot but dress him down in an argyle sweater and glasses and he could be a Hollywood nerd. I’ve always wanted to ask him why he works here, doing this. There isn’t really a web producer archetype. We’re all different, a true island of misfit toys.

But if there is a type, Tom doesn’t fit it. He seems smart and driven. He’s consistently the only person who attends company book club meetings having read that month’s selection from cover to cover. I’ve never asked him why he works here because we don’t talk much. No one in our office talks much. Not out loud, anyway. We communicate through a private Morse code, fingers dancing on keys, expressions scanned and evaluated from a distance.

Sometimes I think about flirting with Tom, for something to do, but he wears a wedding ring. Not that I care about his wife; it’s more the fear of rebuff and rejection, of hearing the low-voiced Sorry, I’m married, that stops me. He usually sails in a few minutes after I do, smelling like his bodega coffee and the egg sandwich he carefully unwraps and eats at his desk. He nods in my direction. Morning is the only word we’ve exchanged the entire time I’ve worked here, which is coming up on a year in January. It’s not even a greeting, merely a statement of fact. It is morning and we’re both here. Again.

Three hundred and sixty-five days lost to the hum and twitch and click. I can’t seem to remember how I got here. It all feels like a dream. The mundane kind, full of banal details, but something slightly off about it all. I don’t remember applying for the job, or interviewing. One day, an offer letter appeared in my inbox and I signed.

And here I am. Day after day, I wait for someone to need me. I open articles. I tweak the formatting, check the links, correct the occasional typo that catches my eye. It isn’t really my job to copy edit, or even to read closely, but sometimes I notice things, grammatical errors or awkward phrasing, and I then can’t not notice them; I have to put them right or else they nag like a papercut on the soft webbing connecting two fingers. The brain wants to be useful. It craves activity, even after almost three hundred and sixty-five days of operating at its lowest frequency.

I open emails. I download attachments. I insert numbers into spreadsheets. I email those spreadsheets to Lexi and my direct boss, Ashley, who manages the homepage.

None of it ever seems to add up to anything.

Excerpt from Fan Club by Erin Mayer. Copyright © 2021 by Erin Mayer. Reproduced with permission. All rights reserved.

Meet The Author

Erin Mayer

Erin Mayer is a freelance writer and editor based in Maine. Her work has appeared in Business Insider, Man Repeller, Literary Hub, and others. She was previously an associate fashion and beauty editor at Bustle.com.

Connect with the Author:  Goodreads | Instagram | Twitter | Author Website 

This excerpt brought to you by MIRA Books

Book Spotlight: TRASHLANDS by Alison Stine

Trashlands by Alison Stine
ISBN: 9780778311270 (hardcover)
ISBN: 9780369703446 (ebook)
ISBN: 9781488212550 (digital audiobook)
ISBN: 9781665104821 (audiobook on CD)
ASIN: B08QSCJ5S5 (Kindle edition)
ASIN: B092BF8FK9 (Audible audiobook)
Publisher: Harlequin|MIRA
Release Date: October 26, 2021
Genre: Fiction | Literary Fiction | Dystopian Fiction

 
 

From the author of Road Out of Winter, winner of the 2021 Philip K. Dick Award, comes a resonant, visionary novel about the power of art and the sacrifices we are willing to make for the ones we love

A few generations from now, the coastlines of the continent have been redrawn by floods and tides. Global powers have agreed to not produce any new plastics, and what is left has become valuable: garbage is currency.

In the region-wide junkyard that Appalachia has become, Coral is a “plucker,” pulling plastic from the rivers and woods. She’s stuck in Trashlands, a dump named for the strip club at its edge, where the local women dance for an endless loop of strangers and the club’s violent owner rules as unofficial mayor.

Amid the polluted landscape, Coral works desperately to save up enough to rescue her child from the recycling factories, where he is forced to work. In her stolen free hours, she does something that seems impossible in this place: Coral makes art.

When a reporter from a struggling city on the coast arrives in Trashlands, Coral is presented with an opportunity to change her life. But is it possible to choose a future for herself?

Told in shifting perspectives, Trashlands is a beautifully drawn and wildly imaginative tale of a parent’s journey, a story of community and humanity in a changed world.

Excerpt

Read an excerpt here.

Advance Praise

“This thought-provoking apocalypse noir fires on all cylinders.” –Publishers Weekly starred review

“A harrowing tale that is a natural extension of our current climate crisis…. Highly recommended.” –Booklist, starred review

Meet The Author

Author Alison Stine
Author Alison Stine

Alison Stine grew up in rural Ohio and now lives in Colorado. Her first novel Road Out of Winter won the 2021 Philip K. Dick Award. Recipient of grants from the National Endowment for the Arts and National Geographic, she has published in The New York Times, The Atlantic, and elsewhere.

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Book Showcase: ROAD OUT OF WINTER by Alison Stine



Road Out Of Winter by Alison Stine
ISBN: 9780778309925 (trade paperback)
ISBN: 9781488056499 (ebook)
ISBN: 9781488209932 (digital audiobook)
ASIN: B087QSG5GW  (Audible audiobook)
ASIN: B082MNLRMC   (Kindle edition)
Publisher: MIRA Books
Publication Date: September 1, 2020


In an endless winter, she carries seeds of hope

Wylodine comes from a world of paranoia and poverty—her family grows marijuana illegally, and life has always been a battle. Now she’s been left behind to tend the crop alone. Then spring doesn’t return for the second year in a row, bringing unprecedented extreme winter.

With grow lights stashed in her truck and a pouch of precious seeds, she begins a journey, determined to start over away from Appalachian Ohio. But the icy roads and strangers hidden in the hills are treacherous. After a harrowing encounter with a violent cult, Wylodine and her small group of exiles become a target for its volatile leader. Because she has the most valuable skill in the climate chaos: she can make things grow.

Urgent and poignant, Road Out of Winter is a glimpse of an all-too-possible near future, with a chosen family forged in the face of dystopian collapse. With the gripping suspense of The Road and the lyricism of Station Eleven, Stine’s vision is of a changing world where an unexpected hero searches for a place hope might take root.






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Read an Excerpt



Chapter One

I used to have dreams that Lobo would be arrested. The sheriff and his deputies would roll up the drive, bouncing on the gravel, but coming fast, too fast to be stopped, too fast for Lobo to get away through the fields. Or maybe Lobo would be asleep, and they would surprise him, his eyes red, slit like taillights. My mama and I would weep with joy as they led him off. The deputies would wrap us in blankets, swept in their blue lights. We were innocent, weren’t we? Just at the wrong place at the wrong time, all the time, involved with the wrong man—and we didn’t know, my mama didn’t know, the extent. 

But that wasn’t true, not even close. 

I sold the weed at a gas station called Crossroads to a boy who delivered meals for shut-ins. Brown paper bags filled the back of his station wagon, the tops rolled over like his mama made him lunch. I supposed he could keep the bags straight. That was the arrangement Lobo had made years ago, that was the arrangement I kept. I left things uncomplicated. I didn’t know where the drugs went after the boy with the station wagon, where the boy sold them or for how much. I took the money he gave me and buried most of it in the yard.

After his station wagon bumped back onto the rural route, I went inside the store. There was a counter in the back, a row of cracked plastic tables and chairs that smelled like ketchup: a full menu, breakfast through dinner. They sold a lot of egg sandwiches at Crossroads to frackers, men on their way out to work sites. It was a good place to meet; Lisbeth would come this far. I ordered three cheeseburgers and fries, and sat down.

She was on time. She wore gray sweatpants under her long denim skirt, and not just because of the cold. “You reek, Wil,” she said, sliding onto the chair across from me.

“Lobo says that’s the smell of money,” I said.

“My mama says money smells like dirty hands.”

The food arrived, delivered by a waitress I didn’t know. Crinkling red and white paper in baskets. I slid two of the burgers over to Lisbeth. The Church forbade pants on women, and short hair, and alcohol. But meat was okay. Lisbeth hunched over a burger, eating with both hands, her braid slipping over her shoulder.

“Heard from them at all?” she asked.

“Not lately.”

“You think he would let her write you? Call?”

“She doesn’t have her own phone,” I said.

Lisbeth licked ketchup off her thumb. The fries were already getting cold. How about somethin’ home made? read the chalkboard below the menu. I watched the waitress write the dinner specials in handwriting small and careful as my mama’s.

“Hot chocolate?” I read to Lisbeth. “It’s June.”
“It’s freezing,” she said. 

And it was, still. Steam webbed the windows. There was no sign of spring in the lung-colored fields, bordered by trees as spindly as men in a bread line. We were past forsythia time, past when the squirrels should have been rooting around in the trees for sap. 

“What time is it now?” Lisbeth asked.

I showed her my phone, and she swallowed the last of her burger.

“I’ve got to go.”

“Already?”

“Choir rehearsal.” She took a gulp of Coke. Caffeine was frowned upon by The Church, though not, I thought, exclusively forbidden. “I gave all the seniors solos, and they’re terrified. They need help. Don’t forget. Noon tomorrow.”

The Church was strange—strange enough to whisper about. But The Church had a great choir; she had learned so much. They had helped her get her job at the high school, directing the chorus, not easy for a woman without a degree. Also, her folks loved The Church. She couldn’t leave, she said.

“What’s at noon?” I asked.

She paused long enough to tilt her head at me. “Wylodine, really? Graduation, remember? The kids are singing?”

“I don’t want to go back there.”

“You promised. Take a shower if you been working so my folks don’t lose their minds.”  

“If they haven’t figured it out by now, they’re never going to know,” I said, but Lisbeth was already shrugging on her coat. Then she was gone, through the jangling door, long braid and layers flapping. In the parking lot, a truck refused to start, balking in the cold.  

I ordered hot chocolate. I was careful to take small bills from my wallet when I went up to the counter. Most of the roll of cash from the paper bag boy was stuffed in a Pepsi can back on the floor of the truck. Lobo, who owned the truck, had never been neat, and drink cans, leaves, and empty Copenhagen tins littered the cab. Though the mud on the floor mats had hardened and caked like makeup, though Lobo and Mama had been gone a year now, I hadn’t bothered cleaning out the truck. Not yet.

The top of the Pepsi can was ripped partially off, and it was dry inside: plenty of room for a wad of cash. I had pushed down the top to hide the money, avoiding the razor-sharp edge. Lobo had taught me well.

I took the hot chocolate to go.

In the morning, I rose early and alone, got the stove going, pulled on my boots to hike up the hill to the big house. I swept the basement room. I checked the supplies. I checked the cistern for clogs. The creek rode up the sides of the driveway. Ice floated in the water, brown as tea. 

No green leaves had appeared on the trees. No buds. My breath hung in the air, a web I walked through. My boots didn’t sink in the mud back to my own house in the lower field; my footprints were still frozen from a year ago. Last year’s walking had made ridges as stiff as craters on the moon. At the door to my tiny house, I knocked the frost from my boots, and yanked them off, but kept my warm coveralls on. I lit the small stove, listening to the whoosh of the flame. The water for coffee ticked in the pot.

I checked the time on the clock above the sink, a freebie from Radiator Palace. 

“Fuck,” I said aloud to no one.




Excerpt from Road Out of Winter by Alison Stine. 
Copyright © 2020 by Alison Stine. Published by MIRA Books. 
All Rights Reserved. Reprinted with permission.





Meet The Author


ALISON STINE lives in the rural Appalachian foothills. A recipient of an Individual Artist Fellowship from the National Endowment for the Arts (NEA), she was a Stegner Fellow at Stanford University. She has written for The Atlantic, The Nation, The Guardian, and many others. She is a contributing editor with the Economic Hardship Reporting Project.


Connect to the author via her website, Goodreads, Instagram, or Twitter.




This excerpt brought to you by MIRA Books

Book Showcase: THE FINAL DECEPTION by Heather Graham


The Final Deception, New York Confidential #5, by Heather Graham
ISBN: 9780778309437 (hardcover)
ISBN: 9781488055423 (ebook)
ISBN: 9781488208102 (digital audiobook)
ISBN: 9781094098517 (audiobook on CD)
ASIN: B07XVPRCQ9  (Audible audiobook)
ASIN: B07R61QBB3   (Kindle edition)
Publisher: MIRA Books
Publication Date: March 31, 2020


How do you confront a threat that is hiding in plain sight? FBI agent Craig Frasier and psychologist Kieran Finnegan hunt an escaped serial killer in the latest explosive thriller in the New York Confidential series.

It was one of Kieran’s most chilling cases: her assessment of a murderer known as the Fireman. There was no doubt that the man needed to be locked away. Now Craig is called to a gruesome crime scene that matches the killer’s methods, and news breaks that the Fireman has escaped prison.

Amid a citywide manhunt, Kieran and Craig need to untangle a web of deceit, privilege, and greed. They suspect that those closest to the killer have been drawn into his evil, or else someone is using another man’s madness and cruelty to disguise their crimes.

When their investigation brings the danger right to the doorstep of Finnegan’s Pub, Kieran and Craig will have to be smarter and bolder than ever before, because this time it’s personal, and they have everything to lose.






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Read an Excerpt



PROLOGUE




CRAIG FRASIER BREATHED IT IN BEFORE HE COULD STOP himself; the bloodcurdling scent of burning flesh.

Human flesh.

Flames still skittered over the body—an accelerant had been used. As he stood there in the small dark alley, he heard others rushing in: Mike Dalton, his partner, and patrol officers. He heard the sirens; the fire department was coming.

But there was no saving this victim.

Craig was already tamping the fire out; an extinguisher would make the work of the medical examiner more difficult.

But he knew what the medical examiner would find.

The victim had been strangled, then the tongue had been cut out. And then the eyes had been gouged out. Death had occurred, mercifully, before the fire had been set.

The corpses haunted his dreams. Burned shells, some flesh and soft tissue remaining, charred and clinging to the bones, mummy-like. The mouth in the blackened skull was agape, and those empty, soulless eye sockets seemed to be staring up, as if they could still see, as if they stared at him in reproach…

Why hadn’t they caught the killer sooner?

He heard a rustling sound. Looking across the alley, Craig saw a shadow moving. Leaving the corpse to others, he took off like a bullet. He pursued the moving shadow at a run…running and running for blocks. The city was a blur around him.

He reached apartments on Madison, with a coffee shop and a dress store on the first floor, just as the gate at the street entry to the residential units above was closing. He caught the gate, and he reached the elevator in time to see what floor it stopped on. He followed.

And again, as he arrived, a door was just closing; he didn’t let it close.

And there he was: the Fireman, still smelling faintly of gasoline, ready to sit down to a lovely dinner with his family. About to say a prayer before the meal…just a husband and a father, and a man who looked at Craig and calmly said, “So, my work is over. But I have obeyed the commandments given me, and I will go with you.”

Why did you take so long? The corpse again! In Craig’s dreams, the corpse was back, animated, flying at him like a ghostly banshee, issuing a silent scream.

Craig opened his eyes.

He didn’t awake screaming or startled—he didn’t jerk up. It was almost as if he always knew it was a dream, reliving the day the Fireman had gone down.He’d had the dream several times before. But, now, it seemed as though it had been a long time. Weeks. He’d thought he’d ceased experiencing it altogether. He’d been doing all the right things: quietly seeing a Bureau shrink a few times, following their advice. He hadn’t told Kieran Finnegan, his fiancée, about his recurring nightmare, and while she was a criminal psychologist working with two of the city’s finest criminal psychiatrists, he’d made a point of not telling her or her bosses.

He’d thought he’d settled it on his own. It was a little strange and sometimes intimidating being in love with someone who studied the human psyche, and he hadn’t wanted Kieran worried about him or trying to analyze him.

Why the hell had the dream come back?

He felt Kieran shift against him. He pulled her into his arms and she rolled, crystal eyes opening wide when she realized that he was awake.

And aroused. Kieran’s tangle of auburn hair was a wild mass around her face, emphasizing her eyes and the quick smile that came to her lips.

“Ah!” she murmured, feeling his arousal against her.

“Your fault,” he accused.

“Well, thankfully. What time is it?” she asked with a soft whisper.

He laughed. “Quickie time, or time for a quickie,” he said.

Her smile deepened, and there was something so sensual about it that it never failed to increase whatever he had begun to feel.

In her arms, in the liquid burn of kisses here and there strategically placed, in the swift—and intense—blaze of arching and writhing and thrusting, all else faded.

After, Craig headed for the shower. He was an FBI agent in the Criminal Division of New York City’s branch of the FBI. He could be satisfied in having brought down several killers. But there would be more; a sad fact of the world and humanity. He was blessed to have his job, his vocation, and it was time to go to work.

He shoved the dream into the back of his mind.

Whatever his day held, he’d already seen the worst that this world could offer.

Little did he know.



Excerpt from The Final Deception by Heather Graham. 
Copyright © 2020 by Heather Graham. Published by MIRA Books. 
All Rights Reserved. Reprinted with permission.




Meet The Author


Heather Graham is The New York Times and USA Today best-selling author sold her first book, When Next We Love, in 1982 and since then, she has written over two hundred novels and novellas with about 60 million books in print in categories of romantic suspense, historical romance, vampire fiction, time travel, occult, and Christmas holiday fare. Graham earned high praise for her New York Confidential series, including a starred review from Library Journal which called it, “Intricate, fast-paced, and intense, this riveting thriller blends romance and suspense in perfect combination and keeps readers guessing and the tension taut until the very end.” For more information, visit her at TheOriginalHeatherGraham.com.



Connect to the author via her website, Facebook, Goodreads, Instagram, or Twitter.



This excerpt brought to you by MIRA Books

Book Showcase: THE HENNA ARTIST by Alka Joshi



The Henna Artist by Alka Joshi
ISBN: 9780778309451 (hardcover)
ISBN: 9780778310204 (paperback)
ISBN: 9781488055447 (ebook)
ISBN: 9781488208096 (digital audiobook)
ISBN: 9781094098364 (audiobook on CD)
ASIN: B07R5YVHL9  (Kindle edition)
ASIN: B07XVNLH7P  (Audible audiobook)
Publisher: MIRA
Release Date: March 3, 2020


Vivid and compelling in its portrait of one woman’s struggle for fulfillment in a society pivoting between the traditional and the modern, The Henna Artist opens a door into a world that is at once lush and fascinating, stark and cruel.

Escaping from an abusive marriage, seventeen-year-old Lakshmi makes her way alone to the vibrant 1950s pink city of Jaipur. There she becomes the most highly requested henna artist—and confidante—to the wealthy women of the upper class. But trusted with the secrets of the wealthy, she can never reveal her own…

Known for her original designs and sage advice, Lakshmi must tread carefully to avoid the jealous gossips who could ruin her reputation and her livelihood. As she pursues her dream of an independent life, she is startled one day when she is confronted by her husband, who has tracked her down these many years later with a high-spirited young girl in tow—a sister Lakshmi never knew she had. Suddenly the caution that she has carefully cultivated as protection is threatened. Still she perseveres, applying her talents and lifting up those that surround her as she does.

“Eloquent and moving…Joshi masterfully balances a yearning for self-discovery with the need for familial love.”Publishers Weekly.






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Read an Excerpt:

Prologue
September 1955
Ajar, State of Uttar Pradesh, India



Her feet step lightly on the hard earth, calloused soles insensible to the tiny pebbles and caked mud along the riverbank. On her head she balances a mutki, the same earthenware jug she uses to carry water from the well every day. Today, instead of water, the girl is carrying everything she owns: a second petticoat and blouse, her mother’s wedding sari, The Tales of Krishna her father used to read to her—the pages fabric-soft from years of handling—and the letter that arrived from Jaipur earlier this morning.

When she hears the voices of the village women in the distance, the girl hesitates. The gossip-eaters are chatting, telling stories, laughing, as they wash saris, vests, petticoats and dhotis. But when they spot her, she knows they will stop to stare or spit at the ground, imploring God to protect them from the Bad Luck Girl. She reminds herself of the letter, safe inside the mutki, and thinks: Let them. It will be the last time.

Yesterday, the women were haranguing the Headman: why is the Bad Luck Girl still living in the schoolteacher’s hut when we need it for the new schoolmaster? Afraid to make a sound for fear they would come inside and pull her out by her hair, the girl had remained perfectly still within the four mud walls. There was no one to protect her now. Last week, her mother’s body had been burned along with the bones of other dead animals, the funeral pyre of the poor. Her father, the former schoolteacher, had abandoned them six months ago, and, shortly after, he drowned in a shallow pool of water along the riverbank, so drunk he likely hadn’t felt the sting of death.

Every day for the past week, the girl had lay in wait on the outskirts of the village for the postman, who cycled in sporadically from the neighboring village. This morning, as soon as she spotted him, she darted out from her hiding place, startling him, and asked if there were any letters for her family. He had frowned and bit his cheek, his rheumy eyes considering her through his thick glasses. She could tell he felt sorry for her, but he was also peeved—she was asking for something only the Headman should receive. But she held his gaze without blinking. When he finally handed over the thick onionskin envelope addressed to her parents, he did so hastily, avoiding her eyes and pedaling away as quickly as he could. 

Now, standing tall, her shoulders back, she strolls past the women at the riverbank. They glare at her. She can feel her heart flutter wildly in her breast, but she passes, straight as sugar cane, mutki on her head, as if she is going to the farmers well, two miles farther from the village, the only well she is allowed to use.

The gossip-eaters no longer whisper but shout to one another: There goes the Bad Luck Girl! The year she was born, locusts ate the wheat! Her older sister deserted her husband, never to be seen again! Shameless! That same year her mother went blind! And her father turned to drink! Disgraceful! Even the girl’s coloring is suspect. Only Angreji-walli have blue eyes. Does she even belong to us? To this village? 

The girl has often wondered about this older sister they talk about. The one whose face she sees only as a shadow in her dreams, whose existence her parents have never acknowledged. The gossip-eaters say she left the village thirteen years ago. Why? Where did she go? How did she escape a place where the gossip-eaters watch your every move? Did she leave in the dead of night when the cows and goats were asleep? They say she stole money, but no one in the village has any money. How did she feed herself? Some say she dressed as a man so she wouldn’t be stopped on the road. Others say she ran off with a circus boy and was living as a nautch girl, dancing in the Pleasure District miles away in Agra. 

Three days ago, old man Munchi with the game leg—her only friend in the village—warned her that if she didn’t vacate her hut, the Headman would insist she marry a widowed farmer or demand she leave the village. 

“There is nothing here for you now,” Munchiji had said. But how could she leave—a thirteen-year-old orphan girl with no family or money? 

Munchiji said, “Have courage, bheti.” He told her where to find her brother-in-law, the husband her older sister had abandoned all those years ago, in a nearby  village. Perhaps he could help her find her sister. 

“Why can’t I stay with you?” she had asked.

 “It would not be proper,” the old man replied gently. He made his living painting images on the skeletons of peepal leaves. To console her, he’d given her a painting. Angry, she’d almost thrown it back at him until she saw that the image was of Lord Krishna, feeding a mango to his consort Radha, her namesake. It was the most beautiful gift she had ever received.

Radha slows as she approaches the village threshing ground. Four yoked bulls walk in circles around a large flat stone, grinding wheat. Prem, who cares for the bulls, is sitting with his back against the hut, asleep. Quietly, she hurries past him to the narrow path that leads to Ganesh-ji’s temple. The shrine has a slender opening and, inside, a statue of Lord Ganesh. Gifts are arranged around the Elephant God’s feet: a young coconut, marigolds, a small pot of ghee, slices of mango. A cone of sandalwood incense releases a languid curl of smoke.

The girl lays Munchiji’s painting of Krishna in front of Ganesh-ji, the Remover of All Obstacles, and begs him to remove the curse of The Bad Luck Girl.

By the time she reaches her brother-in-law’s village ten miles to the West, it is late afternoon and the sun has moved closer to the horizon. She is sweating through her cotton blouse. Her feet and ankles are dusty; her mouth dry. 

She is cautious, entering the village. She crouches in shrubs and hides behind trees. She knows an alone girl will not be treated kindly. She searches for a man who looks like the one Munchiji described.

She sees him. There. Squatting under the banyan tree, facing her. Her brother-in-law.

He has thick, oily, coal-black hair. A long, bumpy scar snakes from his bottom lip to his chin. He is not young but neither is he old. His bush-shirt is spotted with curry and his dhoti is stained with dust. 

Then she notices the woman squatting in the dirt in front of the man. She is supporting her elbow with one hand, her forearm dangling at an unnatural angle. Her head is completely covered with her pallu, and she is talking to the man in a quiet whisper. Radha watches, wondering if her brother-in-law has taken another wife. 

She picks up a small stone and throws it at him. She misses. The second time, she hits him in the thigh, but he merely flicks his hand, as if swatting away an insect. He is listening intently to the woman. Radha throws more pebbles, managing to hit him several times. At last, he lifts his head and looks around him. 

Radha steps into the clearing so he can see her.

His eyes widen, as if he is looking at a ghost. He says, “Lakshmi?”



Excerpted from The Henna Artist by Alka Joshi, Copyright © 2020 by Alka Joshi. Published by MIRA Books. Reprinted with permission.




Meet the Author


Alka Joshi Photo © Garry Bailey
Alka Joshi is a graduate of Stanford University and received her M.F.A. from the California College of the Arts. She has worked as an advertising copywriter, a marketing consultant, and an illustrator. Alka was born in India, in the state of Rajasthan. Her family came to the United States when she was nine, and she now lives on California’s Monterey Peninsula with her husband and two misbehaving pups. The Henna Artist is her first novel. 



Connect with the author via Facebook, Instagram, Twitter, or her website.





This showcase and excerpt brought to you by MIRA

Book Spotlight: A FORGOTTEN MURDER by Jude Deveraux

A Forgotten Murder, Medlar Mystery #3, by Jude Deveraux
ISBN: 9780778309895 (hardcover)
ISBN: 9781488056475 (ebook)
ISBN: 9781980036180 (digital audiobook)
ISBN: 9781980057772 (audiobook on CD)
ASIN: B07R5WJB19 (Kindle edition)
ASIN: B07ZHNJ7VY  (Audible audiobook)
Publisher: MIRA
Release Date: March 10, 2020


An English manor home, an unsolved mystery, too many suspects to count… It’s the perfect holiday for romance novelist Sara Medlar.

After solving two murder cases in their hometown of Lachlan, Florida, Sara Medlar, her niece Kate and their friend Jack need a change of scenery. Sara arranges for them to visit an old friend of hers in England. Upon arrival at Oxley Manor, a centuries-old estate that has been converted to a luxury hotel, Kate and Jack quickly realize that Sara is up to something. They learn that Sara has also invited a number of others to join them at Oxley.

When everyone assembles, Sara lets them know why they are there. Decades earlier, two people ran off together from Oxley and haven’t been heard from since—and Sara wants to solve the case. As the people who were there the night the two went missing, the guests find themselves cast in a live mystery-theater event.

In reenacting the events of that night, it becomes clear that everyone has something to hide and no one is safe, especially when the discovery of a body makes it clear that at least one of the people who disappeared was murdered.

Sara, Jack, and Kate are once again at the heart of a mysterious case that only they are able to solve. But someone is willing to continue to kill to keep the truth about Oxley Manor buried, and none of the guests are safe.

New York Times bestselling author Jude Deveraux has crafted another irresistible case in her bestselling Medlar Mystery series.






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Read an excerpt from the book here.




Meet the Author

Jude Deveraux is the author of forty-three New York Times bestsellers, including For All Time, Moonlight in the Morning, and A Knight in Shining Armor. She was honored with a Romantic Times Pioneer Award in 2013 for her distinguished career. To date, there are more than sixty million copies of her books in print worldwide.



Connect with the author via Facebook, Twitter, or her website.




This spotlight brought to you by MIRA

Book Showcase: THE THIRD TO DIE by Allison Brennan



The Third to Die, Mobile Response Team #1, by Allison Brennan
ISBN: 9780778309444 (hardcover)
ISBN: 9781488055430 (ebook)
ISBN: 9781488208041 (audiobook – digital)
ISBN: 9781094097732 (audiobook – MP3 on CD)
ASIN: B081FJTS3Q   (Audible audiobook)
ASIN: B07S4BCQMJ  (Kindle edition)
Publisher:  MIRA Books
Release Date: February 4, 2020


An edgy female police detective…An ambitious FBI special agent. Together they are at the heart of the ticking-clock investigation for a psychopathic serial killer. The bond they forge in this crucible sets the stage for high-stakes suspense.

Detective Kara Quinn, on leave from the LAPD, is on an early morning jog in her hometown of Liberty Lake when she comes upon the body of a young nurse. The manner of death shows a pattern of highly controlled rage. Meanwhile in DC, FBI special agent Mathias Costa is staffing his newly minted Mobile Response Team. Word reaches Matt that the Liberty Lake murder fits the profile of the compulsive Triple Killer. It will be the first case for the MRT. This time they have a chance to stop this zealous if elusive killer before he strikes again. But only if they can figure out who he is and where he is hiding before he disappears for another three years. The stakes are higher than ever before, because if they fail, one of their own will be next…. 






Purchase Links:  IndieBound  |  Amazon  |  Amazon Kindle  |  AppleBooks  |  Barnes and Noble  |  B&N Audiobook  |  B&N Nook Book  |  BookDepository  |  Books-A-Million  |  Books-A-Million Audiobook  |  Downpour Audiobook  |  eBooks  |  Google Play Books  |  !ndigo Books  |  Kobo Audiobook  |  Kobo eBook





Read an Excerpt


Wednesday, March 3Liberty Lake, Washington12:09 a.m.

Warm blood covered him.

His arms, up to his elbows, were slick with it. His clothing splattered with it. The knife—the blade that had taken his retribution—hung in his gloved hand by his side.

It was good. Very good.

He was almost done.

The killer stared at the blackness in front of him, his mind as silent and dark as the night. The water lapped gently at the banks of the lake. A faint swish swish swish as it rolled up and back, up and back, in the lightest of breezes.

He breathed in cold air; he exhaled steam.

Calm. Focused.

As the sounds and chill penetrated his subconscious, he moved into action. Staying here with the body would be foolish, even in the middle of the night.

He placed the knife carefully on a waist-high boulder, then removed his clothes. Jacket. Sweater. Undershirt. He stuffed them into a plastic bag. Took off his shoes. Socks. Pants. Boxers. Added them to the bag. He stood naked except for his gloves.

He tied the top of the plastic, then picked up the knife again and stabbed the bag multiple times. With strength that belied his lean frame, he threw the knife into the water. He couldn’t see where it fell; he barely heard the plunk.

Then he placed the bag in the lake and pushed it under, holding it beneath the surface to let the frigid water seep in. When the bag was saturated, he pulled it out and spun himself around as if he were throwing a shot put. He let go and the bag flew, hitting the water with a loud splash.

Even if the police found it—which he doubted they would— the water would destroy any evidence. He’d bought the clothes and shoes, even his underwear, at a discount store in another city, at another time. He’d never worn them before tonight.

Though he didn’t want DNA evidence in the system, it didn’t scare him if the police found something. He didn’t have a record. He’d killed before, many times, and not one person had spoken to him. He was smart—smarter than the cops, and certainly smarter than the victims he’d carefully selected.

Still, he must be cautious. Meticulous. Being smart meant that he couldn’t assume anything. What did his old man use to say?

Assume makes an ass out of you and me…

The killer scowled. He wasn’t doing any of this for his old man, though his father would get the retribution he deserved. He was doing this for himself. His own retribution. He was this close to finishing the elaborate plan he’d conceived years ago.

He could scarcely wait until six days from now, March 9, when his revenge would be complete.

He was saving the guiltiest of them for last.

Still, he hoped his old man would be pleased. Hadn’t he done what his father was too weak to do? Righted the many wrongs that had been done to them. How many times had the old man said these people should suffer? How many times had his father told him these people were fools?

Still, he hoped his old man would be pleased. Hadn’t he done what his father was too weak to do? Righted the many wrongs that had been done to them. How many times had the old man said these people should suffer? How many times had his father told him these people were fools?

Yet his father just let it happen and did nothing about it! Nothing! Because he was weak. He was weak and pathetic and cruel.

Breathe. Focus. All in good time.

All in good time.

The killer took another, smaller plastic bag from his backpack. He removed his wet gloves, put them inside, added a good-sized rock, tied the bag, then threw it into the lake.

Still naked, he shivered in the cold, still air. He wasn’t done.

Do it quick.

He walked into the lake, the water colder than ice. Still, he took several steps forward, his feet sinking into the rough muck at the bottom. When his knees were submersed, he did a shallow dive. His chest scraped a rock, but he was too numb to feel pain. He broke through the surface with a loud scream. He couldn’t breathe; he couldn’t think. His heart pounded in his chest, aching from the icy water.

But he was alive. He was fucking alive!

He went under once more, rubbed his hands briskly over his arms and face in case any blood remained. He would take a hot shower when he returned home, use soap and a towel to remove anything the lake left behind. But for now, this would do.

Twenty seconds in the water was almost too long. He bolted out, coughed, his body shaking so hard he could scarcely think. But he had planned everything well and operated on autopilot.

He pulled a towel from his backpack and dried off as best he could. Stepped into new sweatpants, sweatshirt, and shoes. Pulled on a new pair of gloves. There might be blood on the ATV, but it wasn’t his blood, so he wasn’t concerned.

He took a moment to stare back at the dark, still lake. Then he took one final look at the body splayed faceup. He felt nothing, because she was nothing. Unimportant. Simply a small pawn in a much bigger game. A pawn easily sacrificed.

He hoped his old man would be proud of his work, but he would probably just criticize his son’s process. He’d complain about how he did the job, then open another bottle of booze.

He hoped his father was burning in hell.

He jumped on the ATV and rode into the night.



Excerpt from The Third to Die by Allison Brennan, 
Copyright © 2020 by Allison Brennan. Published by MIRA Books. 
Reproduced with permission. All rights reserved.

 




Meet the author

Author Photo by Brittan Dodd
Allison Brennan is the New York Times and USA Today bestselling and award-winning author of three dozen thrillers and numerous short stories. She was nominated for Best Paperback Original Thriller by International Thriller Writers, has had multiple nominations and two Daphne du Maurier Awards, and is a five-time RITA finalist for Best Romantic Suspense. Allison believes life is too short to be bored, so she had five kids. Allison and her family live in Arizona. Visit her at allisonbrennan.com



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