Guest Post: Jeff Bond – DEAR DURWOOD

Good day, my bookish peeps. We’ve made it to another Friday, YAY! For most of us avid readers, our reading style may change a bit as we age, but the one thing we know when we read it is a good story. We enjoy the characters, the settings, the storylines, and the action. Everything about the story just seems to make sense and work. I’m incredibly pleased to welcome Mr. Jeff Bond, author of the Third Chance Enterprise series including Dear Durwood. Mr. Bond will be discussing why we need what he calls “balance in storytelling” to make stories believable. Thank you, Mr. Bond, for taking time away from your writing to visit with us today. The blog is yours!




Balance in Storytelling


My wife and I had a rare night to ourselves last month, the kids away at a sleepover, and decided to relax with some TV. I usually defer to whatever she wants to watch, but I had been itching to check out a movie on Netflix I’d been hearing about for months. For years, actually.

The Irishman.

De Niro … Pacino … Pesci … the three and a half hour runtime gave me pause, but I had fond memories of watching Goodfellas as a college student and couldn’t wait to see these actors reunited and doing their thing.

We watched the movie.

Now I wouldn’t dream of critiquing Martin Scorsese — and my purpose here isn’t to write a movie review — but we both sat back when the credits rolled with conflicted expressions.

“What did you think?” my wife asked.

I thought the film was subtle and moving and utterly convincing, but I didn’t love it. De Niro, Pacino, Pesci — those same actors I’d been excited to watch again felt somehow suffocating. It was just so much sameness. Leaving aside race for now — the only substantial female plotline involves the De Niro character’s daughter and her ongoing disapproval of his line of work, which she communicates with mute scowls and sidelong glances throughout the film.

In fairness, that’s the world of the Italian-American mafia. It would’ve been disingenuous for Scorsese to portray it otherwise. The issue never even crossed my mind as a young person watching Goodfellas, which owed partly to the different times and diversity not being something we all considered much. (Enough, I should say.)

Another difference between me twenty years ago and me now is that I’ve written several stories of my own. I’ve developed my own method for balancing a book along gender, racial, and sexual orientation lines. It’s nothing groundbreaking, usually just a document I’ll produce at the beginning of the project breaking out the main and secondary characters with either “m” or “f” beside each. If the proportions aren’t close, or if all the f‘s are good and m‘s are bad or vice versa, it’s time to rethink the mix. The technique isn’t perfect by any means, but I do notice now when a story seems to ignore the issue.

The reasons for balancing a book in such a way are simple. One, it reflects the world as it is — a goal anyone trying to write convincing realistic fiction should strive for. Second, it’s shamelessly better for sales. You don’t want to cut your potential audience in half by writing exclusively about one group, leaving others unrepresented. Now that’s an oversimplification because we’re all human beings, and I can certainly enjoy and identify with stories portraying the inner lives of women or people of different ethnic groups than myself. If readers can cast their minds into protagonists from outside their own experiences, though, there’s no reason authors can’t do likewise and meet them halfway.

In fact, I would’ve liked my recent releases to be more diverse than they are. Although I love the throwback pulp-style images my cover artist created for the Third Chance Enterprises books, I feel some angst at all the white faces there. I thought long and hard about making Durwood Oak Jones African-American. Some things about his character would’ve changed, but I think it could have been an interesting twist, paired with his conservative values and deep Appalachian roots. In the end, though, I didn’t feel comfortable risking accusations of cultural appropriation. The Third Chance Enterprises series is nothing more or less than a big, breezy thrill-ride, and I didn’t want to saddle it or tarnish readers’ experiences with an #ownVoices controversy.

I should say here that I have nothing but respect for #ownVoices as a movement. Its goals are the right ones and progress has clearly been made, particularly on the traditional publishing side. The world doesn’t need to weep that straight white male authors like me are slightly constrained in choosing our protagonists. I actually have a couple of books in the outline phase for my new Franklin series — which is more literary/slice-of-life in tone — featuring ensemble casts that should allow me to provide readers with a more representative mix of characters.

Diversity in fiction is tough, coming and going. It can feel artificial when done wrong and patronizing when done very wrong. Stories that reference a character’s protected class without a genuine need to do so seem token-ish. It’s important for writers to dig deep and find organic story elements that support more diverse casts.

In my second novel, Blackquest 40 — a kind of Die Hard in a San Francisco tech company —  I chose a young female computer programmer to be my Bruce Willis. The story revolves around a nightmarish corporate training exercise that turns darker by the hour, and I wanted above all to create maximum conflict between the corporate overlords running the “training” and my protagonist, Deb Bollinger. Given the macho bro-vibe of the Northern California tech world, I thought making Deb a lesbian would exacerbate that split in a good way — and also made sense given I was setting the story in San Francisco. (Partly because that’s where those companies are located; partly because I lived there six years and know the city well.)

This choice took traditional publishing off the table for Blackquest 40, due to #ownVoices concerns. I released it as an indie title and haven’t heard many complaints. Most readers like Deb and seem fine with my portrayal. There are certainly other authors who pull it off. James Patterson comes to mind with his Alex Cross series. Thrillers generally don’t have social statements at their core — they aren’t saying big important things about racial or gender identity — and there’s a side of me that feels like the genre should be ripe for more diverse heroes from authors of all backgrounds. But I realize my own perspective is limited here, and that the long legacy of exclusionary homogeneity in publishing looms over the issue.

Ultimately, like so many of us in this challenging year of 2020, I’m feeling my way through the dark, doing my best, trying to learn.






Dear Durwood

by Jeff Bond

on Tour August 1 – September 30, 2020



Synopsis:


Dear Durwood by Jeff Bond


Book two in the epic Third Chance Enterprises series, Dear Durwood is a standalone mystery pitting uncompromising principle against big city greed.

Durwood Oak Jones is a man of few indulgences. One he does allow is a standing ad in Soldier of Fortune magazine soliciting “injustices in need of attention.”

This month’s bundle of letters includes one from Carol Bridges, mayor of the dusty, blue-collar town of Chickasaw, Texas. For nearly a century, Chickasaw has relied on the jobs and goodwill of Hogan Consolidated, a family-run manufacturer of industrial parts. Now East Coast lawyers and investment bankers have taken aim at the company. The citizens of Chickasaw fear it may be acquired or bankrupted, leading to massive layoffs — effectively destroying the town.

Durwood and his trusty bluetick coonhound, Sue-Ann, fly to Texas to see what can be done. They find a young CEO born with a silver spoon in his mouth. Factory workers with hammers. A good woman, Carol Bridges, who knows her town is being cheated but can’t get to the bottom of how. And lawyers.

Dirty, good-for-nothing lawyers.





Book Details:


Genre: Action-Adventure / Western Romance
Published by: Jeff Bond Books
Publication Date: June 15, 2020
Number of Pages: 215
ISBN: 1732255296 (ISBN13: 9781732255296)
Series: Third Chance Enterprises
Purchase Links: Amazon | Third Chance Stories | Goodreads




Author Bio:


Jeff Bond

Jeff Bond is an American author of popular fiction. His books have been featured in The New York Review of Books, and his 2020 release, The Pinebox Vendetta, received the gold medal (top prize) in the 2020 Independent Publisher Book Awards. A Kansas native and Yale graduate, he now lives in Michigan with his wife and two daughters.

Catch Up With Jeff Bond On:


JeffBondBooks.com
BookBub
Goodreads
Instagram
Twitter
Facebook!




Tour Participants:


Visit these other great hosts on this tour for more great reviews, interviews, guest posts, and giveaways!





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This is a Rafflecopter giveaway hosted by Partners in Crime Virtual Book Tours for Jeff Bond. There will be 2 winners of one (1) Amazon.com Gift Card each. The giveaway begins on August 1, 2020, and runs through October 2, 2020. Void where prohibited.


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Book Showcase: THE PINEBOX VENDETTA by Jeff Bond

The Pinebox Vendetta by Jeff Bond Banner


The Pinebox Vendetta

by Jeff Bond

on Tour May 1 – June 30, 2020



Synopsis:


The Pinebox Vendetta by Jeff Bond

From the author of The Winner Maker and Blackquest 40 comes The Pinebox Vendetta: a genre-bending thriller that combines a love story, cold-case murder mystery, and political blood feud — told over the course of a single breathless weekend.



The Gallaghers and Pruitts have dominated the American political landscape dating back to Revolutionary times. The Yale University class of 1996 had one of each, and as the twenty-year reunion approaches, the families are on a collision course.

Owen Gallagher is coasting to the Democratic nomination for president.

Rock Pruitt — the brash maverick whose career was derailed two decades ago by his association to a tragic death — is back, ready to reclaim the mantle of clan leader.

And fatefully in between lies Samantha Lessing. Sam arrives at reunion weekend lugging a rotten marriage, dumb hope, and a portable audio recorder she’ll use for a public radio-style documentary on the Pruitt-Gallagher rivalry — widely known as the pinebox vendetta.

What Sam uncovers will thrust her into the middle of the ancient feud, upending presidential politics and changing the trajectory of one clan forever.

The Pinebox Vendetta is the first entry in the Pruitt-Gallagher saga: a series that promises cutthroat plots, power grabs, and unforgettable characters stretched to their very limits by the same ideological forces that roil America today.




Book Details:


Genre: Thriller
Published by: Jeff Bond Books
Publication Date: February 19th 2020
Number of Pages: 264
ISBN: 1732255253 (ISBN13: 9781732255258)
Series: Pruitt-Gallagher Saga, #1
Purchase Links: Amazon | Barnes & Noble | Goodreads




Read an excerpt:



1


Jamie Gallagher stood beside the pirate at the skiff’s rail, the African sea thick on his skin. Neither man could see the other in the moonless night, but Jamie smelled the khat the Somali never stopped chewing—sweetly sharp, a scent that made Jamie feel part cleansed and part crazed.

“The money is ready,” said the pirate named Abdi. “My men have packed the briefcase.”

Wanaagsan.” Jamie ducked his head in gratitude. “You believe the general will accept a briefcase?”

“This is the usual way, yes. It will be checked for explosives with X-ray and IMS swabs.”

“Of course.”

“Also, the general will insist on verifying the amount before the release occurs.”

“His men are going to count ten million dollars?” Jamie asked.

The Somali spat khat leaves into the sea. “He has machines. The machines check by weight.”

Jamie exhaled, pushing his own breath into the hot, still air. The money would weigh out.

The money wasn’t the trick.

Abdi continued, “Once the amount is verified, the general will call his people in the jungle by satphone, and they will free your journalist.”

“Immediately? I’ll need confirmation from HD before we leave the yacht.”

“That is the arrangement.”

Jamie mopped his brow. Acting wasn’t his strength, and he hoped his insistence on this procedural point was convincing. In fact, Humanitarian Dialogue (HD) knew nothing about tomorrow. There would be no representative at the hand-off spot, and the French journalist—whose reporting on minority suffrage truly had opened the world’s eyes—would not be freed.

This was a regret. But Jamie Gallagher had lived with worse.

He said, “I’ll be X-rayed, too?”

“Yes.”

“Strip-searched?”

“At a minimum. You should expect a body cavity search.”

“Fine.” In his years advocating for peace and public health around sub-Saharan Africa, Jamie had had his cheeks probed, his neck magnetically combed, and the arches of his feet flayed. “I suppose the general’s in no position to be trusting.”

The pirate took a while to respond. Was he eyeing Jamie in the dark? Signaling to his men back on the mothership? Jamie’s statement had been obvious and shouldn’t have invoked offense.

Since joining the pirates at Merca, a white beach paradise down the coast from Mogadishu, Jamie had detected hostility—even after paying their exorbitant convoy fee. Abdi himself had been civil enough, but his three young lieutenants, after pointedly using their left hands to shake Jamie’s, had glared at him with undisguised contempt.

He understood this. A westerner waltzes onto their ship with unimaginable stores of cash—cash that, in a matter of hours, will bring them into contact with the most wanted war criminal on the planet. Naturally, they resented him.

He was what, five years older than them? With his bandanna and dishwater-blond hair?

Abdi said, “This is a great risk for us. We have earned the general’s esteem. We do not wish to squander it.”

Jamie heard the clench in the man’s jaw. “I assure you, I will comply with every procedure he or you tell me to follow.”

General Mahad and these Somali pirates fought on the same side of many issues. Both wanted the ruling Muslims out of Puntland. They didn’t care that the Muslims had remade the conflict-ravaged region into a prosperous enclave, introducing compulsory education and a foodstuff-based living wage.

For the pirates, the problem was their strict, Islam-centric brand of law and order, which had made the coastal waters harder to pillage.

General Mahad’s beef was simple: the Muslims had replaced him in power.

He’d ruled Puntland for a decade, enriching himself and his cronies using any resource available—khat, guns, people. When word of his atrocities leaked, international pressure mounted for a free election. The general agreed after a period of stonewalling, believing he could manipulate the results. When Al Jama-ah won anyway, the general stole all he could in the weeks before yielding control.

According to a local guide Jamie trusted, the general toured polling stations his last day with a machete, taking three fingers from each precinct leader.

“If I lose next time,” he told them, “you lose the rest.”

Though he retained a few loyalist strongholds like the one holding the French journalist, General Mahad himself lived on a yacht, moving constantly to evade capture. The Hague had convicted him last year in absentia.

Now Jamie asked, “Who’ll be coming aboard with me?”

“Me and Josef,” Abdi said. “We are known to the general.”

“Will you be armed?”

“No. He will search us, too.”

Jamie shuffled in place, the skiff feeling suddenly unsteady beneath him. “I—er, I hope it’ll be okay that I bring a gift. Akpeteshie. I was told it is the general’s favorite liquor?”

The pirate groaned pleasurably. “Akpeteshie, yes.”

“I thought we might share a drink as a token of good faith.”

“The bottle is factory-sealed?”

“Yes.”

“The general will like this. The general believes in courtesy.”

Several retorts came to mind at the ludicrous idea this butcher had any claim on civility, but Jamie swallowed them. He removed a pair of night-vision goggles from his rucksack. Before looking himself, he offered them to Abdi. Abdi waved them off as though the technology were frivolous.

Jamie scanned the horizon, right to left, left to right. The skiff’s sway seemed to increase. The eye cups stuck to his sweaty forehead.

The smell of khat, which hadn’t bothered him before, grated now, like sugar grit needling into his nose and eardrums. He felt the pressure of this place keenly. Every actor—man, woman, or child—who entered this stretch of ocean would be girded to fight. They must be. Choice never came into it.

A shape appeared on the horizon. Jamie thumbed his focus wheel until red blurs resolved to running lights.

“The general,” Abdi said.

Adrenaline jolted through Jamie. Here was a ghost vessel—a vessel many militaries of the world would board on sight, and one the United States wouldn’t think twice about blasting to smithereens with a drone strike.

The yacht grew larger in the greenish display. Jamie screwed on a bulky magnifier lens and was able to make out guards on the gunwale, ambling, AK-47s on their shoulders. The yacht was perhaps twenty meters. Several figures were sprawled out on deck, sleeping in the open for the heat.

Jamie raised the goggles, thinking to find the general on the bridge. The cockpit windows were smoked—opaque from outside and surely bulletproof.

He panned back down. The craft made a leeward turn, and he glimpsed new figures at the base of the pilothouse. These were prone like the others but smaller—a dozen in a line, little pulled-apart commas. Most of them were still, but one squirmed restlessly.

Children.

Jamie’s stomach shrank to a cold fist.

#

He barely slept. Long after rowing back to the mothership and helping Abdi loosely tie up the skiff, and bedding down in the holds beside crates of ammunition and rocket-propelled grenades, Jamie lay awake thinking of those children.

He’d known the general had kids, twenty or thirty that he acknowledged. And it shouldn’t have been surprising such a monster would keep family members near, in the cross-hairs of danger. Still, the concrete knowledge of these innocents shook Jamie. His moral clarity waned, like a tower of blocks losing its crosspiece.

How will the general’s children move on? What if they fall into the arms of the pirates or the next warlord up?

From here, it was no leap at all to obsess about the French journalist. When the exchange was revealed as phony, would the general’s men execute her on the spot? They would blame her, despite the fact that she had played no role whatsoever in the ruse.

Renée Auteuil had been raised by a jobless father in Roubaix, the post-industrial husk of a city. She’d worked sixty-hour weeks as a line cook to support them. She’d defied dictators on three continents to achieve the eminence and audience that had prompted General Mahad to snatch her last spring.

Now Jamie was putting her in jeopardy, and for what?

So that he could feel better about himself? So he could feel absolved?

Jamie had chosen Puntland precisely because it was neutral territory in the feud between his family, the Gallaghers, and their conservative arch-enemies, the Pruitts.

The two clans had been fighting for nearly three centuries—and while there was hardly a facet of American political, corporate, or philanthropic life their battles hadn’t touched, neither family had much connection to Puntland. As president, Jonathan Pruitt hadn’t carried out any significant dealings with the territory during his term. (His only term, thankfully.) The Gallaghers facilitated relief missions all over Africa, but nothing specially in Puntland.

Jamie’s action tomorrow wouldn’t be interpreted as having grown out of the feud, or impacted the feud, or given the Gallaghers some edge in the next midterm elections.

This was separate. This was good, a thing nobody could spin or debate.

That had been the plan, at least.

Now doubts roared in Jamie’s mind. He dug at the roots of his hair, flopping about the damp, creaking boards. The Somalis snored in the adjacent room. Their arsenal reeked of grease and sulfur. Jamie crunched his eyes and pulled his rucksack, which he’d been toting around since freshman year at Yale, down over his head.

The thoughts still came, and the guilt.

His emotions spiraled and sickened and fought, and finally came to a head. He growled, disgusted by himself, then tore through his rucksack for the shoe that contained, wedged up in the toes, a newsprint photo of a mass grave discovered in northeast Puntland.

By penlight, he stared at the image. He seared it into his brain. The open trench of dusted gray bodies. The overlapping femurs. The fleshless faces.

The photo was merely one of dozens. Jamie knew the general was well-positioned to continue the slaughter once the collective international eye moved along.

“That’s it,” he whispered aloud. “Not one more thought.”

#

The meeting was to take place twenty minutes after sunrise. Jamie woke, having finally fallen asleep around four a.m., to the Somalis chatting in their native tongue over pieces of flatbread. He dragged himself aboveboard, feeling at once languid and jittery.

“Bread?” Abdi offered, tearing a piece from a slab.

“Thanks, no.” Jamie reached into his rucksack instead for a piece of biltong, the wildebeest jerky he’d grown fond of. “Has the general been about?”

“Yes, Josef saw him. The hat.” Abdi made a sifting gesture above his head to indicate the general’s beret.

The day was already scorching, the sky’s blue brilliance broken only by the boiling disk of the sun. The general’s yacht rocked softly in the west, appearing quite large now, its bow sleek and spear-like.

“They’re within gun range,” Jamie observed.

“Oh yes. We are in their scopes.”

As if to prove the point, Abdi raised a hand in the yacht’s direction and laughed. Nobody joined him.

The pirate named Josef, taller and broader in the chest than Abdi, loaded the ten-million-dollar briefcase into the first of three skiffs. Jamie stepped in after, fitting his rucksack into the hull—careful of the Akpeteshie inside—and tying back his hair.

Abdi took a minute instructing the two men staying back on the mothership. Was he arranging a distress signal? Telling them what to do if shots were fired?

Coordinating a double-cross?

There was no use worrying. Jamie had placed himself between dangerous people, but dangerous people performed the same calculations benign ones did. The pirates would keep up their end so long as the benefits remained clear: not only cash, but stronger ties with the general and the establishment of a new back-channel to the powerful Gallaghers.

The skiff loaded, Adbi yanked the outboard motor’s cord. The engine sputtered alive and settled to a rumbling purr. Josef untied them, flashing a grim thumbs-up to the men staying behind.

They charted a course for the general’s yacht. The sea felt choppier on the smaller craft, which didn’t bother Jamie—a lifelong boater and varsity swimmer in college—but did compel him to pull the rucksack protectively into his lap. If the Akpeteshie somehow ruptured against the hull, the mission would be lost.

As they neared the general’s yacht, the faces of his guards became visible—wary, textured faces. The carry-straps of AK-47s sawed their necks.

Abdi cut the motor and drifted in.

A section of railing was unclipped, and a ramp extended from the yacht’s stern. After helping Josef tie up, Jamie slipped the rucksack onto his back and boarded. The Somalis trailed him with the briefcase.

Halkan, ku siin!” said one of the general’s men.

Abdi shook his head forcefully at the request—to hand over the briefcase. The guards backpedaled, their formation hemming Jamie and the pirates into a corner of the aft deck. Abdi and Josef walked with their bodies shielding the case as if it contained plutonium.

With these uneasy field positions established, the general’s men conferred briefly and parted to form an aisle to the pilothouse. General Mahad emerged.

The general wore his full dress uniform: navy blue, epaulets, ribboned medals. He lumbered forward with a mild limp, said to have originated during the Simba rebellion of 1964.

He raised his chin to Abdi, then spoke to Jamie. “Welcome to the one and true seat of Puntland, Mr. Gallagher.”

Jamie felt the man’s deep, scarred voice in his bowels. “That’s none of my concern. I’m here for Renée.”

The general smiled, his lips fat and sly. “How fortunate she is. You are the white knight, eh? Sir Jamie?”

The characterization stung, but Jamie pushed on. “I’ve been in touch with Humanitarian Dialogue—their helicopter is ready. Give me a latitude and longitude for the exchange and let’s get this over.”

“Your friends have the money?”

Every eye on the yacht turned to Abdi, whose knuckles tightened on the briefcase handle.

“Ten million,” Jamie said. “Count it if you like.”

The general crooked a finger at one of his men, who disappeared to the pilothouse. The man returned with a machine resembling a fax with bill-sized trays.

Abdi stepped forward with the briefcase. The man with the counting machine passed a handheld X-ray scanner around the case and swabbed a cloth along each edge.

He started for the pilothouse with the cloth, likely to perform a residue test for explosives, but the general stopped him. Then gestured for Abdi to go ahead.

When Abdi undid the clasp, the lip snapped open—ten million was a squeeze, even with an oversize case—and a few packets spilled out.

The counting began.

Now Jamie reached into his rucksack for the Akpeteshie.

“I’ve heard tell around campfires,” he began, gathering himself, “that you enjoy a certain Ghanaian beverage.”

The general grinned when he saw the bottle, squat, the neck’s glass bowed in the distinctive shape of a baobab tree.

“This is true.”

“Shall we drink together?” Jamie said. “It’s early, but I find a day started well nearly always ends well.”

The general palmed his jaw. There was a risk he would set the gift aside, but Jamie was counting on this subtle challenge to his manhood—in front of his crew, in front of Abdi and Josef. People like the general didn’t back down from such dares.

Jamie thought of his old classmate Rock Pruitt who’d downed a fifth of whiskey disproving a frat brother’s claim that prep-schoolers only drank martinis and smoked reefer.

“I would quite enjoy that,” the general said. “After the bottle is checked.”

Jamie raised a shoulder, feigning indifference as two men seized the Akpeteshie and held it sideways up to the sun, testing its feel in their hands, poking fingernails along the dripped-wax seal.

They would find nothing. Jamie’s sister Charlotte Gallagher, founder of internet-of-things giant SmartWidget and the eighteenth-richest person in the world, owned 45 percent of the local distillery that produced Akpeteshie. She had allowed Jamie to follow this lone bottle through the factory. At the final step, just before corking, he’d poured out 150 milliliters of liquor and replaced it with an equal amount of king cobra venom.

For fifteen months, Jamie had been inoculating himself with increasingly larger doses of the venom. He had started, after discussing the strategy at length with a Sudanese shaman, with a pinprick diluted in a pint of water. Last week, he had managed eight milliliters of venom—the amount a shot from the spiked Akpeteshie would deliver, depending on the pour—and suffered only dizziness, blurred vision, and severe cottonmouth.

When his men were satisfied the bottle was unaltered, the general took a pair of tumblers from the yacht’s fiberglass sideboard.

Tumblers, not shot glasses. Eight ounces at least.

“To finding a middle, eh?” The general poured each tumbler to the brim. “Two parties can start from opposite ends and, with good sense, find a common understanding.”

Jamie’s teeth pulverized each other in the back of his mouth. He’d always found the rhetoric of compromise disingenuous, whether it came from television pundits or the North Carolina Gallaghers exhorting the clan to give ground at the fringes of the abortion debate.

To hear it from the mouth of a man like Mahad? Revolting.

To the middle,” he spat.

He raised the tumbler to his lips. Calculations whipped around his brain. Eight ounces divided by one point five…

Equaled six times the amount of venom his body had previously endured.

The liquid was amber, almost orange. As the glass tilted, Jamie imagined he saw currents of venom slithering among the palm wine. His fingers trembled. Some sloshed over the side, but not nearly enough.

In his periphery, Jamie became aware of Abdi and Josef arguing with the general’s men. Abdi slapped one empty well of the briefcase. The general’s men shouted. More rushed to the deck from below board.

The general balked at Jamie’s tone. “You do not like my toast. That is your right. You are the guest, so make your own.” He smirked about. “We are democratic here, aren’t we?”

Jamie ignored the low hoots. “To justice.” He regripped his tumbler. “To justice, and fair treatment for all living things.”

The general guffawed, big and toothy. “For ten million, yes. Why in hell not?”

Their eyes locked over the tumblers’ rims. Jamie perceived something in the man’s look, some hustler’s instinct, and knew if he faltered now—even for a moment—the trap would be blown.

Jamie stared into the lethal brew, waited for bright madness to rise, and drank. The Akpeteshie burned his throat. His jaw felt weak and daggers pressed into his eardrums from inside. Still, he kept his head tipped back and drank it all.

The general and several of his men goggled at the feat. When their eyes turned to him, the war criminal downed his, too.

“…no, the release! ” Jamie heard behind him. “No money before release!”

“We will keep it.”

“No, us! We will hold the money.”

A guard wearing ripped denim leveled his rifle at Abdi. Josef stepped forward to push aside the muzzle. Another guard drove the butt of his rifle into Josef’s back, crumpling the pirate.

Jamie didn’t know how long he and the general had. During his inoculation, the symptoms would begin in about a minute, but he’d never ingested this large a dose.

His heart rate zoomed and breath pumped through his chest like air from a bellows—still, this could be the effects of anticipation.

“So, um…the release,” he said, feeling a vague duty toward Abdi. “If you…so I’ll call HD and be sure Renée, er…s’all okay with the money…”

Words were deserting him. The scuffle on deck was intensifying. Josef had recovered to pounce on the man in denim. Abdi was buried in a furious tangle of fists and churning hips.

Jamie didn’t understand the fight. Let them have the money—who cared?

He began to feel disconnected from his body, Abdi and Josef blending into other people he’d known in life, Gallaghers and Pruitts, senators and reporters, grad students and business titans, all fighting without reason, finding joy and enemies, grinding their life into the larger sausage.

The general unleashed a thunderous whistle and raised his hand for calm. The struggle paused. Every eye turned his way. He began to lower his hand but suddenly couldn’t.

His arm convulsed and became some bucking stick-animal beyond his control. His fingers twitched unnaturally. He grasped his throat, staggering back. Froth bubbled in his nostrils.

The man who’d retrieved the money scale from the pilothouse pointed at Jamie.

“What is this?”

Jamie tried answering, but his tongue would not obey, dead and heavy in his mouth. Pain gored his brain. Sweat screamed from his pores, a thousand beads altogether.

This wasn’t the outcome Jamie had wanted, but neither was it wholly unexpected. He thought now of life’s best moments. In Burundi, feeling that boy’s skeletal hand squeeze as he sucked a tab of enriched peanut butter. On the vineyard, fourteen years old, swinging his cousins round and round in celebration after his mother—the senior senator from Connecticut and Democratic National Committee chairperson—had succeeded in her long-shot campaign to retake majority control of the Senate.

Above all, though, he remembered kissing Sam. Seniors on their last night at Yale, about to go conquer the world, standing together in an entryway. Emotions spiked to the heavens. Their mouths came together in the gentlest, deepest touch he’d known before or since.

Samantha Lessing. God, she was it. The life he missed.

Half the general’s men were swarming the Somali pirates while the other half moved on Jamie. There was a gap between the two, but it was closing.

Jamie willed his tongue back into service.

“This was right,” he croaked. “Here, today. This was not a waste.”

And he believed this—dashing across the deck through grasping hands, over the gunwale, into the black ocean.

TEN YEARS LATER


2


Sam slipped out of the WNYC studios at four-thirty, waving off cheers of “Have fun!” and “Take me with you!”, hurrying through the lobby, jogging a short block to catch the uptown C. She needed to pick up a daughter and possibly husband in Brooklyn, then be back in Manhattan for the 5:41 p.m. train to New Haven. Reunion check-in closed at eight. If the train arrived on time, she’d make it easy.

If not? If any of the dizzying array of pitfalls inherent in teenagers and public transit popped up? Sam guessed they were sleeping on the street.

Half an hour later, she hiked three flights of stairs with key at the ready. The apartment was unlocked.

“Joss?” she called. “You are packed, yes?”

Her daughter’s door was closed, but guitar chords thwanged through. Sam stepped around French bread pizza and a stack of indie music magazines to pound twice.

“Not telling you what to wear,” she yelled, “but I suggest a dress or dress-like garment for Saturday night.”

The music inside dulled, indicating Sam had been heard. The warning bell had been sounded. She found an oversize duffel bag in the hall closet and tossed in her stuff: toiletries, three-odd outfits for the weekend, Zoom audio recorder.

About outfits: Sam both cared and didn’t care. She was forty-three. Her classmates were forty-three, give or take. Nobody should go rocking a prom dress, but they weren’t dead yet either. She brought dark-red sleeveless, plus yellow floral in case of glorious weather.

“Leaving twelve minutes!” she said through Joss’s door. “Zero wiggle situation.”

Tight timelines didn’t bother Sam—the studio commonly dropped post-production on her for shows that were airing in mere hours. Packing now, she thought pleasurably of the friends she’d see at the reunion. Laurel in from San Francisco. Jen Pereido. Naomi, even though she was still recovering from the birth of her fourth(!) child.

From her own daughter’s room came a squeal, streaked with joy. The noise pinched Sam’s heart. Her husband Abe was in there—they’d probably harmonized on some new melody. Which was awesome. Truly. Except that it was 4:48.

She opened the door. “I hate to be Yoko, but the time’s come to break up. Leaving in five minutes.”

Fourteen-year-old Joss looked up from fingering the neck of her guitar, still grinning. Abe sat cross-legged on the floor with the Yamaha across his knees, a kind of strung-out, hipster Dalai Lama. Both appeared stumped.

Sam said, “Yale? My alma mater, where you’ve been dying to go for months?”

Joss’s grin vanished. “Dad said you were leaving whenever! Isn’t it like an all-weekend thing? Today’s only Thursday.”

“Yes, but in order to check in Thursday night, as I hope to,” Sam said, patiently as she could, “we need to arrive on campus by eight o’clock.”

“That’s ridiculous, I’ve barely even looked at clothes.”

“Then look quickly. I’m winging it myself.”

Joss shot upright, dropping her guitar with a clang against the bed. “I’m not going to Yale on, like, zero notice. You can’t just spring this on me.”

“I sprung no thing on no body. We discussed timing last night, and this afternoon I sent your father four texts—every hour, on the hour—reminding him.”

“But those go to his phone,” Joss said. “Remember, I don’t have one? Because you won’t let me?”

Sam stretched one arm laboriously toward the ceiling, focusing on good breaths. Apparently, they were skimming right over Abe’s not passing along the messages. His long-running campaign to absolve himself of any and all responsibility—waged by a steady pattern of never giving a crap for anyone but himself—had succeeded at last.

“Look, we can argue about phones again or we can try to make this train. Otherwise, we basically miss half the reunion. We might as well skip.”

This genuinely spooked Joss. Her face hollowed even more deeply than usual. (She’d grown three inches this year, causing Sam to marvel at this moody, suddenly supermodel whose laundry she washed every week.) They’d been talking about the reunion forever, what architecture couldn’t be missed, whether student activists would be around for Joss to connect with.

Sam hated to use fear, that blunt-force instrument of the parenting arsenal, but she knew a reasoned argument would produce nothing but gridlock.

Joss started packing.

Abe, who’d disappeared to the bathroom, emerged now with drawstrings dangling from his sweats. He nodded to a pair of shiny heels in Sam’s duffel.

“Somebody’s dressing to impress.”

“I haven’t seen these people in twenty years,” she said. “I’m erring on the side of adequate.”

Her husband snorted, seeming to take the comment personally. Twelve years older than Sam, he’d been an already-aging rocker when she had met him in her late twenties. Between drugs and alcohol, and having nowhere in particular to be for the last twenty years—no office or classroom mores to adhere to—Abe had aged poorly. His leatherette skin belonged to a person decades older, and beige hair had fled the top of his head for his ears and nostrils.

“You’re more than welcome to join,” Sam said, stuffing in a toothbrush. “But we are leaving mucho rapido, so…”

He ambled a step away, picked up Joss’s guitar and set it in its case.

She heaved the duffel’s halves together to make the zipper zip. “You’re passing, correct? I just want to confirm with a verbal yes or no answer.”

Sam knew with four hundred percent certainty that some future argument would hinge on this point—whether or not Abe had been invited. They would be sniping back and forth about Yale, how phony or not phony her friends were, what first-world problems they were finding themselves crippled by, and he would break out his trump card.

You were embarrassed. You didn’t want me there, dragging you down.

And here it came, earlier than expected.

“You don’t have to faux-invite me,” Abe said. “You prefer to go alone. Oh, you’ll tolerate Joss. Joss is an acceptable accessory. Perfectly cool, I get it. I won’t ruin your triumphant return.”

Sam again focused on respiration.

In, out. In, out.

“This is a real invitation,” she said. “Just like the one I offered in April, and in May. You are absolutely welcome at my reunion. Come. Please. Joss would love having you there. Maybe you could jam with Thom—he’s supposed to be playing Toad’s.”

As convincingly as Sam delivered these words, her husband was right. The invitation wasn’t real. Abe thought Thom’s music was derivative and had zero interest in strumming out tired chords while Activist Boy preened at the mic for the ladies. If Abe went, he would grump and sulk and criticize, and ruin the whole thing.

“Pass,” Abe said. “Thom can play ‘Better Man’ solo. That is where he opens, isn’t it? Pearl Jam? Or is it the first encore?”

Sam chuckled with relief. Complicity with ragging on her own friends? Fine. Fine, she’d do it—so long as he stayed home.

Their daughter’s voice came through the wall, “What’s the formality situation for Saturday night dinner?”

“Less stuffy than a cotillion,” Sam called back, “but expect mosh-pitting to be frowned upon.”

As she waited on her daughter, Sam kept tabs on a few text conversations by phone. People were arriving into New Haven and wondering where Demery’s had gone, or at the airport dreaming of hugs on the quad, or annoyed because they had to work tomorrow which royally sucked!

Sam grinned at this last but didn’t tap back a response. Abe was watching her, surely guessing what the rapid-fire chimes were about. For Sam to actively join in would risk an argument or, worse, a change of heart.

She didn’t think her husband was capable of attending the reunion for spite, enduring a rotten weekend just to play the killjoy. But why push him?

Finally, Joss emerged. She had changed into a clingy ankle-length skirt and carried a backpack.

“Thank you for hurrying,” Sam said. “Excited?”

Joss rolled her eyes but couldn’t completely suppress a smile. Sam clutched her hand. After double-checking the cat dish had food, she slipped on her jacket and pulled her cell charger out of the wall, jamming it into the side of her bag.

Abe tilted his head. “Why’re you taking the Zoom?”

Shoot. Sam inwardly punched her brain for not packing last night.

“Ah…I’m kicking around this audio doc. Just ideas. Might record some clips.”

“Topic?”

She hated how he asked, all aggressive and pedantic.

“I doubt I’ll have time.” She considered lying outright. Joss was watching, though, and the idea of cowering in front of her daughter—who was learning how to relate to others and respond to adversity and be an assertive female—repulsed her. “It’s about pinebox. How it affected our class, et cetera. Of course the vendetta’s been done—this would try to get at it through the lens of our class at Yale. We had one Pruitt, one Gallagher, that death freshman year. Kind of the whole feud in miniature.”

She shrugged, pretending to be flip, and started for the door. It was 4:32.

Abe asked, “Is Rock Pruitt going to the reunion?”

“Dunno,” Sam said. “We didn’t exactly run in the same circles.”

“Really? That seems disingenuous given you were bosom buddies there with the immortal Jamie Gallagher.”

Sam felt her chest constrict. Let it go, she told herself.

Let it go like Elsa. Turn yourself to ice, and everything slides right off.


Except she couldn’t.

“Jamie despised Rock. You could walk the earth and never find two people with more diametrically-opposed worldviews than Rock and Jamie.”

Abe huffed. “Those beautiful people and their worldviews. What rarefied air you’ll be breathing again.”

Sam opened her mouth hotly to speak. At the last moment, she stopped and finished zipping her bag instead. She stood tall-shouldered, smiled, and invited Joss to lead the way out.

“The audio doc does sound right out of This American Life,” said Abe, evidently unsatisfied with the fight’s resolution. “Who produces that? Must be one of those Yale ninety-sixers working there you could pitch.”

She felt like asking how he could possibly believe in mythical Ivy League connections after this life of theirs: Sam’s twelve years bouncing around the periphery of pseudo-academic film, hustling after grants, performing peon tasks in job after job to bulk up a CV so it could sit on her Patreon page getting a half-dozen page views per month. She had finally risen to prominence at WNYC but almost in spite of Yale, which carried significant prima donna baggage in the field.

Again, though, Sam restrained herself in front of Joss.

“Hey, quick Zoom question,” she said. “You think forty-eight/twenty-four-bit, or forty-four/sixteen is better? It’ll be mostly outdoor clips.”

Abe tipped his balding head left, then right. “Forty-eight. File sizes won’t be that different, and at sixteen, the Zoom gets super noisy.”

Sam crinkled her nose. “Yeah. Yeah, I guess that’s right. Thanks.”

Mother and daughter both pecked Abe goodbye and bounded off to catch a train.

Joss seemed to study Sam down the stairs, and she wondered momentarily if her ruse had failed—if Joss understood that Mom had forgotten more about sampling rates than Dad had ever known—and had only made this final query to escape the apartment on a positive note.

Other fictions existed between the couple. That Abe respected her managerial position at WNYC. That she believed his vow to start playing shows again—that those freelance audio-tech Fiverr gigs he’d parlayed fairly successfully into income were just temporary and not his professional endgame. That reuniting each night for dinner, they asked about the other’s day with anything like genuine interest.

Sometimes Joss would make comments indicating she knew. “Gee, Dad, bitter much?” or, “I’d rather not be involved in this,” swirling her hand as though over a cesspool. Other times, she seemed oblivious, just a regular kid consumed by regular kid stuff.

Either possibility broke Sam’s heart.

***

Excerpt from The Pinebox Vendetta by Jeff Bond.  Copyright © 2020 by Jeff Bond. Reproduced with permission from Jeff Bond. All rights reserved.



Author Bio:


Jeff Bond

Jeff Bond is a Kansas native and graduate of Yale University. He lives with his wife and two daughters in Michigan, and belongs to the International Thriller Writers Association.


Catch Up With Jeff Bond On:


JeffBondBooks.com
BookBub
Goodreads
Instagram
Twitter
Facebook!



Tour Participants:



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Enter To Win!:



This is a Rafflecopter giveaway hosted by Partners in Crime Virtual Book Tours for Jeff Bond. There will be 2 winners of one (1) Amazon.com Gift Card each. The giveaway begins on May 1, 2020, and runs through July 2, 2020. Void where prohibited.


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Guest Post: Jeff Bond – THE WINNER MAKER

The Winner Maker by Jeff Bond

Hello, my bookish peeps. I’ve often wondered how much thought and planning goes into designing the cover art for a book. Some cover art can be, let’s just say off-putting, and other cover art can be eye-catching. Today, Jeff Bond, author of The Winner Maker, stops by for a visit and discusses with us the all-important issue of cover art from the author’s perspective. Thank you, Mr. Bond for taking time out of your schedule for today’s visit. I’m looking forward to your thoughts on cover art. Ladies and gentlemen, I give you Jeff Bond.







I have a love-hate relationship with cover art. I love being involved in the process. I can’t draw to save my life and having the opportunity to oversee a professional artist capturing my story’s essence in visual form is humbling, wonderful, and just plain fun. When you see a standout book cover — the demon-man in American Psycho, that disembodied blue face of The Great Gatsby — you just feel the story bubbling up through your bones. You’re not only excited about the book. You’re excited about the whole idea of the book, everything it has the potential to say. You can’t wait to dive in between those flaps and discover how this author went about delivering on the promise of that image.

What if your book cover could make a reader feel all that?

Here’s the problem: what if it doesn’t?

When you involve yourself intricately in the cover design process, as I did with The Winner Maker, you’re taking a risk. The stakes are high. The task is daunting. You know the sort of cover art you like, but you also know (or should know) that the genre you’re publishing in carries certain cover expectations — if not requirements. If you commission a cover that’s deep and intellectually bold, you’d better be selling a book of that description too. At the same time, you don’t want generic—something that looks like it got stamped out from comparable titles, the text swapped in with your name and title. Or do you?

For The Winner Maker, I absolutely did not want the thriller-tastic silhouette-running-into-dangerous-skyline cover, though I had people advise me that I needed exactly that. “Readers need to know they’re getting a thriller.” Drama. Danger. Tension. The color red. I decided to put my head down against this headwind and chart a different course. I felt—still feel—my book was aiming to be more than a straight thriller. It featured complex characters and explored my themes in fresh ways. I wanted an image that suggested this.

Andrea Orlic, my amazing designer, came up with a piece of art I absolutely loved. It differed from the final cover in a few ways, the most significant being that the sun was yellow, and the “I” in WINNER MAKER wasn’t smeared. I thought—still think—it told the entire story at a glance. The teacher at the center, both light and dark, commanding a sun, keeping certain people in the light while leaving others out. The one set of eyes watching hauntingly. I thought it had just the right vibe—dangerous, but stylishly so, with plenty of unanswered questions.

Then somebody I trusted, with plenty of experience in the industry, told me it looked like a seventies sci-fi cover. I should just hand the blurb off to an experienced cover shop and have them make me something.

Self-doubt roared through me. Was I making a terrible mistake? Was I sabotaging my book by involving myself in a realm I had no business in? A realm I knew next to nothing about?

I went back to Andrea, who thankfully does have experience in the field. She talked me off the cliff. We agreed to make a couple tweaks to her original design — smearing the “I”, turning the sun that thriller-tastic red — to more clearly communicate the genre for potential readers.

As the book makes its way out into the world, I’ve come to believe that for all the trials and tribulations, we did end up with the perfect cover. Many love it. A few don’t. Some think it looks like a hard book to get into.

How can the cover be perfect, you ask, if some don’t like it?

Because this reaction tracks uncannily to reactions early readers have had to the book itself. Professional reviews and the vast majority of reader reviews have been extremely positive, but a couple have found the character development burdensome in the early going. They were looking for a more straight-ahead thriller.

When what’s outside the flaps evokes so accurately what’s inside them — the totality of the book, not just a genre label — then you’re in the right place.

What do you like or dislike in book covers? Are you intrigued by an image outside genre norms, or does it make you think the author/publisher just fired an airball?






The Winner Maker

by Jeff Bond

on Tour December 1-31, 2018



Synopsis:


The Winner Maker by Jeff Bond

Bob Fiske — the 74-year-old dinosaur who’s taught Honors English and coached varsity football for five decades — is missing.

To his Winners, class favorites Fiske designated over the years for their potential to “Live Big,” it’s heartbreaking. Fiske did more than inspire with soaring oratory; he supported their ambitions into adulthood. Four of his brightest former stars reunite to find him, putting high-octane careers on hold, slipping police barricades, racing into the wilds of Northern Michigan for clues about the fate of their legendary mentor.

Others don’t see a legend. They see an elitist whose time has passed.

When a current student — female — disappears just hours into the Winners’ search amid rumors of inappropriate meetings, the Great Man’s reputation is a shambles.

Feints, betrayal, explosive secrets from their own pasts: as facts emerge, each Winner must decide how far they’ll go for Fiske. Can the truth redeem him? Or has this cult of hyper-achievement spawned a thing so vile none of their lives will survive intact?


“An exhilarating and emotionally astute mystery.” ~ Kirkus



Book Details:


Genre: Upmarket Mystery, Thriller
Published by: Indie
Publication Date:  December 1, 2018
Number of Pages: 332
ISBN: 1732255202 (ISBN13: 9781732255203)
Purchase Links: Amazon | Barnes & Noble | Goodreads


Jeff Bond

Author Bio:



Jeff Bond is a Kansas native and graduate of Yale University. He lives in Michigan with his wife and two daughters, and belongs to the International Thriller Writers Association.



Catch Up With Jeff Bond On


Website
Goodreads
Twitter
Facebook!




Tour Participants:

Visit these other great hosts on this tour for more great reviews, interviews, guest posts, and giveaways!






Giveaway:



This is a rafflecopter giveaway hosted by Partners in Crime Virtual Book Tours for Jeff Bond. There will be 1 winner of one (1) Amazon.com Gift Card. The giveaway begins on December 1, 2018, and runs through January 1, 2019. Void where prohibited.


a Rafflecopter giveaway