Guest Post: Katharine Schellman – DEATH AT THE MANOR

Happy Monday, my bookish peeps. I hope you all had a wonderful weekend and were able to find some time to read. After having an allergic reaction to some coconut, I spent most of Saturday and Sunday heavily medicated and reading. I enjoy reading mysteries, suspense thrillers, romance, and romantic suspense, but there’s a special place in my heart for gothic romance (hey, Jane Eyre is one of my all-time favorite reads!). Whether a story is a traditional gothic tale or gothic-inspired, count me in. I’m very pleased to welcome, Katharine Schellman, author of Death at the Manor to the blog today. Ms. Schellman will be defining gothic storytelling and providing us with a list of suggested gothic reads. I hope you’ll take note and add a few of these titles to your TBR or TBRR (to-be-re-read) list, along with Death at the Manor. Thank you, Ms. Schellman, for stopping by and sharing your insight into gothic stories.

A Gothic Reading List
by Katharine Schellman

If you’ve read one of the Lily Adler Mysteries before, you might have noticed a slightly different flavor in Lily’s third adventure. With a wandering ghost, a run-down manor full of unsettling residents, and a romance brewing, it has a distinctly Gothic feel to it.

That isn’t by accident. During the nineteenth century, when Death at the Manor is set, the Gothic romance was wildly popular. These books were often mysteries that reflected a fascination with the supernatural, the grotesque, or the horrific.

Death at the Manor is still a traditional mystery, but parts of it borrow heavily from the Gothic canon. So what makes a book truly Gothic? It’s a genre that can vary a lot, especially in its modern version, but you’ll usually see a few elements in common.

1. The threat of supernatural events or creatures, such as ghosts, monsters, or vampires
2. Dark, ruined settings, such as old castles, monasteries, or haunted houses, often with secret passages and trap doors
3. A feeling of fear or claustrophobia
4. The past intruding on the present, often through curses, prophecies, omens, or portents
5. Themes of vengeance, imprisonment, or murder
6. Doomed or persecuted romance

The tropes of Gothic writing could easily become overblown and absurd, but they served an important role in the history of literature. Books about ghosts, fear, vengeance, and persecution gave women something other than the marriage plot to write and read about. And they allowed writers and readers to explore the darker side of the social expectations, taboos, and power structures that shaped their lives.

If you’d like to brush up on your Gothic reading, here’s a starter list for you:

1. The Mysteries of Udolpho by Ann Radcliffe
2. Castle of Otranto by Horace Walpole
3. The Old English Baron by Clara Reeve
4. Zofloya by Charlotte Dacre
5. The Giaour by Lord Byron
6. The Wanderer by Frances Burney
7. Wuthering Heights by Emily Brontë
8. Jane Eyre by Charlotte Brontë
9. The Fall of the House of Usher by Edgar Allen Poe
10. The Grey Woman by Elizabeth Gaskell

And of course, I’d be remiss if I didn’t mention Northanger Abbey by Jane Austen. It’s not a Gothic tale itself, and like Austen’s other works, it doesn’t stray far from the marriage plot. But it’s a brilliant satire of the Gothic genre, which can only be fully appreciated once you’ve read some of the books she was spoofing. ♦

Death at the Manor

by Katharine Schellman

August 8 – September 2nd, 2022 Virtual Book Tour

Synopsis:

Death at the Manor by Katharine Schellman

 

The tortured spirits of the dead haunt a Regency-era English manor—but the true danger lies in the land of the living in the third installment in the Lily Adler mysteries, perfect for fans of Deanna Raybourn.

 

Regency widow Lily Adler is looking forward to spending the autumn away from the social whirl of London. When she arrives in Hampshire with her friends, the Carroways, she doesn’t expect much more than a quiet country visit and the chance to spend time with her charming new acquaintance, Matthew Spencer.

But something odd is afoot in the small country village. A ghost has taken up residence in the Belleford manor, a lady in grey who wanders the halls at night, weeping and wailing. Half the servants have left in terror, but the family seems delighted with the notoriety that their ghost provides. Intrigued by this spectral guest, Lily and her party immediately make plans to visit Belleford.

They arrive at the manor the next morning ready to be entertained—only to find that tragedy has struck. The matriarch of the family has just been found killed in her bed.

The dead woman’s family is convinced that the ghost is responsible. Lily is determined to learn the truth before another victim turns up—but could she be next in line for the Great Beyond?

Book Details:

Genre: Historical Mystery
Published by: Crooked Lane Books
Publication Date: August 9th, 2022
Number of Pages: 352
ISBN10: 1639100784 (Hardcover)
ISBN13: 9781639100781 (Hardcover)
ISBN: 9781639100798 (eBook)
ISBN: 9781666613636 (Digital Audiobook)
ASIN: B0B13RB3XG (Audible audiobook)
ASIN: B09LGVHT9S (Kindle edition)
Series: Lily Adler Mystery #3
Purchase Links #CommissionEarned: IndieBound.org | Amazon | Amazon Kindle | Audible Audiobook | Audiobooks.com | Barnes and Noble | B&N NOOK Book | B&N Audiobook | BookDepository.com | Bookshop.org | Downpour Audiobook | eBooks.com | !ndigo | Kobo Audiobook | Kobo eBook | Goodreads

Author Bio:

Katharine Schellman

Katharine Schellman is a former actor, one-time political consultant, and now the author of the Lily Adler Mysteries and the Nightingale Mysteries. Her debut novel, The Body in the Garden, was one of Suspense Magazine’s Best Books of 2020 and led to her being named one of BookPage’s 16 Women to Watch in 2020. Her second novel, Silence in the Library, was praised as “worthy of Agatha Christie or Rex Stout.” (Library Journal, starred review) Katharine lives and writes in the mountains of Virginia in the company of her husband, children, and the many houseplants she keeps accidentally murdering.

Catch Up With Katharine Schellman:
KatharineSchellman.com
Goodreads
BookBub – @katharineschellman
Instagram – @katharinewrites
Twitter – @katharinewrites
Facebook – @katharineschellman

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Book Showcase: SILENCE IN THE LIBRARY by Katharine Schellman

Silence in the Library by Katharine Schellman Banner

Silence in the Library

by Katharine Schellman

July 12 – August 6, 2021 Tour

Synopsis:

Silence in the Library by Katharine Schellman

Regency widow Lily Adler didn’t expect to find a corpse when visiting a family friend. Now it’s up to her to discover the killer in the charming second installment in the Lily Adler mysteries.

Regency widow Lily Adler has finally settled into her new London life when her semi-estranged father arrives unexpectedly, intending to stay with her while he recovers from an illness. Hounded by his disapproval, Lily is drawn into spending time with Lady Wyatt, the new wife of an old family friend. Lily barely knows Lady Wyatt. But she and her husband, Sir Charles, seem as happy as any newly married couple until the morning Lily arrives to find the house in an uproar and Sir Charles dead.

All signs indicate that he tripped and struck his head late at night. But when Bow Street constable Simon Page is called to the scene, he suspects foul play. And it isn’t long before Lily stumbles on evidence that Sir Charles was, indeed, murdered.

Mr. Page was there when Lily caught her first murderer, and he trusts her insight into the world of London’s upper class. With the help of Captain Jack Hartley, they piece together the reasons that Sir Charles’s family might have wanted him dead. But anyone who might have profited from the old man’s death seems to have an alibi… until Lily receives a mysterious summons to speak with one of the Wyatts’ maids, only to find the young woman dead when she arrives.

Mr. Page believes the surviving family members are hiding the key to the death of both Sir Charles and the maid. To uncover the truth, Lily must convince the father who doesn’t trust or respect her to help catch his friend’s killer before anyone else in the Wyatt household dies.

Praise for Silence in the Library:

“Schellman’s gracefully written whodunit is equally a tale of 19th-century female empowerment and societal conventions…More than a clever murder puzzle, this is an immersion in a bygone era.”
—Kirkus Reviews

“The fast-paced, engrossing story has a climactic confrontation worthy of Rex Stout or Agatha Christie.”
Library Journal, starred review

Book Details:

Genre: Historical Mystery
Published by: Crooked Lane Books
Publication Date: July 13th 2021
Number of Pages: 352
ISBN: 1643857045 (ISBN13: 9781643857046)
Series: Lily Adler Mystery #2 | The Lily Adler series are stand alone mysteries but even more fabulous if read in sequence
Purchase Links: Amazon | Barnes and Noble | BookShop | Goodreads

Read an excerpt:

Given the way she hadn’t hesitated to interfere in the Wyatt family’s affairs, Lily expected Lady Wyatt to politely rescind her invitation to ride the next morning. But she had insisted, saying her arm was sure to be better by morning. So after breakfast, Lily instructed Anna to lay out her riding habit.

Though she had forgone her usual routine of breakfasting in her own room and instructed Mrs. Carstairs to lay breakfast in the parlor, Lily hadn’t seen any sign of her father. She didn’t mind. If she couldn’t be cozy while she dined, she was at least happy to be alone. And it gave her the opportunity to go over the week’s menus with her housekeeper and offer several suggestions for managing her father’s requests while he was with them.

“And do you know how long might that be, Mrs. Adler?” Mrs. Carstairs asked carefully. “Mr. Branson was unable to say when I spoke to him last night.”

Lily pursed her lips. “For as long as he needs, Mrs. Carstairs. Or as long as I can bear his company. My record on that score is fifteen years, however, so let us hope it will not come to that.”

The housekeeper wisely didn’t say anything else.

Lily’s pleasant solitude lasted until she was making her way back upstairs to change, when she found her path blocked by her father’s belligerent frame. Unwell he might be, but George Pierce was still a solid, imposing man, and Lily had to remind herself to square her shoulders and meet his scowl with a smile as he did his best to tower over her from the step above.

“Good morning, Father.”

He didn’t return the greeting. “I am going to breakfast,” he announced, eyebrows raised.

Lily waited for a moment and then, when no more information was forthcoming, nodded. “I hope you enjoy it. Mrs. Carstairs is an excellent cook.”

He sniffed. “And I assume your excessively early rising is an attempt to avoid my company?”

“It is past nine o’clock, father,” Lily said. “Hardly excessive. And I have an appointment this morning, so if you will excuse me—”

“What is your appointment?”

He couldn’t curtail or dictate what she did with her time, Lily reminded herself. Even if having him in her home left her feeling as if her independence were being slowly stripped away once more, in practical terms he had no say in her life anymore. Answering his question was only polite. “An engagement with a friend—”

“That sailor again, I assume?”

Lily took a deep breath. “Captain Hartley was also invited, but no, the engagement is to ride with Lady Wyatt this morning. Which I assume you would approve of?” Seeing that she had momentarily surprised him into silence, she took the opportunity to push past her father. “You would like her, I think. She is charming and elegant.”

“And her husband’s a fool for marrying again,” Mr. Pierce grumbled, but Lily was already heading down the hall and didn’t answer.

Jack was coming just before ten to escort her to the Wyatts’ house, and Lily was in a hurry to dress and escape her father once again. Her room was empty when she walked in, but Anna had laid out her riding habit on the bed, pressed and ready, its military-style buttons glinting in the morning light amid folds of emerald-green fabric.

Lily stared at it without moving. She had forgotten that her habit wasn’t suitable to wear when she was in mourning.

She was still staring when Anna returned, the freshly brushed riding hat in her hands. When she saw Lily’s posture, Anna paused.

“You don’t have another, I’m afraid,” she said gently.

Lily nodded, unable to speak. One hand reached out to brush the heavy fabric of the habit; the other clenched a fold of the gray dress she wore. She had stopped wearing colors even before Freddy died—in those last months of his illness, she had traded all her pretty dresses for drab gowns more suited to nursing an invalid who would never recover. And even after full mourning was complete, she had lingered in the muted shades of half mourning long past when anyone would have required it of her, even Freddy’s own family. Laying aside the visual reminders of her grief felt too much like leaving behind her marriage.

But that had meant more than two years of sorrow. And in the last few months, since she had come to London and taken control of her life once more, something had shifted inside her.

“Yes, thank you, Anna,” Lily said quietly, her voice catching a little. She cleared her throat and said, more firmly, “I will wear this one.”

***

She managed to leave the house without encountering her father again. When her butler, Carstairs, sent word that Captain Hartley was waiting in the front hall, Lily felt a pang of anxiety. Jack had loved Freddy like a brother. And he had never given any indication that he thought her mourning had gone on long enough.

Jack was in the middle of removing his hat, and his hand stilled at the brim as he caught sight of her. Even Carstairs fell still as they watched her come down the stairs, the heavy folds of her green skirts buttoned up on one side to allow her to walk freely and a single dyed- green feather curling over the brim of her hat and flirting with her brown curls.

Lily felt exposed as she descended the final few steps, though she was bolstered by the approval that softened Carstairs’s smile. She had never considered herself a shy person, but she could barely meet Jack’s eyes as she crossed the hall to give him her hand.

For a moment neither of them spoke, and when she raised her gaze at last, Lily thought she saw the captain blinking something from the corner of his eye. “That was Freddy’s favorite color,” he said at last, his voice catching.

Lily nodded. “I know.”

Jack’s jaw tightened for a moment as he swallowed. But he smiled. “Well done, Lily,” he said quietly. “Good for you.”

***

There was a lightness between them as they made the quick journey to Wimpole Street. As Jack waved down a hack carriage and handed her in, Lily found herself laughing at all of his quips or droll pieces of gossip, even the ones she normally would have chastised him for repeating. And Jack kept glancing at her out of the corner of his eye.

“Do I look that dreadful?” Lily asked at last as he handed her down from the carriage in front of the Wyatts’ home.

“Quite the opposite,” he said, rubbing the back of his neck as he released her hand. “Did you know, you are actually quite pretty?”

“You mean you did not find me pretty before?”

“I think I had forgotten to consider it one way or another,” Jack admitted, grinning. “What a shame everyone has left London already; you would cause quite a sensation.”

Lily shook her head. “I know full well I am not handsome enough for that.”

“Surprise can cause as much of a sensation as admiration,” Jack pointed out.

“Captain!” Lily exclaimed in mock indignation. “You were supposed to argue with me!”

They continued bantering as they mounted the steps to Sir Charles’s townhouse, only to fall silent and exchange a puzzled glance as they realized that the door was half-open, the sounds of raised voices echoing from within.

Lily glanced at Jack, an uneasy sensation beginning to curl in the pit of her stomach. “Should we knock?”

He shrugged and did so, rapping firmly on the wood of the door. There was no response, but it swung open a little more. After hesitating a moment, Lily bit her lip and said, “Well, we ought to at least make sure Lady Wyatt knows we’ve come. If it is no longer convenient to ride, she can certainly tell us to leave.”

“And you were already happy to interfere yesterday,” Jack pointed out, though she could hear the unease lurking beneath his playful tone. “We might as well do it again.”

“Very true.” Lily pushed the door the rest of the way open and strode in, Jack following close behind.

The front hall was empty, but they could still hear voices not far away, now low and urgent, and the sound of quiet crying from somewhere just out of sight. The uneasy feeling began to spread through Lily’s chest and arms, and she reached out her hand in blind anxiety. She was relieved to feel Jack take it and press it reassuringly into the crook of his arm.

She had just decided that they should leave after all when quick steps echoed down the stairs. A moment later Frank Wyatt came rushing down, checking himself at the bottom as he stared at them in surprise.

His face was pale and his eyes red as he gaped at them, his easy manner vanished. “Lily? And Captain . . . I’ve quite forgot your name. You must excuse . . . what are you doing here?”

“The door was open, and no one answered our knock,” Lily said, feeling a little ashamed of their hastiness in entering. “I apologize, Frank; we did not mean to intrude, but we had an appointment to ride with Lady Wyatt this morning. Is everyone well?”

“Is everyone . . . No. No.” Frank gripped the banister with one hand, his knuckles white. “I am afraid that Lady Wyatt will not be able to ride today. My father . . .” He swallowed. “My father has died.”

Lily stared at him, unable to make sense of his words. They had seen Sir Charles just the day before. If he had seemed a little older and weaker than she remembered, he had still been utterly vital and alive. “Died? But . . . how?”

“In point of fact,” a new voice said quietly from behind them. “It seems Sir Charles Wyatt has been killed.”

***

Excerpt from Silence in the Library by Katharine Schellman. Copyright 2021 by Katharine Schellman. Reproduced with permission from Katharine Schellman. All rights reserved.

 

 

Author Bio:

Katharine Schellman

Katharine Schellman is a former actor, one-time political consultant, and currently the author of the Lily Adler Mysteries. A graduate of the College of William and Mary, Katharine currently lives and writes in the mountains of Virginia in the company of her family and the many houseplants she keeps accidentally murdering.

Find her online:
katharineschellman.com
Goodreads
BookBub – @KatharineSchellman
Instagram – @katharinewrites
Twitter – @katharinewrites
Facebook – @katharineschellman

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