Guest Post: Kerry Peresta – THE TORCHING

Greetings, my bookish peeps. Have you ever given thought to the power of words? Words can make us sad or glad. Words can unite or divide us. Words can incite or excite us. As Margaret Atwood said, “A word after a word after a word is power.” As a lifelong reader, I’m utterly fascinated by words and the fact that most authors may use the same words but combine them in such a manner that they’ve created something wholly new and entertaining. I’m pleased to welcome back Kerry Peresta, author of The Torching. Ms. Peresta will be sharing with us what she has learned during her journey as a wordsmith. Thank you, Ms. Peresta, for taking the time to join us today, I’m looking forward to learning more about your career as a writer.

The Books are Finished, But the Excavation Continues
by Kerry Peresta

I’m blessed, after fourteen years of hard work and persistence, to finally blurt out the words ‘I’m a novelist’, when someone asks me what I do. There was a time, due to insecurity or a false sense of humility, when I could barely say these words.

I’ve been amazed to discover that much of the job of writing (oh yes, definitely an hours-a-day job if one is serious about it!) concerns inner dialogue. Wrestling with lack of confidence. Honing an ability to resist plummeting into the pit of despair when a three-star review occurs. Learning to rip off the cloak of offense when an editor critiques with nary a word of praise.

I’ve been a writer for thirteen years but didn’t break into a decent contract and hand-held into writing a series until 2019. I’d written magazine articles, blog posts, a humor column, advertising copy, blah, blah…everything but books. I certainly wasn’t afraid to attack the process of writing a book…I’d written my first novel in 2010 and it released in 2013. However…it was such a train wreck that I wrung my hands and backed away from the process. I’d jumped the gun. My manuscript was nowhere near ready for publication, so I decided to consider the whole thing a learning experience. Actually, the journey of becoming a novelist is just that…a learning experience. I’ve learned more than I ever thought possible, and grown as a human as well as a writer! Many of the skills a novelist learns bleed over into life. For instance:

1. Enhanced Communication Skills

How many of us stutter and stammer and dig our toes into the ground when we meet a new person? Do you, like me, experience an instant urge to run in the other direction, lest the new person discovers how freaking unstable and weird we are? Well. I’ve found that working on a novel enhances my communication skills like crazy. The dialogue between my characters definitely works out some of the kinks in my psyche that I didn’t discover until I put the words down on the page! Sometimes I have to lift my hands from the keyboard, put them in my lap, and stare at what I’ve dialogued between characters. I spend a few minutes internalizing what just happened. Often, it’s a searing look at my own issues and insecurities. The excavation process of my soul occurs, revealing long-buried data in need of dusting off and examination. Perhaps tossing aside. This process has both solidified and emboldened me as a human.

2. Increased Agility of Mind

The words! The words!

I’m such a lover of words. Writing a novel forces me to leave the thesaurus open and discover new, more delicious words each time I sit down at my desk. I become so bored with writing ‘she smiled’ or ‘he grinned’ or ‘he furrowed his brow’, etc. There are only so many ways to depict these things, but I’m forever searching. Also, many times there is one lovely, perfect, word to replace the four or five useless ones I’ve written. With each book, I strive to keep the reader from becoming bored with repetitive, unnecessary words. My protagonist in the Olivia Callahan Suspense series sustained injuries from an assault that resulted in a traumatic brain injury. She lost her memory and most of her past life. With each book, I must reiterate to a new reader a bit of backstory so they understand the trajectory of the story and why. I’ve come up with many creative and concise ways to implicate what’s happened to her, which has been a thoughtful, nail-biting, experience. Again, I do not want to commit the cardinal sin of boring a reader! The end result of all this mind-bending, wordplay is that my brain is as healthy as a horse.

3. Disaster Avoidance

I’m a suspense author. If pigeonholed further, psychological suspense, because I love the arc of a character and how they evolve under the direst of circumstances. What has this process reaped in me? A clearer and more sober view of how my actions and thoughts dictate an end result. With others, or with myself. An author cannot help but put themselves in the place of their protagonist. We experience the danger and gasps of shock along with them, and our hasty, pecking, fingers pound out the tension, frustration, and despair with heart-wrenching clarity. All this desperate desire to put realism and authenticity on the page results in a taut look at ourselves. At least it does in me. What if I had truly been in that situation? How would I have responded? Would I have made different choices?

(Goodness. I hope so! My characters make terrible choices.)

The list of life lessons as a novelist is endless and ongoing. I’m grateful and humbled by what my characters have taught me, and that my readers respond with such emotion to them. The absolute best feeling as an author is when my hands take over my brain instead of the other way around. That’s when I know I’m on to something. The words almost write themselves, and I think…maybe I am a novelist, after all. ♦

The Torching

by Kerry Peresta

May 8 – June 2, 2023 Virtual Book Tour

Synopsis:

The Torching by Kerry Peresta

Mysterious fires. A haunting past. A secret file.

Three years ago, Olivia Callahan endured an assault that resulted in a devastating brain injury. She survived, but she couldn’t remember anything about her life or who she was. Now, she’s determined to build a bridge between the past she lost and the life she must reclaim.

When Olivia crosses paths with PI Tom Stark, she is drawn to the investigative field, and becomes his intern. She finds a heavily redacted, forty-five-year-old file locked in his desk drawer that mentions her mother as a young woman. Why had her mentor hidden the file from her, and why had he never mentioned a case involving her mother?

As Olivia moves forward with her fledgling career, a string of mysterious fires moves through the community, puzzling the Baltimore Arson Investigative Unit. One of the fires strikes Olivia’s beloved farmhouse in rural Maryland. Now, in addition to uncovering the secrets bound within the redacted file, she becomes convinced that the fires happening around the area are disturbing calling cards…and they’re meant for her.

Book Details:

Genre: Traditional Mystery or Suspense
Published by: Level Best Books
Publication Date: March 2023
Number of Pages: 323
ISBN: 9781685123239 (Paperback)
ISBN: 9781685123246 (eBook)
ASIN: B0BX8GZDXN (Kindle edition)
Series: The Olivia Callahan Suspense series, 3 | Each is a Stand Alone Novel
Purchase Links #CommissionEarned: Bookshop.org | Amazon | Amazon Kindle | Barnes and Noble | B&N eBook | Kobo eBook | Goodreads

The Torching Trailer:

Author Bio:

Kerry Peresta

Kerry Peresta is the author of the Olivia Callahan Suspense series. The Torching, book three, was released in March 2023, and books four and five in 2024 and 2025. Her standalone suspense thriller, Back Before Dawn, releases in May 2023. Additional writing credits include a popular newspaper and e-zine humor column, “The Lighter Side,” (2009—2011); the short story “The Day the Migraine Died,” published in Rock, Roll, and Ruin: A Triangle Sisters in Crime Anthology, articles published in Local Life Magazine, The Bluffton Breeze, Lady Lowcountry, and Island Events Magazine. She is past chapter president of the Maryland Writers’ Association and a current member and presenter of the Pat Conroy Literary Center, Hilton Head Island Writers’ Network, South Carolina Writers Association, Sisters in Crime, and International Thriller Writers. Kerry is the mother of four adult children, and spent thirty years in advertising as an account manager, creative director, copywriter, and editor. When she’s not writing, you’ll find her working out, riding her bike or kayaking, enjoying the beaches of Hilton Head Island, or cuddling her two cats, Agnes and Felix. She and her husband moved to Hilton Head Island in 2015.

Catch Up With Kerry Peresta:
www.KerryPeresta.net
Goodreads
BookBub – @kerryperesta
Instagram – @kerryperesta
Twitter – @kerryperesta
Facebook – @klperesta

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Guest Post: Corey Fayman – GILLESPIE FIELD GROOVE

Greetings, book people. I hope you all had a wonderful weekend and found some time to read. I did a bit of armchair travel to Ireland over the weekend. I don’t hyperfocus on the setting when I’m reading, but it does play a large part in providing a little something extra to the story. It doesn’t seem to matter if the setting is a realistic or fictional location, the descriptions of the area help me picture everything in my mind. Please help me welcome Corey Fayman as our guest today and he’ll be discussing the important role his hometown plays in his Rolly Waters mystery series, including the latest release Gillespie Field Groove. Thank you, Mr. Hayman, for taking the time to join us and sharing your thoughts on your hometown. The blog is now all yours.

Hometown San Diego
Corey Lynn Fayman

From Sherlock Holmes’ London to Harry Bosch’s Los Angeles, fictional detectives have been closely identified with the city they work in. When I started writing the Rolly Waters mystery series, I decided right away that I wanted to set the books in San Diego. While crime authors such as Don Winslow, T. Jeff Parker, and Alan Russell have located some of their novels in San Diego, there wasn’t a regular series that featured the area. The writing team of Robert Wade and Bill Miller wrote a series of hardboiled San Diego novels in the 1940s and 1950s and a 1970s TV detective series called Harry O was filmed in San Diego, but I wanted to write something more contemporary. It’s my town, after all.

When I was growing up, there were three things San Diego was known for—its beaches, the U.S. Navy, and our zoo. While these are still notable parts of the city’s personality and economy, the area has grown more diverse, both culturally and economically. The population has tripled since I was born. It all adds up to a richer and more complex backdrop for a detective novel. I wanted to capture aspects of San Diego that tourists rarely experience, what it’s like to live here.

There’s the sunshine and mild weather of course, but early summer brings weeks of cool fog on the coast. In late summer and fall the dry Santa Ana winds sweep in, giving rise to destructive wildfires. Rain is scarce, but when it arrives the mostly dormant San Diego River floods Mission Valley, cutting off roads, hotels, and shopping centers.

But it’s the little things I really like to write about. A worn-out Blues club downtown called Patrick’s Pub that has survived the Gaslamp District’s transition from seedy sailor hangout to conventioneer’s playground. Or the La Posta taco stand in Hillcrest where I had my first carne asada burrito—a dingy little place, not unlike the hundreds, if not thousands, of other great taco shops in San Diego. Both Patrick’s and La Posta are regular hangouts for my guitar-playing detective Rolly Waters (although he’s currently trying to cut back on his burrito consumption).

With each book, I get a chance to feature new and offbeat places in San Diego County. Black’s Beach Shuffle focused on the high-tech corridors and affluent beach towns of North County. Border Field Blues addressed the complicated past and present of Border Field Park, a neglected state park just across the border from the Tijuana Bull Ring. Desert City Diva takes the reader to our eastern mountains where a funky roadside attraction, Desert Tower, provides views of the Borrego desert and a menagerie of animals carved into the rocks. Ballast Point Breakdown gets close to home with San Diego Bay and the Navy’s Marine Mammal program as the center of action. And in my latest effort, Gillespie Field Groove, events take place in and around a small municipal airport in El Cajon.

Petco Park, Driscoll Wharf, Mitch’s Seafood, Winston’s nightclub, Imperial Beach, the Star of India, Allied Gardens, Ballast Point, Rolando, the Casbah, Lake Wohlford, Market Street, the Belly Up Tavern. The names are real and as evocative as any I could make up. All part of my books. And my hometown. ♦

Gillespie Field Groove

by Corey Fayman

May 8 – June 2, 2023 Virtual Book Tour

Synopsis:

Gillespie Field Groove by Corey Fayman

An obscure rock’n’roll roadie dies under mysterious circumstances. A prized Jimi Hendrix guitar has gone missing. Can Rolly Waters save his new client from the ruthless collectors looking for it?

When nurse and fledgling pilot Lucinda Rhodes hires guitar-playing private detective Rolly Waters to track down a Stratocaster guitar owned by her deceased father, Rolly is thrilled to take on her case, especially when he learns the guitar’s original owner may have been Jimi Hendrix. But Gerry Rhodes’s reckless personal history leads to more questions than Rolly and Lucinda have bargained for, as an aging rock’n’roll impresario, his trophy wife, a Russian gangster, and the FBI get involved. When a forty-year-old shooting accident reveals a surprising connection to a pop star’s hit record, Rolly sees darker forces at work. And his and Lucinda’s lives hang in the balance.

Book Details:

Genre: Private Detective Mystery, Cozy Mystery
Published by: Konstellation Press
Publication Date: March 2023
Number of Pages: 276
ISBN10: 0998748285
ISBN13: 9780998748283
Series: A Rolly Waters Mystery, 5th
Purchase Links #CommissionEarned: Bookshop.org | Amazon | Barnes & Noble | Goodreads

Praise for Gillespie Field Groove:

“Gillespie Field Groove hits all the right notes. Music fans and general mystery readers alike will enjoy this story’s irresistible beat.”
~ blueinkreview.com

“Exciting, compelling, suspenseful, and reflective of the realities of the music industry and San Diego culture, Gillespie Field Groove is a thrilling mystery novel in which a man seeks to right the wrongs committed by greedy executives.”
~ forewordreviews.com

GILLESPIE FIELD GROOVE is a gripping mystery and a captivating ride through rock and roll history and San Diego’s music scene. It’s so authentic you can practically hear the fuzz and crunch of Jimi’s Stratocaster coming off the page.”
~ Matthew Quirk, New York Times bestselling author of RED WARNING and THE NIGHT AGENT (now a Netflix series)

“Rolly Waters is back with a ripped-from-the-headlines thriller custom-made for music lovers. Hired to hunt down a missing Fender Strat that may have belonged to Jimi Hendrix, Waters uncovers a series of intertwined mysteries with more twists than a crate full of guitar cables. Gillespie Field Groove is an uptempo page-turner that shines a spotlight on the music industry’s darkest corners.”
~ S.W. Lauden, author of BAD CITIZEN CORPORATION and THAT’LL BE THE DAY: A POWER POP HEIST

“Carefully crafted characters. Twists and revelations. Music and murder. A PI who plays guitar or a guitar player who dallies in detecting? Even Rolly Waters isn’t sure. Whichever it is, Corey Lynn Fayman’s latest gives you a real insight into what it means to be both. Like Don Quixote wielding a guitar instead of a sword. Awesome.”
~ Pamela Cowan, author of COLD KILL

GILLESPIE FIELD GROOVE is like an easter egg hunt filled with suspense and intrigue that also gives readers a straightforward look into the life of a working musician. I love this series.”
~ Marc Intravaia, guitarist, RICHIE FURAY BAND; BACK TO THE GARDEN

Author Bio:

Corey Fayman

Corey Lynn Fayman has worked as a musician, sound technician, and interactive designer. He holds a B.A. in English, with a specialization in creative writing and poetry from UCLA, and an M.A. in Educational Technology from San Diego State University. Fayman spent five years as a sound technician and designer at the nationally lauded Old Globe Theatre, where he received several nominations and a Drama-Logue Award for his theatrical sound design. He’s worked as an interactive designer for organizations both corporate and sundry and has taught technology and design courses at various colleges and universities. He lives in San Diego, California, and is the author of four Rolly Waters mystery series, including Black’s Beach Shuffle, Border Field Blues, and Desert City Diva (2015 Indiefab Book of the Year bronze award). The fourth in the series, Ballast Point Breakdown, was honored with the best-in-show Geisel Award at the 2021 San Diego Book Awards.

Catch Up With Corey Fayman:
www.CoreyLynnFayman.com
Goodreads
BookBub – @clfayman
Twitter – @CLFayman
Facebook – @CoreyLynnFayman

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Guest Post: Tj O’Connor – THE HEMINGWAY DECEPTION

Good day, book people. I hope you’ve all had a wonderful week and were able to squeeze some reading time into your busy Spring schedules. It never ceases to amaze me that many authors will reveal that their characters seemed to take over the story and it, therefore, went a different way than expected. I’m not quite sure I understand that concept, but then I’ve never been in that creative situation. All I know is that I’m grateful to authors for their stories and characters however the story makes it to the page. Today’s guest, Tj O’Connor, is the author of The Hemingway Deception. He’ll be discussing with us how his characters pushed him. Thank you, Mr. O’Connor, for sharing with us today. The blog is all yours.

My Characters Made Me Do It!
by Tj O’Connor

Since my first novel was published—and I dare say for all my written novels before that—I have always told the stories of leading men in mysteries and thrillers. Oh, not that I have a “guy-thing” or anything. No, it’s because, well, I’m a guy and that’s my writing perspective. My novels have always had critical female characters in lead roles. In my Oliver Tucker paranormal series, The Dead Detective Casefiles (previously, the ridiculous monikered Gumshoe Ghost novels), Tuck told his stories right alongside Angel, his brilliant and adventurous wife. In New Sins for Old Scores, Trick McCall and Richard Jax were aided by Dr. Alexandra “Alex” Vouros. Then, in The Consultant, there was the tenacious Noor Mallory and FBI Agent Victoria Bacarro. While my writing tended to center on the male leads, the strong, smart, and skilled female characters were integral to the plots and the lead characters themselves. This was not for some misogynistic purpose. It was simply my comfort zone as an adventurer, consultant, and guy.

When I began plotting out my latest thriller, The Hemingway Deception, my literary agent, the incomparable Kimberley Cameron, suggested I headline a strong female lead. She was comfortable that given my history of strong female characters in all my books, I could do it justice. I was skeptical at first. How was I going to put myself in the thoughts and actions of a swashbuckling gal fighting bad guys and besting the traditional male roles? Strange as it sounds, I wasn’t sure I could do it.

So, first, I reread all my novels and focused in on the key leading female roles. Then, I binge-watched some excellent television series where the gals ruled the screen. Shows like Fringe, The Americans, Covert Affairs, Homeland, and others. I reached two critical conclusions doing this: first, just write the damn character and quit fretting about it—who cares if it’s a guy or a gal chasing the bad guys. And two, in those scenes where a female perspective or reaction might be important, write it the best I can and get my beta readers to tell me if I missed the mark.

In most cases, writing the scenes where I felt a female perspective was important, I reversed the roles, asking myself, “What would I do here? How is that different if it’s Ana Karras?” In most cases, I found that since I didn’t write sex or deep love emotions into the characters, the differences were small and manageable as a guy. Then, after getting those scenes on paper, I turned to two of my beta readers and challenged them to find my “mis-guided-guy” faults. Surprisingly, there were almost none.

Poof, I wrote on and finished The Hemingway Deception with two strong, independent female leads—Ana Karras and Cat Reyes—who kicked butt, outfoxed, and outthought their adversaries. Ana is hiding among the millions in Manhattan, recovering from near-death at the hands of Cuban Intelligence. When she begins an ill-fated quest to find her missionary parents lost somewhere in Latin America, she’s haunted by her past and coerced into a new mission—to capture Catalina “Cat” Reyes, a rogue Cuban assassin bound for Washington. Cat’s mission could well start another Caribbean crisis. To avert a Cuban-American war, Ana must do the unthinkable—she must once again become Ana Montilla, the notorious FARC guerrilla. As Ana struggles to keep from devolving permanently into Ana Montilla, Cat must overcome past failures and reclaim her skills as Cuba’s top assassin—or die. Ana and Cat are on a collision course. Their paths are not separate, but one. Their pasts inexplicably linked. Their futures reliant on each other. Still, it’s the secrets kept from them that will be the end game. Two deadly women. One treacherous mission. But why do Washington and Havana want them both dead? The answer is simple—Hemingway.

Ana and Cat taught me valuable lessons both about writing and the portrayal of female characters. The biggest one was to simply write a good character. Although I’m not a murderer, psychopath, or assassin, I still understand what they are and can plot through how they think and act and respond. It’s no different than with my female leads. I base characters in part on real people I’ve known in my adventures as an anti-terrorism consultant. And while I don’t know or pretend to understand all the nuances from a female perspective, I do have a wife, two daughters, five granddaughters, a best friend and editor, and many gal-pals all nearby. What better research help could I ask for? When in doubt, I simply asked for help. Most of the time, I wasn’t all that far off—like in how Ana and Cat would respond to threats to their children and what would it take to make them go on a dangerous rollercoaster mission and leave those children behind. I knew I’d spent years leaving home for a day or so on a mission or assignment only to return weeks or months later. I knew the emptiness in my gut when I knew I’d be going for weeks away from home and what it would mean for my kids (especially when they were young). I transposed those feelings over Ana and Cat and added in the terror factor and, viola, I had their reactions down.

Of course, I wouldn’t want to try and write any love scenes or deep romance among the characters. I have absolutely no doubt that I’d screw that up. So, I keep the relationships at a place where I cannot foul up the characters or have Ana bungle her feelings from my guy-perspective. You know, the safe zone. Luckily, it worked for me. Oh, and with a lot of research from my beta team and gal-pals.

In the end, the challenge given me by Kimberley Cameron wasn’t as daunting as I’d feared. I actually think I easily pulled off the lady-lead well. But, then, you be the judge. Join Ana and Cat as they careen toward each other in The Hemingway Deception. Let me know if these two kindred spirits got the job done despite my “guy-brain.”

I look forward to hearing from you either way! ♦

The Hemingway Deception

by Tj O’Connor

May 1 – 26, 2023 Virtual Book Tour

Synopsis:

The Hemingway Deception by Tj O'Connor

Ana Karras is running from her past.
Catalina Reyes is running toward hers.
Two deadly women—one treacherous mission.
A Cuba-America war is at stake.
Why does everyone want them both dead?
The answer is simple . . . Hemingway.

Ana Karras is hiding among the millions in Manhattan, recovering from near-death at the hands of Cuban Intelligence. When she begins an ill-fated quest to find her missionary parents lost somewhere in Latin America, she’s haunted by her past and coerced into a new mission—to capture Catalina “Cat” Reyes, a rogue Cuban assassin bound for Washington. Cat’s mission could well start another Caribbean crisis. To avert a Cuban-American war, Ana must do the unthinkable—she must once again become Ana Montilla, the notorious FARC guerrilla. As Ana struggles to keep from devolving permanently into Ana Montilla, Cat must overcome past failures and reclaim her skills as Cuba’s top assassin—or die. Ana and Cat are on a collision course. Their paths are not separate, but one. Their pasts inexplicably linked. Their futures reliant on each other. Still, it’s the secrets kept from them that will be the end game. Two deadly women. One treacherous mission. What is Operation Perro? Why does everyone want Ana Karras and Cat Reyes dead?

The answer is Hemingway.

Book Details:

Genre: Thriller
Published by: Suspense Books
Publication Date: March 2023
Number of Pages: 370
ISBN: 9798218103323 (Paperback)
ASIN: B0BLP84N1Q (Kindle edition)
Purchase Links #CommissionEarned: Bookshop.org | | Amazon Kindle | Barnes & Noble | Goodreads

Praise for The Hemingway Deception:

“A riveting ‘ripped from the headlines’ international thriller: Two women fighting for what they believe; a horrifying assassination plot; deadly enemies, including some in our own government; and a mysterious operative named Hemingway who must be found. O’Connor, a real life anti-terrorism expert, takes us on a roller coaster ride of action, intrigue, betrayal and stunning twists. Read it!”
~ R.G. Belsky, Award-Winning Author of the Clare Carlson Series

 

“Great characters, non-stop action, a twisted plot, and exotic locations-The Hemingway Deception is exactly what an international thriller should be. Couldn’t put it down.”
~ DP Lyle, Award-Winning Author of the Jake Longly and Cain/Harper Thriller Series

 

“A rollercoaster ride of international intrigue, governmental deception and the meaning of family. Tj O’Connor’s real-life knowledge of geopolitical affairs shines through on every quick-turning page. Bravo!”
~ Matt Coyle, Author of the Bestselling Rick Cahill Crime Series

 

“There are no wimps in this fast-paced thriller, male or female. The relentless action will have you flying through the pages, eager to know what happens next.”
~ Terry Shames, Author of the Award-Winning Samuel Craddock Series

 

“Tj O’Connor does it again in The Hemingway Deception. His action-packed writing is founded in real-world experience with anti-terrorism and threat analysis consulting. This time, he adds kick-ass women to the mix, building in multiple layers of complexity often overlooked in thrillers.”
~ Dawn Brotherton, Author of the Jackie Austin Mysteries and Eastover Treasures

Author Bio:

Tj O'Connor

Tj O’Connor is the author of The Hemingway Deception, Dying with a Secret, (pending publication), The Consultant, and four paranormal murder mysteries.

Tj is an international security consultant specializing in anti-terrorism, investigations, and threat analysis—life experiences that drive his novels. With his former life as a government agent and years as a consultant, he has lived and worked around the world in places like Greece, Turkey, Italy, Germany, the United Kingdom, and throughout the Americas—among others. Tj is a Harley Davidson pilot, a man-about-dogs, and a lover of adventure, cooking, and good spirits (both kinds). He was raised in New York’s Hudson Valley and lives with his wife and Labrador companions in Virginia where they raised five children who are supplying a growing tribe of grands!

Catch Up With TJ O’Connor:
www.TjOConnor.com
Goodreads
BookBub – @tj37
Twitter – @Tjoconnorauthor
Instagram – @tjoconnorauthor
Facebook – @TjOConnor.Author
YouTube – @tjoconnorauthor3905

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Guest Post: Colin Holmes – THUNDER ROAD

Good day, my bookish divas and divos. I’m currently wondering what in the world happened to Spring here in West Virginia. Temperatures fell into the mid-40s yesterday and there were actual snow flurries when I went out of town for a medical appointment. One of the good things about these cooler temps is that I don’t feel guilty curling up in my reading chair with my favorite blanket, a pot of tea, and a few good books. What can I say, I’m a book diva! And as a book diva, I enjoy learning as much as possible about the characters within the stories I’m reading, the settings, and especially why the author chose that time period, setting, etc. The more I learn about these things, the more pleasure I seem to derive from reading the story. As a result of this reading quirk, I’m pleased to welcome Colin Holmes, author of the historical noir, Thunder Road. Mr. Holmes will be introducing us to the main character of this book and I’m looking forward to meeting him. Thank you, Mr. Holmes, for joining us today. The blog is now all yours.

Meet Jefferson Sharp
by Colin Holmes

One of the things every novelist must know is the fictional background of our main characters. You have to know what makes them tick, to learn how they’ll react. So, here’s a little biography on the protagonist of Thunder Road as we meet the detective just west of Fort Worth in the Summer of 1947.

Jefferson Sharp was a child through the roaring ’20s and went through the Depression as a teenager. His dad held a job as a meat cutter at the giant Swift packing plant in Fort Worth, and his mother was a housewife. Sharp graduated from Paschal High School, where he played football and baseball with his childhood friend and neighbor Dave Latham. Dave’s little sister Veronica, younger by four years, was a frequent pest. Sharp was a “C” student not because he lacked the aptitude but because school bored him to death.

While job scarcity was real in the Depression, his father’s steady employment enabled Sharp to go as far with his true love—baseball—as he could. He played for a summer with the Brooklyn Dodgers’ AA farm team, the Fort Worth Cats, but he couldn’t hit a curveball and was told he didn’t have a future in the game.

With no real plan beyond baseball, he worked odd jobs. For a short time, he was a mechanic in his grandfather’s automobile garage. He worked as a pen rider, moving livestock through the enormous Fort Worth stockyards, but he found the romantic ideal of the cowboy was mostly dust, sweat, and manure. He made a friend of a Brand Inspector from the Stockman’s Association who encouraged him to apply to the police department as a first step to becoming a Stockman’s Ranger. He also introduced Sharp to the poker room at the 2222 Club and three years later, to Evelyn Lavelle at a party after the finals of the October 1940 Fort Worth Fat Stock Show Rodeo. They were married in June of 1941.

Police work appealed to Sharp’s curious nature. He was a diligent cop and a quick study, walking the Hell’s Half Acre beat with his partner William “Frenchy” Arquette. He learned how to deal with inquisitive newspaper reporters from old-hand reporter Leo Fuller of the Fort Worth Examiner.

Proving his mettle in the city’s red-light district and the saloons that catered to the cattle drive cowboys of the turn of the century, Sharp made Detective just as most of the illicit activities were moving north of the city limits along Thunder Road.

For a few months, life was great. Sharp had a detective’s badge, a new wife, and a small house on the west side of town. And then came December 7th.

Sharp enlisted on December 15th, after a week of arguing with Evelyn and her family about it. He did his boot camp in San Antonio, where, because of his police experience, he was made a sergeant, then to avenge the Japanese attack on Hawaii, he and his platoon were sent across the Atlantic to Tunisia and North Africa. Sharp fought across North Africa, then the Italian Campaign, and would have gone to Normandy but was still in the hospital recovering from battle wounds. He received the Purple Heart on three separate occasions, a Bronze Star, a battlefield promotion to Lieutenant, and just before the end of the war, another promotion to Captain. “Primarily,” he said, “for not getting all his men killed.

Sharp returned from the war to find jobs scarce. Evelyn was distant. She’d become involved with Elmer “Smitty” Smithson, a Ranger whose flat feet kept him out of the war. She was horrified when her father E.G. Lavelle, the Director of the Fort Worth and Western Stockman’s Association, gave her husband a job working with the Association and her boyfriend to ensure she’d be taken care of. Fortunately for Evelyn, most of the job had Sharp on the road doing long stakeout work at ranches rather than at home. And that is where we find Jefferson Sharp as Thunder Road opens around his cold morning campsite. ♦

Thunder Road

by Colin Holmes

May 1 – 26, 2023 Virtual Book Tour

Synopsis:

Thunder Road by Colin Holmes

In this gamble, more than a few poker chips are at stake.

When an Army Air Force Major vanishes from his Top Secret job at the Fort Worth airbase in the summer of 1947, down-on-his-luck former Ranger Jefferson Sharp is hired to find him, because the Major owes a sizable gambling debt to a local mobster. The search takes Sharp from the hideaway poker rooms of Fort Worth’s Thunder Road, to the barren ranch lands of New Mexico, to secret facilities under construction in the Nevada desert.

Lethal operatives and an opaque military bureaucracy stand in his way, but when he finds an otherworldly clue and learns President Truman is creating a new Central Intelligence Agency and splitting the Air Force from the Army, Sharp begins to connect dots. And those dots draw a straight line to a conspiracy aiming to cover up a secret that is out of this world—literally so.

Book Details:

Genre: Noir Mystery
Published by: CamCat Books
Publication Date: February 15, 2022
Number of Pages: 384
ISBN: 9780744304978 (Hardcover)
ISBN: 9780744304961 (Paperback)
ISBN: 9780744304947 (eBook)
ISBN: 9780744304855 (Digital Audiobook)
ASIN: B09QRN82F2 (Audible audiobook)
ASIN: B09RJLQS2S (Kindle edition)
Purchase Links #CommissionEarned: Bookshop.org | Amazon | Amazon Kindle | Audible Audiobook | Barnes and Noble | B&N eBook | B&N Audiobook | Goodreads | CamCat Books | Kobo Audiobook | Kobo eBook

Praise for Thunder Road:

“This genre-defying and enormously entertaining romp is Mickey Spillane meets Whitley Strieber meets Woody Allen. I can’t remember when I’ve had so much plain old fun reading a book and just didn’t want it to end.”br>~ Historical Novel Society, Editor’s Choice

 

“Sparkling 1940’s dialogue, wry humor, an unpredictable yet coherent storyline, and a breezy style all his own, make Colin Holmes’ somewhat spooky novel, Thunder Road, a winner. I’ll be on the lookout for his next novel.”
~ Rob Leininger, author of Killing Suki Flood and the Mortimer Angel “Gumshoe” series

 

“[In this] intriguing debut . . . clear crisp prose . . . morphs from a western into a detective story with an overlay of conspiracy theories.”
~ Publishers Weekly

 

“. . . one of the best mysteries I’ve ever read. The plot, characterization, timing, setting, dialogue, and tension was spot on. Love the noir feel of the past. Have to admit the ending twist caught me by surprise. Well done..”
~ Larry Enmon, author of Class III Threat, City of Fear, and The Burial Place

Author Bio:

Colin Holmes

Before the pandemic, Colin Holmes toiled in a beige cubical as a mid-level marketing and advertising manager for an international electronics firm. A recovering advertising creative director, he spent far too long at ad agencies and freelancing as a hired gun in the war for capitalism.

As an adman, Holmes has written newspaper classifieds, TV commercials, radio spots, trade journal articles, and tweets. His ads have sold cowboy boots and cheeseburgers, 72-ounce steaks, and hazardous waste site clean-up services. He’s encountered fascinating characters at every turn.

Now he writes novels, short stories, and screenplays in an effort to stay out of the way and not drive his far too-patient wife completely crazy. He is an honors graduate of the UCLA Writers Program, a former board member of the DFW Writers Workshop, and serves on the steering committee of the DFW Writers Conference. He’s a fan of baseball, barbeque, fine automobiles, and unpretentious scotch.

Catch Up With Colin Holmes:
ByColinHolmes.com
Goodreads
BookBub – @bycolinholmes
Instagram – @bycolinholmes
Twitter – @bycolinholmes
Facebook – @colin.holmes.1213

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Guest Post: Fran Lewis – ACCUSATIONS

Good day, my bookish peeps and welcome to May! One of the few good things about our so-called post-pandemic life is that many of us aren’t wearing masks any longer so we can actually see people’s facial expressions. There’s an Arabic/Islamic saying that “even a smile can be charity” and I’ve missed seeing everyone’s smiles. I’m honored to have Fran Lewis, author of Accusations, part of the “Faces Behind the Stones” series return as a guest today. Ms. Lewis will be speaking about some of the changes wrought in our world over the past few years. I hope you’ll enjoy what she has to share and spread a little kindness and give out a few smiles throughout your day. Thank you, Ms. Lewis, for rejoining us today. I’ll now turn the blog over to you.

What, In My Mind, Has Changed in the World Today?
by Fran Lewis

Walking down the street and going into stores for food or even a pharmacy, people don’t smile and they are often rude to the people providing services. Wearing masks has changed the way medical providers and their staff interact with patients. Exams are limited to less than ten minutes in some facilities eliminating time for questions and concerns. Lab tests are sent by email from the lab itself and unless you need meds as a result of the test being positive the facility does not call you. It seems that kindness has been tossed aside and events or situations that require a callback or response are on the decline. People enter stores and most are impatient and just want to make their purposes and leave. Greetings are past tense and impatience seems to have taken hold. Even calling friends and family seem different and not seeing anyone for so long is frustrating. This never-ending virus sends to never leave and everyone goes about their days not really worrying about it and yet not asking to see family members that live close by. Some medical offices do not require masks I wear one. Some do not require testing before your visit I always get tested as a courtesy but where the urgent cares were fast and kind in manner some are anything but and there are few that even greet patience of long-standing.

The climate and weather conditions vary day by day or hour by hour I guess now temperaments do now.

Prices on food and other items increased and pharmacies are low on many products as shelves are bare for simple items like makeup sponges, cough medicine, Motrin, or even feminine needs and general health.

I hope I don’t get totally disheartened and what has not changed is the pride and joy I get reviewing titles sent to me by authors and interviews on my radio shows that brighten my world and give me hope that maybe this nightmare virus will disappear it they will come up with a yearly vaccine. One thing that won’t ever change us is my positive outlook and hope the world will change for the positive again. Of course writing, my unique novels add to my day. ♦

Accusations

Faces Behind the Stones

by Fran Lewis

April 24 – May 19, 2023 Virtual Book Tour

Synopsis:

Accusations by Fran Lewis

A funeral can evoke sadness on the faces of those attending, especially when they reach the cemetery. Looking at those faces, I begin to wonder what they are thinking, and possibly what they are hiding.

As I scan the tombstones, I contemplate whether many of the faces behind these stones were wronged during their lives and I can hear them speaking to me. They want to tell me how they ended up here. Were they guilty of great evil in their lives, or were they wrongly accused?

Listen as they tell their stories, and chills will run down your spine as you learn: What lies behind the
stones, because each of these voices was silenced in life by the evil of others.

Hear their words…
understand their reasons…
and then decide:

Were the Accusations wrong?

Book Details:

Genre: Horror
Published by: Fideli Publishing
Publication Date: December 2022
Number of Pages: 164
ISBN10: 1955622302 (Paperback)
ISBN13: ‎9781955622301 (Paperback)
ASIN: B0BRL6VSJT (Kindle edition)
Series: Faces Behind the Stones | Each is a stand-alone set
Purchase Links #CommissionEarned: Amazon | Amazon Kindle

Praise for Accusations:

“Fran Lewis’s newest edition to her Faces Behind the Stones series is something you’ll want to read during the day. If you get in bed planning on reading a few pages until your eyes become weary, it’s not going to happen. You’ll find yourself waking up more and more as the pages turn one by one and the secrets behind so many lives and souls are revealed. For anyone who contemplates death and all it might have in store for us, including its raw inevitability, this is a must read.”
~ Vincent Zandri, New York Times and USA Today Thriller and Shamus Award-winning writer of The Remains, the Dick Moonlight PI Series, American Prison Break, The Embalmer, The Shroud Key, and his brand new novel Moonlight Kills

 

These amazing stories from Fran Lewis — like stories from Stephen King or The Twilight Zone — will captivate and haunt you long after you turn the last page. Lewis is a unique storyteller who opens the supernatural door for us to hear the dead tell their spellbinding tales and reveal their secrets. An unforgettable read!
R.G. Belsky, author of the Clare Carlson mystery series

 

Accusations is eerily captivating … thought-provoking… a warning. The stories convey a dark, eye-opening theme—pay attention!

Fran Lewis dives into timeless issues with an almost gothic-style of story-telling that will keep you reading and feeling every story as it unfolds. Fran sends a message in her stories. Can you feel it?
TJ O’Connor, award-winning author of The Hemingway Deception

 

Once again Ms. Lewis has a hit with Accusations, the fifth book her Faces Behind the Stones series. It’s a surefire hit!
This is the most chilling of her books to date!!!
Karen Vaughan, author of Dead to Writes

Silent Voices speak from the grave in this gothic-style collection of short stories by Fran Lewis.
If you ever felt wronged and thought of revenge, one of these characters in Accusations could do the job for you and do it well. And you might find you agree with me that some of the characters deserve what they get.
The atmosphere and characters feel real in these stories and you are drawn in to see what happens next. At times I was there with them in their GRAVES. I read the whole book in two short sittings.
Fran Lewis is one of my go-to authors for great short stories. As a short story writer and reader myself, I was fascinated by the fabulous imagery in this collection.
You will be enthralled by Fran Lewis’ talent. “The Grandmother” is my favorite. This grandmother outwits her three granddaughters and they don’t see it coming.
You can find more stories like these in Fran’s other books; Faces Behind the Stones, Bad Choices and Hidden Truths & Lies. Enjoy this read!
Jan Holiday

Author Bio:

Fran Lewis

Fran worked in the NYC Public Schools as the Reading and Writing Staff Developer for over 36 years. She has three master’s degrees and a PD in Supervision and Administration. Currently, she is a member of Who’s Who of America’s Teachers and Who’s Who of America’s Executives from Cambridge.

She was the musical director for shows in her school and ran the school’s newspaper. Fran writes reviews for authors upon request and for several other sites.

Catch Up With Fran:
Just Reviews
Goodreads
BookBub
Instagram – @berthatillie49
Twitter – @franellena
Facebook – @fran.lewis1
Fran Lewis’ BlogTalk Radio Show

Tour Participants:

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Book Spotlight: BECOMING THE EX-WIFE by Marsha Gordon

Becoming the Ex-Wife by Marsha Gordon
ISBN: 9780520391543 (Hardcover)
ISBN: 9780520391550 (eBook)
ASIN: B0BNBMG619 (Kindle edition)
Publisher: University of California Press
Page Count: 312
Release Date: April 25, 2023
Genre: Nonfiction | Biography

The riveting biography of Ursula Parrott—best-selling author, Hollywood screenwriter, and voice for the modern woman.

Becoming the Ex-Wife establishes Parrott’s rightful place in twentieth-century American culture, uncovering her neglected work and keen insights into American women’s lives during a period of immense social change.

Although she was frequently dismissed as a “woman’s writer,” reading Parrott’s writing today makes it clear that she was a trenchant philosopher of modernity—her work was prescient, anticipating issues not widely raised until decades after her decline into obscurity. With elegant wit and a deft command of the archive, Marsha Gordon tells a timely story about the life of a woman on the front lines of a culture war that is still raging today.

Purchase Links #CommissionEarned: Bookshop.org | Amazon | Amazon Kindle | Barnes and Noble | B&N eBook

Meet the Author

Photo of Marsha Gordon, picture of a white female wearing black eyeglasses, a gold statement necklace, short-sleeve black top, and graying, wavy, shoulder-length hair.
Marsha Gordon by Louis Cherry

Marsha Gordon is a Professor of Film Studies at North Carolina State University, a recent Fellow at the National Humanities Center, and an NEH Public Scholar. She is the author of numerous books and articles, and co-director of several short documentaries. Her latest book, Becoming the Ex-Wife: The Unconventional Life and Forgotten Writings of Ursula Parrott, was published with the trade division of the University of California Press in April 2023. For seven years Marsha contributed to a monthly show, “Movies on the Radio,” with NC Museum of Art film curator Laura Boyes and Frank Stasio, on 91.5/WUNC’s “The State of Things.” She regularly introduces films, gives lectures, and participates in panels all over the United States and Europe.

Connect with the author via Goodreads | Instagram | Twitter | Website
This book spotlight brought to you via Coriolis Company

 

Giveaway Extravaganza

The word "Giveaway" in a script font beside a stack of books

I’m celebrating, y’all! What am I celebrating? A lot of different things but primarily Eid Al-Fitr, my blogiversary, and prepping for World Book Night. This is definitely one of those “I celebrate by giving” opportunities. First, Eid Al-Fitr is celebrated at the end of Ramadan, the month of fasting. Second, my 12th blogiversary was last month. And lastly, World Book Night is on April 23rd. World Book Night is celebrated in the United Kingdom (and other areas) by giving a book to someone to promote the joy of reading (my kind of holiday!). Since I’m celebrating three different events, there are three different giveaways taking place.


First up, in honor of Eid Al-Fitr (and Arab American Heritage Month), is a print copy of Huda F Are You? by Huda Fahmy. This is a paperback copy of the graphic novel. If you aren’t following Yes, I’m Hot in This online, you’re missing a treat. I’ve read and enjoyed all of Ms. Fahmy’s books and hope the lucky winner of this book enjoys reading Huda F Are You? as much as I did. (Hey, I loved it so much that I have my own print as well as a digital copy.)

HUDA F ARE YOU? by Huda Fahmy graphic novel coverHuda F Are You? by Huda Fahmy

From the creator of the hugely popular webcomic Yes I’m Hot In This comes a graphic novel about a young American Muslim growing up and figuring out who she is

Huda and her family just moved to Dearborn, Michigan, a small town with a big Muslim population. But Huda doesn’t fit in–when everyone is Muslim, there’s no Muslim clique like there was in her last town, and Huda’s not a sporty hijabi or a fashionista hijabi or a gamer hijabi. She’s just Huda, and she’s not sure what that means. She tries on all kinds of identities and friends, but nothing fits quite right. Until she realizes she can get back to the basics.

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cropped bookish hoodieSecond, to celebrate my 12th blogiversary is a new without tags, cropped hoodie featuring a book print on a blue background. This hooded jacket is made from a polyester/spandex fabric and has a zipper closure and kangaroo pocket. The size is XXL but the fit is closer to an adult L/XL. The jacket is 25.8″ in length with a chest width of 47.2″.

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White t-shirt with "Read a got damn book"Third, in honor of World Book Night (or any occasion) is a new “read a got damn book” t-shirt. (I’m already giving away a book so I opted for something a little different with the WBN giveaway.) This new without tags, white short-sleeve tee is an adult large. I have a black shirt with the same message and can’t tell you how many positive comments I’ve received.

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Please note that all three giveaways begin at 12:01 AM ET on Saturday, March 22, 2023 and end at 11:59 PM ET on Sunday, March 23, 2023. Winners will be notified on March 24, 2023. Any winner not responding within 48 hours of email contact will be disqualified and a new winner selected. All giveaways are limited to residents of the US and Canada. Prizes will be mailed within a week after the giveaway has ended. Void where prohibited by law.

Guest Post: Charles Salzberg – MAN ON THE RUN

Happy Friday, my bookish peeps. Every day there seems to be a news story about a new strain of Covid-19 making an appearance somewhere in the world. I’m hoping and praying that none of these new strains are as deadly as the first. Unlike many people, I actually enjoyed the “shutdown.” I stayed home and read books, lots and lots of books. The solitude was a delight for this introvert. I know, many of you had to deal with new work dynamics, not to mention childcare and education dynamics. We all learned how to cope with this new “normal.” I’m honored to welcome back Charles Salzberg, author of Man On the Run. Mr. Salzberg will be sharing the impact of the pandemic on his writing. Thank you, Mr. Salzberg, for returning to visit with us, the blog is now all yours.

How the Pandemic Played an Important Role in My Latest Novel
by Charles Salzberg

The Covid pandemic upended many lives but for someone like me who’s spent most of his adult life as a freelance writer, it was a piece of cake. After all, it wouldn’t be a stretch to say that sheltering in place is something I’ve been rehearsing for all my life.

Staying home was no longer simply a suggestion. Now it was a sign of doing our patriotic duty, making sure our fellow citizens remain safe and Covid-free.

But after a while, even for me, a self-proclaimed expert at finding plenty to do within the confines of my apartment, it became a little challenging in terms of filling the time. I mean, how many Zoom lunches, or Zoom catch-ups, can one person abide?

Of course, there were the usual activities: Reading. Surfing the web. Hop-scotching between one streaming service to another, starting with A for Apple and going through P for Peacock and S for Starz, the opportunities were mind-shattering. Even doing some writing (although, to be honest, I don’t think I got any more writing done being home all day than I did pre-pandemic).

But occasionally, even the eyes need a rest and I yearned for something a little more relaxing. Something where I could lie back, close my eyes, and just…listen. And that’s how I discovered podcasts.

It wasn’t like I’d never listened to a podcast before. Like most of the country, I was hooked by Serial, the New York Times deep-dive by Sarah Koenig into the Adnan Syed murder case. And I’d been a guest on a couple of podcasts which I certainly didn’t listen to (nor, I’m guessing, were there many others who bothered to tune in). But as a steady diet? No way.

But Covid changed all that. I started hunting down true crime podcasts and was shocked to find there was a seemingly never-ending supply. I’d listen to one, which would inevitably lead to another and another and…well, you get the idea. Eventually, I was led to non-crime podcasts that offer a host of interesting topics. The search for Richard Simmons, Y2K, (Dan Taberski), Pod Save America, January 6th, the first 1993 bombing of the World Trade Building, the list is endless. And the thing of it is, much of the original reporting is first-rate.

I’m never surprised at the bottomless well of cases to talk about, injustices to uncover, mysteries to solve, but what did surprise me was the professionalism of the podcasts and the podcasters. It’s a legitimate form of journalism and, as a former magazine journalist, I was impressed, no make that extremely impressed, by the sheer, dogged, investigative work that goes into these podcasts.

And here’s how the pandemic eventually had an effect on what I was going to write next.

As soon as I finish a novel, I don’t like to put too much daylight between that ending and a new beginning. I’d finished Canary in the Coal Mine and was waiting for my next project to knock on my door. For some reason, my mind kept drifting back to the novel before Canary, Second Story Man, featuring the master burglar Francis Hoyt. Spoiler alert: at the end of that novel, Hoyt manages to elude the authorities and enters a new life as a man on the run. I had no intention of writing another book with Hoyt as the main character, but for some reason, he just wouldn’t relax his grip on me. I kept wondering, what happens to him now? Where does he go? What does he do with himself?

The only way to find out was to start to write about him, which is exactly what I did. I moved him out to the West Coast, and I even figured out what his next “job” would be, but I knew that wasn’t enough. I needed something else. And that’s where what I did during the pandemic came in handy. What if, I asked myself (the question every writer winds up asking), there’s this true crime podcaster and she decides the next subject she’s going to tackle is the legendary burglar, Francis Hoyt? And what if Hoyt found out someone was investigating his life and would then air it for all the world to hear? What would he do about it?

Thus was born Dakota Richards, a former newspaper crime reporter turned podcaster. But I knew virtually nothing about the ins and outs of the profession and so I reached out to the reporter/producer for one of my favorites, Murder in Oregon, Lauren Bright Pacheco. Unsurprisingly, (journalists are usually very helpful, especially to other writers) Lauren immediately returned my email and agreed to answer a whole bunch of questions about the profession. What kind of equipment do you use? How many people are involved in the production of a podcast and what do they do?

And so, with the help of Lauren, I hope I was able to create a compelling character and an impressive figure for Hoyt to spar with. And if I have been successful, I owe a lot of that success to Covid-19. ♦

Man on the Run

by Charles Salzberg

April 17 – May 12, 2023 Virtual Book Tour

Synopsis:

Man on the Run by Charles Salzberg

Master burglar Francis Hoyt is on the run.

After walking away from his arraignment in a Connecticut courtroom, he’s now a fugitive who has to figure out what he’s going to do with the rest of his life. And so, he heads west, to Los Angeles, where he meets Dakota, a young true crime podcaster who happens to be doing a series on Hoyt. At the same time, he’s approached by a mysterious attorney who makes Hoyt an offer he can’t refuse: break into a “mob bank” and liberate the contents.

Book Details:

Genre: Crime
Published by: Down & Out Books
Publication Date: April 17, 2023
Number of Pages: 340
ISBN: 9781643963075 (Paperback)
ASIN: B0BXFPFYMB (Kindle edition)
Purchase Links #CommissionEarned: Bookshop.org | Amazon | Amazon Kindle | Barnes & Noble | Goodreads | Down & Out Books

Praise for Man on the Run:

“The stakes couldn’t be higher as the cat and mouse game moves to the Left Coast in Salzberg’s compelling Man on the Run. A superb mix of action, suspense, psychopathology.”

“One part heist movie, one part psychological thriller, three parts great character and blend. Salzberg’s superb Man on the Run will keep your head spinning from the first page to the last.”
~ Reed Farrel Coleman

Man on the Run grips you from the opening page and doesn’t let go. The plot will leave you breathless with anticipation as a master burglar and a crime podcaster try to outwit and outmaneuver each other before an outrageous heist. There’s nothing better than smart characters, with smart dialogue, going head to head. You won’t want to miss a twist or turn.”
~ Michael Wiley, Shamus Award-winning writer of the Sam Kelson mysteries

“Francis Hoyt, Charles Salzberg’s brilliant burglar anti-hero from SECOND STORY MAN, is back on the prowl in Man on the Run. Old-school crime meets the podcast age as Hoyt tangles with a true-crime reporter as well as fellow felons and the law. Like his hero, Salzberg is a total pro who always brings it home.”
~ Wallace Stroby, author of HEAVEN’S A LIE

“Charles Salzberg is a genius at not only crafting a helluva page-turner of a heist novel, but he also manages to make the reader care about Francis Hoyt, master burglar and pathological narcissist. Hoyt is the man on the run, and the story of how he eludes the law, the mob, and a retired cop who has become his personal nemesis packs a solid punch and leaves you rooting for the guy who’d steal your family jewels without breaking a sweat.”
~ James R. Benn, author of the Billy Boyle WWII mystery series

“When it comes to Charles Salzberg’s work, you can expect a hard-edged story, crisp dialogue, and memorable characters. This is certainly true — and then some! – in his latest, Man on the Run. Featuring master burglar Francis Hoyt, a tough and intelligent criminal who can’t seem to turn down tempting criminal scores despite the inherent danger, Man on the Run features a true-crime podcast host, a criminal fence, and an investigator hot on the trail of Francis Hoyt as his most challenging and dangerous burglary comes into play. Very much recommended.”
~ Brendan DuBois, award-winning and New York Times bestselling author

“It’s a battle of wits and nerves as a cop, a robber, and a journalist dance around each other weaving a tapestry of deceit and suspense. Salzberg’s dialogue flows like water until it finds truth in this most entertaining read.”
~ Matt Goldman, New York Times bestselling author

“Smart, sly and compelling, with a fascinating main character – the very definition of intelligent suspense.”
~ Lee Child

Author Bio:

Charles Salzberg

Charles Salzberg, a former magazine journalist (New York magazine, Esquire, Redbook, New York Times, and others) and nonfiction book writer (From Set Shot to Slam Dunk, an oral history of the NBA, and Soupy Sez; My Zany Life and Times with Soupy Sales), has been nominated twice for the Shamus Award for Swann’s Last Song and Second Story Man, which also won the Beverly Hills Book Award. His novel Devil in the Hole was named one of the Best Crime Novels of 2013 by Suspense magazine. He is the author of Canary in the Coal Mine and his short stories have appeared in Mystery Tribune, Down to the River, Lawyers, and Guns and Money. He’s been a Visiting Professor Magazine at the S.I. Newhouse School of Public Communications at Syracuse University and he teaches writing in New York City for the New York Writers Workshop, where he is a Founding Member. He’s also on the Board of PrisonWrites and is a former Board Member of MWA-NY.

Catch Up With Charles:
www.CharlesSalzberg.com
Goodreads
BookBub
Instagram – @charlessalzberg
Twitter – @CharlesSalzberg
Facebook – @charles.salzberg.3
YouTube – @CharlesSalzberg

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Book Showcase: THE GOLDEN MANUSCRIPTS by Evy Journey

THE GOLDEN MANUSCRIPTS by Evy Journey book cover: gold background with the title floating in the top center and a ghostly image of an opened book on the bottom third of the coverThe Golden Manuscripts, Between Two Worlds – Book 6, by Evy Journey
ISBN: 9780996247498 (Paperback)
ASIN: B0BWP9B9HC (Kindle edition)
Page Count: 344
Release Date: March 16, 2023
Pubsher: Soujourner Books
Genre: Fiction | Cultural Heritage

In her quest for the provenance of stolen art, she discovers a passion and a home.

Clarissa Martinez, a biracial young woman has lived in seven different countries by the time she turns twenty. She thinks it’s time to settle in a place she could call home. But where?

She joins a quest for the provenance of stolen illuminated manuscripts, a medieval art form that languished with the fifteenth-century invention of the printing press. For her, these ancient manuscripts elicit cherished memories of children’s picture books her mother read to her, nourishing a passion for art.

Though immersed in art, she’s naïve about life. She’s disheartened and disillusioned by the machinations the quest reveals of an esoteric, sometimes unscrupulous art world. What compels individuals to steal artworks, and conquerors to plunder them from the vanquished? Why do collectors buy artworks for hundreds of millions of dollars? Who decides the value of an art piece and how?

And she wonders—will this quest reward her with a sense of belonging, a sense of home?

Purchase Links #CommissionEarned: Amazon | Amazon Kindle | Barnes and Noble

Read an Excerpt:

Chapter One

November 2000

Rare Manuscripts

I sometimes wish I was your girl next door. The pretty one who listens to you and sympathizes. Doesn’t ask questions you can’t or don’t want to answer. Comes when you need to talk.

She’s sweet, gracious, respectful, and sincere. An open book. Everybody’s ideal American girl.

At other times, I wish I was the beautiful girl with creamy skin, come-hither eyes, and curvy lines every guy drools over. The one you can’t have, unless you’re a hunk of an athlete, or the most popular hunk around. Or you have a hunk of money.

But I’m afraid the image I project is that of a brain with meager social skills. The one you believe can outsmart you in so many ways that you keep out of her way—you know the type. Or at least you think you do. Just as you think you know the other two.

I want to believe I’m smart, though I know I can be dumb. I’m not an expert on anything. So, please wait to pass judgement until you get to know us better—all three of us.

Who am I then?

I’m not quite sure yet. I’m the one who’s still searching for where she belongs.

I’m not a typical American girl. Dad is Asian and Mom is white. I was born into two different cultures, neither of which dug their roots into me. But you’ll see my heritage imprinted all over me—on beige skin with an olive undertone; big grey eyes, double-lidded but not deep-set; a small nose with a pronounced narrow bridge; thick, dark straight hair like Dad’s that glints with bronze under the sun, courtesy of Mom’s genes.

I have a family: Mom, Dad, Brother. Sadly, we’re no longer one unit. Mom and Dad are about ten thousand miles apart. And my brother and I are somewhere in between.

 

I have no one I call friend. Except myself, of course. That part of me who perceives my actions for what they are. My inner voice. My constant companion and occasional nemesis. Moving often and developing friendships lasting three years at most, I’ve learned to turn inward.

And then there’s Arthur, my beautiful brother. Though we were raised apart, we’ve become close. Like me, he was born in the US. But he grew up in my father’s home city where his friends call him Tisoy, a diminutive for Mestizo that sometimes hints at admiration, sometimes at mockery. Locals use the label for anyone with an obvious mix of Asian and Caucasian features. We share a few features, but he’s inherited a little more from Mom. Arthur has brown wavy hair and green eyes that invite remarks from new acquaintances.

Little Arthur, not so little anymore. Taller than me now, in fact, by two inches. We’ve always gotten along quite well. Except the few times we were together when we were children and he’d keep trailing me, like a puppy, mimicking what I did until I got annoyed. I’d scowl at him, run away so fast he couldn’t catch up. Then I’d close my bedroom door on him. Sometimes I wondered if he annoyed me on purpose so that later he could hug me and say, “I love you” to soften me up. It always worked.

I love Arthur not only because we have some genes in common. He has genuinely lovable qualities—and I’m sure people can’t always say that of their siblings. He’s caring and loyal, and I trust him to be there through thick and thin. I also believe he’s better put together than I am, he whom my parents were too busy to raise.

I am certain of only one thing about myself: I occupy time and space like everyone. My tiny space no one else can claim on this planet, in this new century. But I still do not have a place where I would choose to spend and end my days. I’m a citizen of a country, though. The country where I was born. And yet I can’t call that country home. I don’t know it much. But worse than that, I do not have much of a history there.

Before today, I trudged around the globe for two decades. Cursed and blessed by having been born to a father who was a career diplomat sent on assignments to different countries, I’ve lived in different cities since I was born, usually for three to four years at a time.

 

Those years of inhabiting different cities in Europe and Asia whizzed by. You could say I hardly noticed them because it was the way of life I was born into. But each of those cities must have left some lasting mark on me that goes into the sum of who I am. And yet, I’m still struggling to form a clear idea of the person that is Me. This Me can’t be whole until I single out a place to call home.

Everyone has a home they’ve set roots in. We may not be aware of it, but a significant part of who we think we are—who others think we are—depends on where we’ve lived. The place we call home. A place I don’t have. Not yet. But I will.

I was three when I left this city. Having recently come back as an adult, I can’t tell whether, or for how long, I’m going to stay. You may wonder why, having lived in different places, I would choose to seek a home in this city—this country as alien to me as any other town or city I’ve passed through.

By the end of my last school year at the Sorbonne, I was convinced that if I were to find a home, my birthplace might be my best choice. I was born here. In a country where I can claim citizenship. Where the primary language is English. My choice avoids language problems and pesky legal residency issues. Practical and logical reasons, I think.

*****

Three years ago, my father announced our wandering days were over and we had to settle on a permanent home. After twenty-five years of service, he was exhausted and wanted to retire while he was still relatively young. Used to having his way, he decreed that home would be the Philippines where he was born, and where he has an extended family of near and far relatives. He would request to be posted there for his last assignment. I’d known for a while that Mom’s desire and beliefs would not carry any weight in Dad’s decision.

Living with my paternal grandparents much of the time, Arthur could call Dad’s birthplace home.

Unlike the rest of my family, I had no place I felt I belonged. I was rootless. No deep loyalty to any place I’ve lived in. I was born in California and though I spent the first three years of my life there, I grew up in at least six other cities. None of which became home to me.

Rambling around new places and plunging into new cultures—sometimes fascinating, sometimes strange in their novelty—was exciting for a while. It didn’t bother me that I was always leaving new friends behind. Mom had always been there. Dad, too. They were the constants in my life I was led to believe were all I needed. So, at eighteen, I had no firm ideas of home. But certain that my father’s stint in Paris would last for at least another year, I told myself, I still had time to decide.

For now, I occupy space in the art staff office of the university I attend. At the noon hour on a breezy, clear November day, in a city across the bay from San Francisco. Deep in the season when, east of us, rainstorms are pounding towns and cities, we’re still hoping for much-needed rain.

Autumn is not how I expected it to be, moving to this area as an adult. I miss the colors fall brings everywhere east of us. Here, Japanese maples, oaks, and gingkoes also shed leaves in shades of yellow, red, and brown. But they are mere accents to the more abundant eternal greens clinging to pine, citrus, and bamboo trees scattered all over the region. Some nights could be foggy or overcast until early morning, leaving damp sidewalks and dewy trees. By midday, the fog usually gives way to sunny and windy afternoons.

Right now, I’m alone, eating leftover pad thai from the takeout dinner I shared with my brother last night. Sitting at a desk at the back of an open area with two rows of desks where graduate assistants park their belongings. Four feet separate the two rows, each desk in a row set apart by enough room to push a chair back and sit.

The professors we work for occupy small offices bathed in eastern sun, their own little havens outfitted with bigger desks, built-in bookshelves, glass windows and glass-topped walls and doors that give them some privacy.

I’ve closed the door to the whole office. I relish this tranquil hour of solitude when I can chill out as I listen to easy music and eat lunch. Everyone else has left for the mid-day break and won’t be back for at least an hour.

I’ve been working in this office for three months, but I still don’t feel I’m in my element. I’m learning it isn’t enough to be part of a group with common interests, working in one place. Maybe, I need more time. I’m the newest graduate assistant, and though we’re all art practice majors, I want to specialize in what the art world today might consider an obscure or ancient art form—illuminated manuscripts. An art form which flourished in the medieval period, the printing press pushed it into near extinction.

In between slurping long rice noodles pinched between wooden chopsticks, I scan the news on artnews.com on my laptop—the usual way I pass this hour.

A headline catches my attention:

Long Lost Fifteenth-Century Illuminated Manuscript Found?

I put noodles and chopsticks down across the top of the plastic bowl of half-eaten pad thai and lean my body a little closer to the screen.

Art goes missing, too. Like people. Sometimes for a long time. Every piece of art also needs a home, not necessarily its place of origin. Take the famous Mona Lisa. Except for the two years a thief kept it in a suitcase, depriving the public a quick or long view of it, the painting has resided in the Louvre since the early sixteenth century. The king of France had bought it from Italian painter Leonardo da Vinci.

Most readers would be indifferent to this news of a newly recovered illuminated manuscript if it had been reported by general news sources. They may never have heard of medieval manuscripts, nor cared about them if they knew what they were. A few may wonder why or how manuscripts could be illuminated.

Artists might know a thing or two about them from art history classes, but most artists attend college to sharpen their skills and become better painters, sculptors, conceptual artists, performance artists.

But I’m neither one of those artists, nor a reader with a passing interest in art. To me, this is big news.

Among the four of us who work for Professor Adam Fischl, I’m something of an odd fish, not only because I’m rootless. As far as I can tell, no other graduate student in the art department gets excited about medieval illuminated manuscripts. The creation of illuminated manuscripts is a minor genre compared to canvas or panel painting, or sculpture, or conceptual art. You could even argue it’s a dead art. But it was a major and thriving genre during medieval times.

I learned about illuminated manuscripts in an art history class, for which I later wrote a paper on the blossoming of this art form under the reign of Charlemagne. In writing my paper, I realized my interest in illustrated manuscripts has been nurtured from the time my mother read to me. No, she didn’t read me illuminated manuscripts. She read picture books.What, after all, are illuminated manuscripts, but picture books? Granted, of a very special kind. How special? They’re handwritten, not printed. On parchment—scraped, stretched, and dried animal skin—capable of lasting centuries. An “illumination” is, in fact, a picture or illustration that conveys the meaning of a piece of text. Adorned with gold or silver leaf, these illustrations radiate light. The first letters of accompanying texts, and other decorations on a page, usually also glow with gold or silver. Sometimes, texts are inscribed in gold or silver ink.

I believe illustrated books have been essential to my awakening as a thinking, feeling being. Aren’t they, though, for every child whose parents read them stories?

Children’s picture books make it easier to understand the meanings of images through the stories that accompany them. The images can tell you more about a story than words alone can. And quite often, we have happy memories of having picture books read to us.

Tap into your memory bank, as I often have of some of my warmest memories of childhood—cradled on my mother’s lap, safe between her arms, while she’s holding a large book in front of me. Beautiful, colorful pictures adorn each page. A magical story unfolds below those pictures as she’s reading it to me. She’s drawing me into the story as she adapts her voice to every character. I always imagine myself as one of the characters. The little heroine, of course.

She reads me one book. But it only whets my appetite. So, she reads me another. And another, if she has time. Some books I like more than others—between their pages live the stories I ask her to read to me over and over.

When I turn five, she teaches me how those stories are built up: First, the letters, the basic elements needed to make up, as well as read, a story. Each letter is presented with a picture on a page—an apple with “A,” “B” and a ball, “C” and a cat … Such is how I began my adventure into reading.

The letters grow into words, their meanings illustrated by more images. The words are strung together to form single ideas. Ideas grow into scenarios. Scenarios grow into stories. And stories come alive with narrative images. All absorbed within the warmth of my mother’s love. Typical upbringing, wouldn’t you say? A lot like yours.

Except, my picture books are different in one way. The picture books Mom reads to me include many about the life and culture of every new city we land in. Picture books that—I realize later—she chose to help alleviate the problems of transitioning from one city and culture to another. Somehow, Mom always seems to find English versions of those books. One such book is The Little Prince.

When as an adult, I returned to Paris, I bought Le Petit Prince, the French original, illustrated and written by its author Antoine de Saint-Exupéry. It has remained one of my most-loved books. I read it at least once a year, often at Christmas. It keeps me in touch with the child that’s in all of us. It reminds me of the unalloyed wisdom in childhood that growing up often buries in the pursuit of reality and knowledge.

My picture books pile up as we move from one place to another. Sometimes, Mom and I visit museums, often city museums exhibiting local artworks. I became aware at age nine that we’re both stockpiling experiences and memories of our short lives in a place we may be leaving forever.

After such an introduction, how can I not believe there’s magic in pictures? They contain more than what you see, maybe disguise or hide some deeper meaning than what’s obvious. You must look longer, probe deeper to see beyond the images your eyes pick up. Maybe that’s why, as a child, I loved games instructing you to find a miniscule or camouflaged image or object in a larger picture.

Artists put details in a painting you may see only as part of the background or landscape. But such details may be symbols or icons for the society, time, and culture the artist lived in. Jan van Eyck’s famous Arnolfini Portrait is frequently cited as full of symbolism, although art historians have not always agreed on the meanings of specific details. The dog at their feet, for instance, has been thought to symbolize loyalty and devotion. But another historian has proposed it portends the death of the woman in the portrait: Dogs have been found on female tombs in ancient Rome.

Apart from my parents’ caring, picture books—the artistry they demand and exhibit—may be the only constant in my past gypsy-like existence. Children’s picture books planted a seed in me that blossomed into a love of art.

*****

The artnews.com article is brief. An art dealer is selling a medieval manuscript: handwritten on vellum, the finest parchment made from calf skin; gold leaf and tempera; intact and in good condition. It’s a fifteenth-century adaptation of The Utrecht Psalter.

No images accompany the article. No manuscript cover. No sample page or two from within the manuscript. Odd that those are missing in a news item for an artwork uploaded to an online marketplace for art. No information is given, either, on who owns it, but that’s not unusual. And none on how the manuscript was lost—also odd since this fact is emphasized by its inclusion in the headline. And why the question mark?

The article does say the manuscript is a colorful adaptation of The Utrecht Psalter, often cited as possibly the best-known, and in some scholars’ opinions, the best manuscript illumination produced during Charlemagne’s reign in the ninth century. It captivated many medieval artists who copied its lively and expressive figures sketched in brown ink, running across every page.

Faithful reproductions of this psalter still exist, like The Harley Psalter, which anyone can access online in the British Library. Other artists infused their adaptation of The Utrecht Psalter with their own style, decorating texts, and using color or painted figures rather than sketches. But until this newly discovered manuscript, I wasn’t aware The Utrecht Psalter‘s influence on later manuscripts reached well into the fifteenth century, at least five hundred years from its creation.

The question mark baffles me. What can it mean? Uncertainty about the manuscript’s authenticity? Was it produced in the 15th century as claimed?

The art world has had its problems with artists who can create copies of masterpieces good enough to pass off and sell as originals. Forgers, we call them, though they’re usually highly skilled artists. And the copies they produce, we call fakes instead of the more neutral term ‘reproduction.’ Fakes are usually passed off as originals of well-known masterpieces or as previously unknown artworks by old masters like Rembrandt, DaVinci, Michelangelo, Vermeer, and by later ones like Cezanne, Van Gogh, Matisse, Picasso, Gauguin, and Manet—artists whose works are guaranteed to attract big money.

I have no idea how much this particular manuscript would fetch in the art market. Who collects them? Only libraries and museums and rich collectors of rare books? I know an artwork’s provenance can make a difference in its sale. Is it in question? Who owns it now? How was it lost? How was it recovered and by whom? Who did it belong to before the current owners? If somewhere in its journey to the present, evidence surfaces of this manuscript having been stolen, then the art dealer and its owner may find it impossible to sell.

This piece of news wouldn’t cause a blip in the public radar. But the discovery of original manuscripts as old as the fifteenth century gets art historians and certain art dealers excited. If for no other reason than that an old unique artwork can fetch a lot of money.

What a privilege and an experience it would be not only to see this once lost manuscript underneath its protective glass case. But also, to leaf through its pages. Feast my eyes on its illustrations. It’s a psalter so it contains psalms. But who created it and where (that is, which scriptorium)? Was its scribe also the illustrator? Does it have a traceable history from its creation and initial ownership to whoever claims to own it now? Could it be a quest that I can plunge into? That can consume me? Define me?

I sit back on my chair. Pick up my chopsticks. Slurp noodles back into my mouth. Too distracted to taste them. Wondering how I could see this fifteenth-century manuscript for myself. A facsimile, if there is one, might suffice. Given the fragility of these books, only properly credentialed experts could have access to them. And I’m not yet one of those.

How about doing an illuminated manuscript about medieval illuminated manuscripts for my master’s thesis? I could analyze this resurrected adaptation of The Utrecht Psalter. In choosing to do so, I would be both scribe and illustrator, treading in the footsteps of many medieval artists who copied extant manuscripts or created new ones.

The immediate gut appeal of the idea turns into a frisson of apprehension as I imagine what such a project would entail. It’s an exciting prospect, but would I be up to it? Painting small colorful pictures in egg tempera, a medium I haven’t used? Applying gold leaf on pictures and letters, a skill that seems easy enough to learn? Handwriting content on parchment, a material I’m unfamiliar with? Writing with some fancy medieval script I would have to practice? Sewing the pages together to bind the manuscript? Fashioning a wood, leather, metal, or ivory cover, to me the most intimidating task in the whole process?

I would have wanted to spend more time indulging my fantasies and confronting my trepidation, but my reverie is abruptly cut short by someone opening the door to the office from the outside.

Lena, the office secretary, strides in, glancing at me as she passes by on her way to her office. I acknowledge her with a nod. She waves to me in response. She’s on her way to her office at the southern end of the row of professors’ offices, one larger than those of faculty. But it has neither windows nor a door. Its space accommodates the office machines by her desk and the deep filing cabinets lining her walls.

Don, the assistant to the professors of color, composition, and painting classes, saunters in a minute later. Two other assistants trickle back from lunch.

It’s time to leave. I have a painting class the rest of the afternoon. I pick up my backpack off the floor, gather my empty lunch box and chopsticks, shove both into my backpack, and rush out of the office, backpack slung on my shoulder.

Three and a half hours later, I leave the painting class a little early and hurry back to the office to catch Professor Fischl, hoping this isn’t one of those infrequent days when he doesn’t return to his office after his afternoon classes, and wondering if it might be premature to talk to him about my thesis. I’m only in the first semester of graduate school.

But I’m too fired up to control my impulse.

How often does a medieval illuminated manuscript resurface after it has been missing—maybe for a long time? It should draw even more attention if the art world had not known of its existence. Am I not being thrown an unexpected opportunity? A rare challenge staring me in the face that I have no choice but to seize? A foray into a form of art meaningful to me, helping sustain me through the many transitions I’ve had to endure?

Excerpt from The Golden Manuscripts by Evy Journey.
Copyright © 2023 by Evy Journey.
Published with permission. All rights reserved.

Meet the Author

Evy Journey writes. Stories and blog posts. Novels that tend to cross genres. She’s also a wannabe artist, and a flâneuse.

Evy studied psychology (M.A., University of Hawaii; Ph.D. University of Illinois). So her fiction spins tales about nuanced characters dealing with contemporary life issues and problems. She believes in love and its many faces.

Her one ungranted wish: To live in Paris where art is everywhere and people have honed aimless roaming to an art form. She has visited and stayed a few months at a time.

Connect with the author via Facebook | Goodreads | Instagram | Website
This excerpt brought to you via Author Marketing Experts

 

Book Showcase: JAM RUN by Russell Brooks

JAM RUN by Russell Brooks book cover featuring a reddish-orange sky in the background with a close-up of palm trees in the foregroundJam Run, An Eddie Barrow Mystery, by Russell Brooks
ISBN: 9780986751387 (Paperback)
ISBN: 9780986751394 (eBook)
ASIN: B0BZ1C8T4F (Kindle edition)
Page Count: 571
Release Date: March 31, 2023
Genre: Fiction | Crime Thriller | LGBT Fiction

What if crying out for help made you a target?

Within hours of arriving in Montego Bay, Eddie Barrow and his friend Corey Stephenson witness a gruesome murder outside a bar. When the victim’s sister reaches out for help, they learn of machinations to conceal foreign corporate corruption and a series of horrific sex crimes. However, Barrow and Stephenson’s commitment to solving the case is put to the test once they find themselves in the crosshairs of a ruthless criminal network—one that extends beyond the shores of Jamaica.

The Eddie Barrow Series:
Book 1: Chill Run
Book 2: Jam Run
Purchase Links #CommissionEarned: Amazon | Amazon Kindle | B&N eBook | Kobo eBook

Read an Excerpt:

Chapter 1
Citrusville Bar, Pegga Road, Irwin, Jamaica.

Eddie Barrow thrust a Jamaican five-hundred-dollar bill across the counter to the bartender before the other patron could utter a syllable. There was no way in hell Eddie was going to let someone else cut in front of him tonight.

This time it was a wire-thin sista, dressed in a crop-top, Harley Quinn shorts, and a Mary J Blige weave. To him, she looked like she must be thinking, “He ain’t much of a man,” but Eddie couldn’t give a rat’s ass what she thought. He may not have been born in Barbados like his parents, but he knew the rules of the Caribbean—that cut-ins were a way of life down here.

At five foot eight and a little over one hundred and seventy pounds, Barrow wasn’t the most physically imposing brotha around, but it didn’t mean that he didn’t know how to stand his ground when he needed to.

“Two waters please,” Eddie yelled as he competed with the heavy bass in the background that shook his internal organs, while keeping his hand on his money.

The bartender leaned closer. “What you say?”

“I said water.” He held up two fingers. “Two.”

Eddie loosened his grip on the bill as the bartender pulled it away and slipped it in the cash register. He reached below the counter, then placed two bottles in front of Eddie before moving on to the sista who’d tried to budge him.

With a bottle in each hand, Eddie navigated through the crowd. It was no different than trying to exit a packed subway car—especially getting elbowed and poked. He kept looking down, worried someone was going to step on his toes and dirty up his pristine pair of Air Max runners.

This was exactly the reason Eddie outgrew the club scene a year after he came into it, roughly seven years before. It didn’t take him long before he realized that he wasn’t missing anything. As for Corey Stephenson, his “brotha from anotha motha” from way back, clubbing and going out was more his thing. Eddie was the quiet one who always wanted to stay home with his head buried in a book or, up until recently, writing one to keep up with deadlines. If he went out, it was because Corey had dragged him.

The funny thing was that Eddie had always been told that Barbadians—Bajans—were the loudest, more so than Trinidadians. Corey was born in Trinidad and moved to Montreal when he was around eleven or twelve, not too long before he saved Eddie’s ass from a bunch of skinheads who’d ambushed him in the park. At a solid six foot two with his Trini charm, he was always able to talk his way into a woman’s panties, unlike Eddie.

But he’d since settled down a bit. Getting his girlfriend pregnant and then marrying her had changed Corey for the better. He’d once had an alcohol problem too. Those were moments that Eddie wanted to forget. One of those memories involved the two of them and Corey’s then-girlfriend, Jordyn, being on the run from the police for a murder Eddie had been framed for.

Eddie didn’t even wait to get back to Corey before he took a drink of his water to cool off in this sweltering Jamaican heat. Even though this section of the bar was outdoors, a bunch of brothas and sistas crowded together like sardines still made the mercury rise, especially since they weren’t close enough to the ocean to catch the breeze.

They’d only arrived from Montreal earlier that afternoon. As expected, Corey had to drag Eddie out of the Airbnb to find the nearest party.

It was their first time in Jamaica. It was business for Eddie. Pleasure for Corey. In less than twelve hours Eddie would be signing copies of his latest thriller, which was why he didn’t want to be out too late or drink anything alcoholic. Eddie was a lightweight. The last thing he needed was to be hungover during the book signing.

“Come on, it’ll only be for a few hours. You’ll have plenty of time to sleep,” Corey had said earlier. Which only made Eddie sigh. He didn’t have much of a track record in saying no to his friend.

Of all the areas Corey chose to drag him to, why did it have to be a ghetto on top of a hill? The only light aside from the headlights of their rental car came from the car graveyard to their left. Beyond that was pure blackness, as they drove on the two-laned road through an area of thick forest on either side. Even worse, the road was so neglected that they were forced to drive at a speed slower than one found in a school zone. Had they been ambushed by a street gang they’d have better luck escaping on foot.

As for school zones, the Irwin Primary School was adjacent from where they were. Eddie couldn’t imagine a worse area to build a school. Hell, he couldn’t believe he was at a party that could potentially be interrupted by gunfire at any moment.

Maybe he should’ve asked for a drink doused with rum to calm his nerves. All of this because Corey wanted to party in what he called the real Jamaica, and not the area that catered to tourists.

A sista caught Eddie’s attention, clearly not hiding the fact that she was eyeing him. The woman’s jet-black hair with blond highlights reached the top of her midnight dress—one which conveniently stopped just below her thighs. When she turned to the side it was as though the world moved in slow motion. Yeah, she wanted him to notice her, especially her peach-shaped booty. Eddie’s eyes then dropped to her feet, and he nodded in appreciation. A wicked pair of stilettos. This sista had polished herself literally from head to toe. He no longer thought of getting a rum drink because his nerves were calmer than ever.

He gazed around now. There must be at least a dozen brothas there, all ready to jump her bones.

Eddie shook it off and found Corey—lost in his own world—doing the Gully Creepa. At least the crowd wasn’t as dense, and the air was less tainted by the smell of sweat and perfume. He held out Corey’s water bottle.

“Corey,” yelled Eddie, but his friend didn’t seem to notice. Eddie tapped the bottle on Corey’s shoulder, catching his attention.

“There you are.” Corey took the bottle and unscrewed the cap. “What took you so long?”

“Don’t ask.”

Corey drank a bit and then nodded past Eddie. “You notice that girl staring at you?”

What a question to ask. How could he not? Eddie had always been the more observant of the two. He finished off his water in a single swig, giving Corey what Eddie hoped was a nonchalant shrug. “Yeah, I saw her.”

“Why don’t you go talk to her?”

“Oh sure, so that I look desperate.”

“Bwoy, stop being a pussy and go talk to her.” Corey shook his head and took a swig.

Eddie watched as three brothas—two of them solidly built—approached the sista. They weren’t holding back, and one of the three reached under her skirt from behind. But she had already spotted them, anticipated his move, and slapped his hand away before striding off.

The brotha laughed as he casually ran his hand over the top of his durag. The other, who wore a bandana, bent over at the waist, laughing as he held onto his friend’s shoulder. The third, who looked like the odd one of the three, bowed his head and looked away while covering his mouth. He, unlike the other two, didn’t fit the tough-guy, macho type. In fact, he looked as though he was embarrassed by his friend’s behavior.

“You see that?” Eddie asked.

Corey nodded. “She’s waiting for you to make the first move.”

Eddie knew when Corey was right, and this was one of those times. People around him were up on each other, sistas whinin’ up on a brotha—bent over between six-fifteen and six-thirty—to music, whose lyrics at times even degraded them.

Eddie caught her smile as she ran two fingers across her brow to clear away the few strands of hair that fell over her eye. He approached her slowly, not letting go of her gaze. She gravitated toward him. The music stopped, and the DJ screamed something in Jamaican Patois that Eddie couldn’t understand, right before bombastic dancehall music blasted around him. Eddie was caught off guard as the woman spun around and backed up into him—ass first—and performed the most energetic and wildest Dutty Wine he’d ever seen. She then followed through to Bruk It Down.

Damn, she has skills.

It was way more than Eddie could handle, and he struggled to keep up with her. She then turned around and looked into his eyes—their noses barely touching. He stared back, held her gaze, but something was off. It made him pause his dancing, a tiny voice in his head telling him to back up. But he was caught off guard when the sista grabbed him by the shoulders with a firm grip. Before he realized what was happening, she hoisted herself in the air and locked her legs around him just above the waist in a vicelike grip. Out of reflex, he quickly took a deep breath as he felt the pressure from her legs on his ribcage.

The jump’s momentum knocked him off balance, and he stumbled backward before falling, nearly striking his head on the ground. The crowd went crazy, and all Eddie heard was howling laughter. For the next several seconds, the jarringly loud thumps of the bass from the speakers were reduced to background noise.

Eddie felt as though a nasty prank had been pulled on him as the back of his throat dried up.

But she wasn’t done with him yet. She continued gyrating onto him as though nothing had happened while he lay on his back. She then spun around to face the opposite way—with her ass literally up in his face as she shook it. All Eddie saw was booty and thong. He couldn’t help but watch—his neck hurt from holding his head up for so long. She then did a front roll into a handstand, held it, then gracefully let one leg fall after the next to form a bridge, and pulled herself up at the waist, with seemingly little effort, to stand on both feet.

Eddie couldn’t hold his head up any longer, and let it drop as he breathed deeply, attempting to process what the hell just happened. Even before he sat up, brothas inundated him as they rushed to give him high-fives. He was slow to return them, considering that he was still recovering from the ordeal.

He couldn’t tell if the crowd was cheering or laughing. It sounded more like laughing—and at him. Twenty-seven years young, and he still felt like the odd one in the crowd. It reminded him of the times in elementary and high school gym class where he was always the last one chosen to be on a team.

The sista winked at him before turning to go. He felt the blood rushing to his groin as her ass bounced from side to side as she sashayed away.

“Wait,” Eddie yelled as he scrambled to his feet. But she was already gone.

Where did she go?

Eddie heard Corey’s long, drawling holler as his friend grabbed his shoulder. “Yoooooooo! Did you get her number?”

Eddie turned to him and saw Corey wiping the tears away with his towel.

“Naw, she took off too fast.”

Corey shook his head. “Come again? You let her do all that, and you didn’t even get her number?”

“I said she was gone before I could get up. By the way, I’m okay, considering that I nearly cracked the back of my head open.”

“That ain’t no excuse. Bwoy, I oughta slap you upside the head.”

It was then that the DJ lowered the music and started yelling into the mic, announcing a dance-off, and that the participants should present themselves. Six army-vet-looking brothas, showing off their pecs by wearing tight black t-shirts with the word SECURITY emblazoned on the back, cleared a circle. As the area was being prepared, four young sistas—ranging from petite to thunder thighs—were already on the floor.

Corey beckoned Eddie to follow him quickly so that they could get a closer view. There was only one row of people in front, forcing Eddie to look between to see, while Corey, being the taller one, only inconvenienced the ones behind him.

It took just a few moments before Eddie spotted her again. She was on the opposite side of the circle, talking to another sista. It appeared that she was complimenting her on her dress. The woman then took out her smartphone, and they snapped a selfie. The smile was so irresistible. But something was still off, and a red flag was flapping in his mind. If only he knew why. The other sista, whom she took the selfie with, ran into the circle as the DJ blasted the music again.

Eddie tapped Corey’s arm. “I’ll be back.”

“You leave, and you’re going to lose your spot.”

Eddie then nodded in the direction of the woman. “It’ll be worth it.”

When Corey looked away, Eddie saw what appeared to be a scuffle. He nearly pushed aside the person in front of him to get a better view. It was the woman. She was trying to leave, but some brothas and sistas were blocking her path.

A few seconds later, though, it appeared that they were persuading her to join the dance-off. It came to the point where the woman was literally pushed into the circle, where the other sistas already had a head start.

The look on her face—she was worried. It was as though she didn’t want to do it or even be there anymore. But the crowd was not forgiving. One of the bouncers who helped clear the area came to her and said something into her ear. It was at that moment that she removed a stiletto.

Bedlam.

Eddie thought he would go deaf from the amount of screaming that erupted around him.

The second stiletto came off, and she handed those, along with her purse, to the bouncer. She relaxed, and her smile came back. It was contagious enough that it even made Eddie smile. After she started to move, he knew that the contest was already over after the first twenty seconds. It was evident by the amount of noise the crowd made that she was the winner. Two of the other competitors seemed to know they didn’t stand a chance of winning, and they gave up and bolted in a New York Minute. She clearly had more energy and endurance than the remaining competitors. However, it was the backflip ending in ground splits that sealed the deal for her.

Game over.

The music came to an abrupt stop, and the DJ called out the names of the remaining contestants one at a time to let the amount of noise the crowd made determine the winner. He came last to the woman Eddie had danced with. The DJ had to ask for her name.

She must be new. How else would the DJ know the others and not her? Eddie thought.

The woman was handed her belongings along with a cordless mic. She then turned to the DJ. “My name’s Shenice.”

Chaos.

Eddie was bounced from both sides and from behind as everyone around him completely lost it—jumping up and down, swinging towels, obviously not caring who they knocked into. It was soon after that the DJ announced her as the winner.

“You better get her number. That’s wifey material,” Corey shouted into Eddie’s ear. Eddie didn’t answer. As blown away as he was, he still couldn’t help but feel that there was something off about Shenice.

As she slid her feet back into her stilettos, a brotha walked to Shenice and handed her an ultra-wide gold-colored column trophy and an envelope. Eddie assumed the latter was either a cash prize or a gift card.

Thunder-thighs and the selfie-sista both gave Shenice congratulatory hugs while the other two women scowled and stormed off.

Eddie forced his way past the people in front of him, but others crowded back inside the circle, creating enough obstacles to slow him down. When he got to where Shenice was, she was gone again.

Shit, man!

He jumped in the air a few times, hoping to see her above the crowd. The sixth time he spotted the blond highlights at the back of her head.

“Shenice,” Eddie yelled, only for his voice to be lost among the dozens. He went to the spot where he last saw her and found himself next to a line to the ladies’ room.

A line this long, she couldn’t have gotten in so quickly. “Excuse me. Anyone see Shenice?”

“Who yuh call Shenice? Which Shenice is dat?” answered one woman in a heavy Jamaican accent.

“She just won.” All Eddie saw were shaking heads.

“Me no see yar pass tru.” Eddie assumed she said: I didn’t see her pass through here.

How does Shenice keep going ninja on me? He went back and found Corey waiting where he had left him.

“And?”

Eddie furrowed a brow and shook his head. He tugged at his own collar. “I’m going out to the parking lot for a bit. It’s too stuffy here.”

The sound of tiny gravel crunching under his feet was a relief from the jarring bass from the subwoofers. As he walked between two rows of cars, all he saw were Toyotas, Mitsubishis, and Hondas—not an American or European car in sight. The ringing in his ears wasn’t as bad as he had expected.

His phone buzzed in his front pants pocket. He grabbed it and saw the envelope icon indicating that he had received a text message. Eddie held his thumb on the monitor in the fingerprint display to unlock it. The message was from Corey, asking if he’d found Shenice.

Eddie replied with a “No.” A few seconds later, the phone buzzed again. He checked it out, expecting to see Corey’s answer. Instead, he noticed that his text didn’t go through. It bounced back, accompanied by a red exclamation mark. Damn. A slashed zero replaced the phone signal bars and the Wi-Fi icon at the top of the screen.

No signal.

Eddie stopped and walked backward a few steps while raising the phone above him to catch the signal. Still nothing.

That was odd.

Eddie slid the phone back into his pocket. He tapped the other one—the third time he’d done so this evening—and still felt the thin pouch. The pouch was too obscure to be visible to a would-be pickpocket but large enough to just hold his ID and a few dollar bills. No sense checking it too often, or he’d tip off someone that he had something of value on him. As for his wallet, he’d left it in the glove compartment of his car.

His thoughts drifted back to Shenice. What kind of sista whine-up on a man so and don’t even talk to him after? But she was gone. Either she caught a taxi, was picked up by a friend, or she drove herself. Who knew? Again, the thought came back to him that there was something unusual about her. It was killing him that he couldn’t figure out what it was.

Eddie was startled by shouting that came from several cars away, and he turned to see what appeared to be fighting among three people. Two brothas held onto a sista by the arms and threw her facedown onto the hood of a car. Eddie’s walk turned into a jog so that he could get a better view. He paused when he saw that it was Durag and Bandana. Eddie couldn’t see the sista’s face but caught a glimpse of the back of her head and saw the blond highlights, sending his heartbeat into overdrive.

Holy shit, they’re going to rape Shenice.

“Hey!” Eddie yelled, catching the attention of Shenice’s attackers just as he was about to rush them. “Leave her—”

The cuff to the back of his head sent a shock that penetrated Eddie’s brain. The world spun around him, seconds before he fell forward, striking another solid object before he hit the ground. He scrunched up his face as he forced his eyes shut, crying out from the agonizing pain. But he only heard his cries internally. Something—no, someone was forcing down hard on his mouth with what felt like a damp cloth with a noxious-smelling chemical. Whatever it was, he had already inhaled too much of it that he was left disoriented.

He felt the crook of an arm under his chin, pulling him backward. His body fell limp as his heels dragged across the ground. He didn’t even have the strength to turn his head to see his attacker before his eyes got very heavy.

***

The choking startled Eddie awake. He rolled on his side, only to inhale a mouthful of dust, making things worse. He got onto all fours as he tried to take deep breaths in between violent coughs. He turned around and into a seated position with his back to one of the cars beside him. The right side of his forehead throbbed. He put a hand to it. Things started to come back to him. He had bumped his head. And right before that, he was hit from behind. And that was right before…

Shenice.

Standing was a struggle, but he held onto the car next to him for support. Once up, he heard the banging cacophony coming from the bar. He let go of the car to see if he could walk on his own but ended up stumbling forward. Eddie braced himself on the car again to stop himself from falling.

He did his best to maintain his footing as he headed to where he had seen Shenice being attacked.

“Shenice?” Eddie yelled. Nothing but the slow-jamming reggae in the background. He grabbed his cell and called Corey, holding the phone to his ear as he searched the area.

Come on, pick-up. It suddenly hit him that the phone signal was down earlier. Eddie took a quick glance at the screen and still saw the slashed zero.

The loud sliding of tires on dirt and gravel startled him—freezing him where he stood as the shock took over, preventing him from jumping out of the way of the oncoming vehicle. The car still slid but luckily came to a stop, within inches of striking him.

Eddie’s nerves unlocked, allowing him to breathe again.

With the headlights shining below his waist, he was able to see the visible BMW insignia on the hood of the car, and who was inside. Bandana was in the passenger seat, but there was something wrong with his eyes. He was clearly in pain as he was rubbing them with his hands while howling. The driver was one of his friends, the odd one of the group. He then saw Durag in the back seat, staring between both of them and straight at Eddie.

“Delroy, Laawd Jesus! How yuh slam pon de breaks so? Why nuh kill me?” yelled Bandana.

“It’s dat bloodclaat who shout at us,” said Durag. “Move out at de road, yuh damn idiat. Bumboclaat!”

The driver wasn’t among the two who attacked Shenice. At least, Eddie didn’t remember him being there. But the fear was all over his face. When his hand slammed on the horn, it startled Eddie enough that he jumped to the side.

Eddie raised his hands in surrender. “Yo, my bad.”

The accelerator was floored, causing the tires to spin wildly, gravel ricocheting out behind the car. As they passed, Eddie saw Durag point at him while imitating a gun. He then lowered his thumb to touch his index as though he was pulling the trigger. This was done slowly, and Eddie knew that Durag was making a point.

Eddie shielded his eyes with his forearm as a dust cloud emerged from under the spinning tires. The tiny pebbles became projectiles, stinging his arms and legs as the car cut left, causing it to fishtail. It then sped off and exited the parking lot. Once it hit the road, Eddie heard the screeching of tires and the accelerating roar of the engine.

Even though it was impossible to catch the license plate number, he already had two clues: the driver’s name was Delroy, and he drove a BMW—the only European car he saw in this lot so far.

“Ed.”

Eddie turned to see Corey running toward him.

“I was looking all over for you.” Corey slid to a stop, a bit out of breath. “Didn’t you get my text?”

It didn’t take long for his best friend to notice his injury. “Bruh, what happened to your head?” Corey reached out to touch the bruise.

Eddie moved his head to dodge his hand. “That’s nothing.”

“What happened to you?”

Eddie continued searching for Shenice. “I wish I knew.”

“What?” Corey put his hand on Eddie’s shoulder to get his attention. “Were you fighting? Who did this to you?”

“Shenice.”

Corey tilted his head. “Shenice did that to you?”

“No, she was being attacked,” Eddie answered. “It was those same guys we saw earlier.”

“They did this to you?”

Eddie began to wander off. “No, not them.”

Corey moved quickly to catch up to him. “You ain’t making any sense.”

“We have to find her.” Eddie picked up the pace—looking left and right. “I think they raped her.”

“You serious? Where?”

“Over there, I think.” Eddie pointed to the spot where he’d last seen her. “I saw Durag and Bandana dragging her, and I yelled at them. Then someone jumped me from behind. That’s when I fell and hit my head. I tried texting you, but the phone signal’s out.”

“I know,” said Corey. “When you didn’t reply, I texted you again, but it bounced back. So I came out here looking for you.”

An object on the ground caught Eddie’s attention. It was a shoe, more specifically a stiletto—and it looked like one that Shenice had been wearing. Eddie darted right for it and picked it up. The heel was broken and dangled from its attachment like a shoelace. He showed it to Corey, who raised his eyebrows.

Shenice could’ve been running for her life.

They both frantically searched, looking underneath the cars in anticipation that she was on the ground, all while yelling her name.

A loud, frightening scream came from the entrance to the parking lot. Eddie jumped to his feet, and his mouth dropped in a gasp. A human torch ran blindly in zigzags and circles with both arms flailing. The person fell but continued to kick and thrash on the ground, screaming as the bright flames seared through fabric to flesh.

Eddie rushed to the victim while pulling off his shirt, then swung it as hard and fast as he could to beat out the flames. He didn’t care that his hands were getting singed. This person’s life was at stake. Moments later, he noticed that Corey was doing the same. They yelled for help as they lashed the victim and furiously kicked dust and gravel from the ground to help smother the flames.

Eddie’s shirt caught fire, forcing him to throw it on the ground. He grabbed his phone ready to dial 110…or was it 119? He went with his gut and dialed 110 while kicking as much dust as he could onto the victim. Still, the call wouldn’t go through. This didn’t make sense. Emergency calls always worked, whether there was a phone signal or not.

But Eddie’s gut told him they were already too late. It was the first time that Eddie had smelled burning human flesh, and it brought on a brief wave of nausea. He still didn’t stop kicking gravel onto the victim even though the flames had died down.

“Hey, do you hear me?” Eddie yelled.

No reply.

“Please answer. Can you hear me? Please say something.”

“Ed,” said Corey.

“Come on,” Eddie’s voice died down. “Say something.”

Eddie felt a hand on his shoulder. He turned to see Corey shaking his head.

“Help! Somebody help!” Gritting his teeth, he ran toward the bar. He continued yelling for help, but it was as though no one heard him.

Eddie turned and ran back. “Did they say anything?”

Corey sighed and shook his head.

Eddie dropped to his knees in front of the victim and noticed they were missing their shoes. He then saw what remained of the dress. No long hair with gold highlights, which was most likely a weave that had completely burned away. It was definitely Shenice.

“Fuck!” Corey yelled as he stomped on the ground.

Eddie often read about Jamaica’s high homicide rate. He just never imagined that he would witness one within the first ten hours of his arrival. He didn’t know what had suddenly come over him as he stared at the smoking, charred body. Was it fear, shock, or both?

It wasn’t long before one of the patrons noticed what had happened. It began with one, then quickly became a few. Word spread swiftly, and others began showing up. As expected, cell phones were up as the mob suddenly became the paparazzi. They practically smothered him, Corey, and Shenice.

“Who dead?”

“Who do it?”

“Move outta de way. Put it pon Facebook.”

The last comment pissed him the fuck off. Eddie jumped up and spun in the direction of the person who said it. “Who said they’re putting this on Facebook? Don’t you have any respect? Jesus!”

The crowd went silent for a moment, then they resumed what they were doing as though they hadn’t been interrupted.

Eddie turned to look back at Shenice’s body. Most of the burns were from the neck down.

There was enough light from the flashlights on the patrons’ cell phones that allowed Eddie to notice that Shenice had suffered a skull-fracturing blow to the side of her head—maybe from a rock or a bat. But something was still off, and he was reminded of the red flags that hit him earlier. Something about Shenice’s body caught Eddie’s attention. He took out his smartphone to activate the flashlight so that he could get a better look.

What Eddie saw made him tense up while stifling a gasp. He quickly pointed the flashlight away from the victim.

So that’s what was bothering me.

“Clear outta de way!” Eddie heard a few brothas yelling. He turned to see that the crowd was being physically dispersed by the bouncers. They made it through, grabbing Eddie and Corey, then shoving them back.

“Bumboclaat!” yelled one of them as he turned his head away in disgust.

Another pointed his finger toward Eddie and Corey. “A two a uno do it?”

“We were trying to save her,” Corey answered. “We even lost our shirts trying to beat out the flames.”

Eddie didn’t understand a word the bouncer said. But after Corey answered him, it was obvious that the bouncer asked: “You two did this?”

The same bouncer eyed them while shaking his head.

“If we did this, why would we hang around to get caught?” Eddie couldn’t believe that this idiot would have the gall to accuse them of killing Shenice.

The bouncer then sighed and pointed to a spot away from the crowd. “Stay ova deh so, and no botha move!”

Move over there, and don’t bother trying to leave! Eddie understood that part.

Both Eddie and Corey obeyed and went to where they were instructed.

“That’s some straight-up bullshit,” said Corey as they looked at the gathering. “Those guys not only raped her, but they killed her too. What kind of sick fucks do such a thing?”

Eddie shook his head. “I have my suspicions, but I don’t think they raped Shenice. And if it’s possible, a medical examiner will confirm that.”

Corey turned to Eddie and tilted his head. “I thought you said that those guys attacked her.”

“Yeah, before someone jumped me.” Eddie turned to his friend. “I don’t know what happened while I was knocked out or how long I was out for.”

It was then that Eddie saw two of the bouncers talking into their mobile phones. He checked his own and saw that the signal was back.

“It’s good that we’re over here because I don’t want anyone to overhear us.”

“Overhear what?” asked Corey. “That you don’t think Shenice was raped?”

Eddie shook his head as he continued watching the crowd. “Whoever that person is, their real name isn’t Shenice.”

“How do you know that?”

“Because I got a good look at the body before the bouncer shoved us away. I think this may be a hate crime.” Eddie then turned to Corey while he thumbed in the direction of the deceased. “Shenice is a brotha.”

Excerpt from Jam Run by Russell Brooks.
Copyright © 2023 by Russell Brooks.
Published with permission. All rights reserved.

Meet the Author

Russell Brooks author photo: head shot photo of a young Black man wearing glasses and a white shirt, with long, brown, locked hair, and blurred greenery in the backgroundRussell Brooks is an Amazon bestselling author of several thrillers—Pandora’s Succession, Unsavory Delicacies, Chill Run, and The Demeter Code. If you enjoy heart-pounding thrillers with conspiracies, martial arts, sex, betrayal, and revenge, then you don’t need to look any further and see why these are among the best mystery thriller books of all time.

Connect with the author via: Facebook | Goodreads | Instagram | Twitter | Website

Giveaway

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