Happy Monday, my bookish peeps. I hope you all had a wonderful weekend and were able to find some time to read. After having an allergic reaction to some coconut, I spent most of Saturday and Sunday heavily medicated and reading. I enjoy reading mysteries, suspense thrillers, romance, and romantic suspense, but there’s a special place in my heart for gothic romance (hey, Jane Eyre is one of my all-time favorite reads!). Whether a story is a traditional gothic tale or gothic-inspired, count me in. I’m very pleased to welcome, Katharine Schellman, author of Death at the Manor to the blog today. Ms. Schellman will be defining gothic storytelling and providing us with a list of suggested gothic reads. I hope you’ll take note and add a few of these titles to your TBR or TBRR (to-be-re-read) list, along with Death at the Manor. Thank you, Ms. Schellman, for stopping by and sharing your insight into gothic stories.
A Gothic Reading List
by Katharine Schellman
If you’ve read one of the Lily Adler Mysteries before, you might have noticed a slightly different flavor in Lily’s third adventure. With a wandering ghost, a run-down manor full of unsettling residents, and a romance brewing, it has a distinctly Gothic feel to it.
That isn’t by accident. During the nineteenth century, when Death at the Manor is set, the Gothic romance was wildly popular. These books were often mysteries that reflected a fascination with the supernatural, the grotesque, or the horrific.
Death at the Manor is still a traditional mystery, but parts of it borrow heavily from the Gothic canon. So what makes a book truly Gothic? It’s a genre that can vary a lot, especially in its modern version, but you’ll usually see a few elements in common.
1. The threat of supernatural events or creatures, such as ghosts, monsters, or vampires
2. Dark, ruined settings, such as old castles, monasteries, or haunted houses, often with secret passages and trap doors
3. A feeling of fear or claustrophobia
4. The past intruding on the present, often through curses, prophecies, omens, or portents
5. Themes of vengeance, imprisonment, or murder
6. Doomed or persecuted romance
The tropes of Gothic writing could easily become overblown and absurd, but they served an important role in the history of literature. Books about ghosts, fear, vengeance, and persecution gave women something other than the marriage plot to write and read about. And they allowed writers and readers to explore the darker side of the social expectations, taboos, and power structures that shaped their lives.
If you’d like to brush up on your Gothic reading, here’s a starter list for you:
1. The Mysteries of Udolpho by Ann Radcliffe
2. Castle of Otranto by Horace Walpole
3. The Old English Baron by Clara Reeve
4. Zofloya by Charlotte Dacre
5. The Giaour by Lord Byron
6. The Wanderer by Frances Burney
7. Wuthering Heights by Emily Brontë
8. Jane Eyre by Charlotte Brontë
9. The Fall of the House of Usher by Edgar Allen Poe
10. The Grey Woman by Elizabeth Gaskell
And of course, I’d be remiss if I didn’t mention Northanger Abbey by Jane Austen. It’s not a Gothic tale itself, and like Austen’s other works, it doesn’t stray far from the marriage plot. But it’s a brilliant satire of the Gothic genre, which can only be fully appreciated once you’ve read some of the books she was spoofing. ♦
Death at the Manor
by Katharine Schellman
August 8 – September 2nd, 2022 Virtual Book Tour
The tortured spirits of the dead haunt a Regency-era English manor—but the true danger lies in the land of the living in the third installment in the Lily Adler mysteries, perfect for fans of Deanna Raybourn.
Regency widow Lily Adler is looking forward to spending the autumn away from the social whirl of London. When she arrives in Hampshire with her friends, the Carroways, she doesn’t expect much more than a quiet country visit and the chance to spend time with her charming new acquaintance, Matthew Spencer.
But something odd is afoot in the small country village. A ghost has taken up residence in the Belleford manor, a lady in grey who wanders the halls at night, weeping and wailing. Half the servants have left in terror, but the family seems delighted with the notoriety that their ghost provides. Intrigued by this spectral guest, Lily and her party immediately make plans to visit Belleford.
They arrive at the manor the next morning ready to be entertained—only to find that tragedy has struck. The matriarch of the family has just been found killed in her bed.
The dead woman’s family is convinced that the ghost is responsible. Lily is determined to learn the truth before another victim turns up—but could she be next in line for the Great Beyond?
Genre: Historical Mystery
Published by: Crooked Lane Books
Publication Date: August 9th, 2022
Number of Pages: 352
ISBN10: 1639100784 (Hardcover)
ISBN13: 9781639100781 (Hardcover)
ISBN: 9781639100798 (eBook)
ISBN: 9781666613636 (Digital Audiobook)
ASIN: B0B13RB3XG (Audible audiobook)
ASIN: B09LGVHT9S (Kindle edition)
Series: Lily Adler Mystery #3
Purchase Links #CommissionEarned: IndieBound.org | Amazon | Amazon Kindle | Audible Audiobook | Audiobooks.com | Barnes and Noble | B&N NOOK Book | B&N Audiobook | BookDepository.com | Bookshop.org | Downpour Audiobook | eBooks.com | !ndigo | Kobo Audiobook | Kobo eBook | Goodreads
Katharine Schellman is a former actor, one-time political consultant, and now the author of the Lily Adler Mysteries and the Nightingale Mysteries. Her debut novel, The Body in the Garden, was one of Suspense Magazine’s Best Books of 2020 and led to her being named one of BookPage’s 16 Women to Watch in 2020. Her second novel, Silence in the Library, was praised as “worthy of Agatha Christie or Rex Stout.” (Library Journal, starred review) Katharine lives and writes in the mountains of Virginia in the company of her husband, children, and the many houseplants she keeps accidentally murdering.
Catch Up With Katharine Schellman:
BookBub – @katharineschellman
Instagram – @katharinewrites
Twitter – @katharinewrites
Facebook – @katharineschellman
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